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CANNON, JoannePlayable ambisonic spatial motion : music performance techniques and mappings for the extended bassoonM.Mus.University of Melbourne200995
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COLLYER, SallyThe use of computers in aurally based voice classification for solo classical singersMMusGriffith University1997190
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CRACKNELL, Susan ElizabethAn adaptable phase vocoder and its behaviour.PhDUniversity of Melbourne1996205
CRAWFORD, Renee MarieAuthentic learning and digital technology in the music classroom PhDMonash University2007311
D'OMBRAIN, Geoffrey RobertThe concept of the electronic music studio North America 1972 MMusUniversity of Melbourne1974264
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DOWDALL, PeterThe impact of technology on the role and function of the bass in jazzPhDUniversity of Adelaide2012293
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DUIGNAN, MatthewComputer mediated music production : a study of abstraction and activityPhDVictoria University of Wellington2008346
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EGENES, John R. The Record Producer's Evolving Role: A Study of Three Recording ProjectsDMAUniversity of Otago2016
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FITZGERALD, Thomas ANew music composition for live performance and interactive multimediaDCAUniversity of Wollongong2004180 + 6 folios + 4 D
FRANCIS, RichardPatterning : creative sound composition from environmental recordingsMCPAUniversity of Auckland200451 + DVD + 7 sound d
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GRANT, NatalieMomentum: experiential development in music compositionPhDUniversity of Melbourne2014
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HAMEED, ShamunA study on the use of vocal samples and vocal transformation techniques in the music of Paul Lansky and Trevor Wishart + Portfolio of original compositionsMMus (Comp)University of Sydney200579 + folio + 2CDs
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JACOBS, Bryson KThe development of the 7-octave BKJ 12-string electric guitar and its practical applicationMMusUniversity of Sydney200864
JAMES, Stuart GeorgeSpectromorphology and spatiomorphology : wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domainPhDEdith Cowan University2015
JOHNSON, Bridget DoughertyDiffusion evolved : new musical interfaces applied to diffusion performanceM.M.AMassey University201376
JOHNSON, Robert LloydElectronic music and the synthesiserMARMIT University2000?NS
KEITH, Sarah LouiseStandards for deviation: developing laptop performance of generative contemporary electronic musicPhDMacquarie University2010250 + CD-R
KELLY, JoanThe electronics of science fiction: The relationship between science fiction sound and the development of electronic music technologyMARMIT University20051 vol
KEMP, David JamesCompositions Combining Acoustic, Electro-Acoustic And Synthetic Instruments For Modern Jazz PerformanceMMusUniversity of Sydney2016181
KERR, Thorin McDonald ThomasPerforming composition : developing a computer assisted composition system through live coding performance M.A.Queensland University of Technology200972 + 1 videodisc
KERSLAKE, BenContemporary opera and the role of technologyMMusGriffith University200275
KHOO, Sui SinThe single hidden layer neural network based classifiers for Han Chinese folk songsPhDSwinburne University of Technology2013213
KING, Jason Philip AllenPilot testing a music appreciation training program for cochlear implant recipients and users of hearing aidsMAudUniversity of Canterbury2013102
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KRAUSE, Amanda ElizabethResearch about listening: everyday music interactionsPhDCurtin University of Technology2014336
KREGER, TimMusical Application of TypogeneticsMMusAustralian National University199939
KRUEGER, Cornelia CorinnaThe impact of the internet on business model evolution within the news and music sectorsPhDUniversity of South Australia2006336
KUO, ChristyA machine learning approach to music classificationMScUniversity of Waikato2005124
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LEGG, Katherine AnnNonlinear mode coupling in vibrating mechanical systemsPhDUniversity of New England1988119
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