| GARCIA, AL | Stringshift : solo guitar improvisation : process, methodology and practice | Unknown | University of Tasmania | 2014 | |
| WEEKES, Diana K. | Twistonality: A Personal Exploration: portfolio of original compositions and exegesis | PhD (Comp) | University of Adelaide | 2007 | 3 vol |
| MARETT, Allan | 1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga no | PhD | Overseas | 1976 | |
| BANDT, Rosalie | Models and processes in repetitive music, 1960-1983 | PhD | Monash University | 1983 | 433 |
| BARRETT, Margaret Sylvia | Children's aesthetic decision-making: an analysis of children's musical discourse as composers | PhD | Monash University | 1996 | 2 vol |
| BRACANIN, Philip | The function of the thematic process in dodecaphonic music : a study in analytical method | PhD | University of Western Aust. | 1970 | 345 |
| BROWN, Andrew R. | Music composition and the computer : an examination of the work practices of five experienced composers | PhD | University of Queensland | 2001 | 328 |
| BURRASTON, David M | Generative music and cellular automata | PhD | University of Technology Sydney | 2006 | 211 + CD-Rom |
| BURT, Warren | Algorithms, Microtonality, Performance: Eleven Musical Compositions | PhD | University of Wollongong | 2007 | 301 + 2 CDs + DVD |
| CAMPBELL, Steven James | The application in original musical compositions of algorithms within four music composition software programs and the development of composition algorithms within Phrase Garden, an original music composition software program | PhD | University of New England | 1997 | 355 |
| CASTEELS, Robert | Berlayar ke mata hari (Set sail to the sun) : a folio of original compositions comprising the use of gamelan instruments with related exegesis | PhD | University of Melbourne | 2003 | 2 vol + 3 CD-Roms |
| CHAPMAN, Jim (James Norman) | Afro No-Clash: Composing syncretic African/Western music: Eleven Compositions and frameworks for their systematic analysis | PhD | Queensland University of Technology | 2007 | 2v (225 + 237) + 1CD |
| COLE, Fred | Creative practices in Australian techno and other electronica : a folio of original compositions and supporting documentation | PhD | Southern Cross University | 1999 | 221 |
| DAVIDSON, Robert | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 2 vol |
| DJORDJEVIC, Sinisa Danila | Study of the effect of mood and emotion of the spectra of sustained sung vowels and consonants | PhD | Monash University | 1995 | 136 |
| DUNCAN, Wayne | Portfolio of Original Compositions | PhD | University of Adelaide | 2007 | 322 |
| GALLACHER, Lynette | Words under pressure: an investigation of compositional linguistics focussing on recent work by Chris Mann | PhD | LaTrobe University | 1996 | 217 |
| GAYLER, Ross Watson | Development of a methodology and theoretical framework for melodic discrimination | PhD | University of Queensland | 1987 | 231 |
| GEAKE, John | An information processing study of individual differences in perception of pitch fluctuations in music. | PhD | University of New England | 1996 | 393 |
| GIOVINAZZO, Joseph | Analytical models of timbral architecture in music: an application to the orchestral miniatures of Igor Stravinsky | PhD | LaTrobe University | 2001 | 291 |
| HAIR, Greta Mary | Troped introits and communions from eleventh century Aquitaine manuscript Paris Bibliotheque Nationale fonds Latin 903: a study in musical reconstruction | PhD | University of Sydney | 1988 | 3 vol |
| HARRIS, Philip Geoffrey. | Cortical activity associated with rhythmic grouping of pitch sequences | PhD | Swinburne University of Technology | 2007 | 312 |
| HAYNES, David Matthew | Context and process in arrangement and transcription for solo piano, left-hand alone | PhD | University of NSW | 2005 | 390 |
| HILL, Adam Brantley | The cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process | PhD | University of Tasmania | 2004 | 239 + 2 CD |
| HIRST, David | The development of a cognitive framework for the analysis of acousmatic music | PhD | University of Melbourne | 2006 | 235 |
| HOOPER, David Johannes | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 264 |
| KELLER, Peter Erik | Adaptive functions of meter in multipart musical rhythm | PhD | University of NSW | 2000 | 648 |
| LLOYD, John Stanley | An analysis of the artistic creative process : as experienced in the writing of an opera | PhD | University of Technology Sydney | 2006 | 2 vol |
| LYONS, Andrew D. | Time space texture : an approach to audio-visual composition | PhD | University of Sydney | 2003 | 291 + 1 vid disk |
| McDONALD, Grantley | "Orpheus Germanicus:" Metrical Music and the Reception of Marsilio Ficino's Poetics and Music Theory in Renaissance Germany | PhD | University of Melbourne | 2002 | 902 |
| McEWAN, Neil | Interpretive signs and letters in Gregorian chant: the rhythmic and expressive differences between the episema and tenete in the manuscript of the Cantatorium, Codex 359, St. Gall | PhD | University of Sydney | 2002 | 248 + CD-rom |
| McPHERSON, John | Co-ordinating knowledge to improve optical music recognition | PhD | University of Waikato | 2006 | 172 |
| MITCHELL, Anne Kathryn | Crossing the great divide : the composition of jazz concerti using historical sources . [Thesis + compositions] | PhD | Southern Cross University | 2003 | 2 vol + 2 CDs |
| NG, Kwok Wai | The modes of tōgaku from Tang-period China to modern Japan : focusing on the ōshikichō, banshikichō and hyōjō modal categories | PhD | University of Sydney | 2007 | 2 v |
| NISBET, Robert Stevenson | Children's matching of melodies and their visual representations | PhD | Griffith University | 1998 | 1 vol |
| PAGE, Rosalind | Poetics of allegory and number in the compositions of Rosalind Page | PhD | University of Sydney | 2006 | 148 + 2 CDs - DVD = |
| PERTOUT, Andrián | Three microtonal compositions : the utilization of tuning systems in modern composition | PhD | University of Melbourne | 2007 | 3 vol + 4 CD-Rom |
| RICKETSON, Damien | Curious noise: analytical notes | PhD | University of Sydney | 2005 | 119 + 5 scores + 2 C |
| SCHIEMER, Gregory | MIDI Tool Box: an interactive system for music composition | PhD | Macquarie University | 1998 | 304 + 2 CD-ROMs |
| SCHUBERT, Emery | Measurement and time series analysis of emotion in music | PhD | University of NSW | 1999 | 696 |
| SONG, Sun-Ju | Music analysis and the avant-garde compositions of post-world war II: four case studies | PhD | Griffith University | 2011 | 2 v. |
| STEVENS, Catherine | Derivation and investigation of features mediating musical pattern recognition | PhD | University of Sydney | 1992 | 441+disk |
| SUDMALIS, D.R. | Gesture in composition : a model of composition involving gesture, gestural and parametric development, and hybridisation as examined in six original compositions | PhD | University of Sydney | 2001 | 2 vol + CD |
| TIUTIUNNIK, Katia | The symbolic dimension: an exploration of the compositional process | PhD | Australian National University | 2002 | 7 vol + 3 CD + 1 vid |
| WALSH, Robert | The composition of contemporary ambient music utilising field-recordings of Tokyo, unusual instrument combinations and minimalist techniques | PhD | Southern Cross University | 2003 | 84 |
| WATSON, Charles Richard | The computer analysis of polyphonic music | PhD | University of Sydney | 1985 | 214 |
| Anon | MelodicMatch - Music Analysis Software for the 21st Century | PhD | University of Melbourne | in progress (2006) | |
| WILLIAMS, Barbara Claire | Braille: New codes for early music notations, long cells, and exploratory coding analysis | PhD | Monash University | 1995 | 326 |
| WOOLER, Rene | Techniques for automated and interactive note sequence morphing of mainstream electronic music | PhD | Queensland University of Technology | submitted 2007 | |
| YOUNG, David | Folio & Commentary: Thousands of Bundled Straw, Skin Quartet & the Val Camonica Pieces | PhD | University of Queensland | 2007 (NyiC) | 93 + Folio 380pp + D |
| WALKER, Judith Ann | Rhythmic nonalignment in Aboriginal Australian, West African, and twentieth-century art musics | PhD | Overseas | 1983 | 599 |
| GILL, Brad | Compositional technique and the exploration of spirituality in the music of Brad Gill + Folio of Original Compositions | PhD | University of Sydney | 2005 | 114 + CDs |
| FREDERICKS, Ian Francis | The development and use of computational models of creative musical intelligence in the composition and realization of Death of a dragon, StarMist, Violins in space, and Spirals : 1998-March 2001 | PhD | University of Sydney | 2005 | 204 + 4 CDs |
| REINER, Thomas | Semiotic model of musical time | PhD | University of Melbourne | 1995 | 205 |
| INGS, Welby | Talking Pictures: a creative utilization of structural and aesthetic profiles from narrative music videos and television commercials in a non-spoken film text. | PhD | Auckland University of Technology | 2005 | 423 + DVD |
| HEWITT, Donna | Compositions for voice and technology [+ Dissertation] | PhD | University of Western Sydney | 2006 | 178 |
| BROWNLEE, Philip | PhD in composition [Part 1. Folio of compositions -- Part 2. Structural functions of timbre in selected works of Philip Brownlee] | PhD | Victoria University of Wellington | 2007 | |
| WATSON, Christopher | The effects of music notation software on compositional practices and outcomes [+ Composition Folio] | PhD | Victoria University of Wellington | 2007 | 2 vol |
| KAMINSKYJ, Ian | Automatic recognition of musical instruments using isolated monophonic sounds | PhD | Monash University | 2004 | 543 |
| CONSTANTINO, R. | An approach to the language of music through the relationship of poetic texts to song writing | PhD | University of Sydney | withdrawn 1968 | |
| FANANY, Runa | The Devil’s Due: the musical representation of the Devil in selected Hollywood film scores | PhD | Monash University | 2011 | 320 |
| FOX, Robin | Contingency and space as structural concerns in a folio of interactive electroacoustic compositions | PhD | Monash University | 2006 | 93 + DVD + ADAT Tape |
| MYERS, Peter | Directed harmonic and melodic motion, pitch structures and compositional determinants : a folio of original compositions and a critical commentary | PhD | Monash University | 2006 | 189 + 5 scores + CD |
| GOODWIN, Russell | Furthering the understanding of indeterminacy in music composition | PhD | Monash University | 2007 | 93 + 5 scores + 2 CD |
| CHUA, Bee Yong | Automatic extraction of perceptual features and categorization of music emotional expressions from polyphonic music audio signals | PhD | Monash University | 2007 | 171 |
| CZAPLOWSKI, Philip | The use of multiple styles as a compositional approach | PhD | Monash University | 2007 | 2 vol + CD |
| Anon | "An integration of score-based and digitally produced composition" - folio of compositions and critical commentary | PhD | University of Queensland | In Progress (2009) | |
| Anon | “21st Century composer as producer: utilising technology as a creative tool in the composition, realisation and performance of new music” | PhD | University of Queensland | In Progress (2009) | |
| UNKOVICH, Yuri | Tracing the synthetic voice : contrapuntal textures of five or more parts in the works of J.S. Bach | PhD | University of Auckland | 2008 | 219 |
| LIVINGSTONE, Steven R | Changing musical emotion through score and performance with a computational rule system [electronic resource] | PhD | University of Queensland | 2008 | |
| TURNER, Gemma Bernadette | Body movement and sound intensity in Western contemporary popular singing | PhD | University of Sydney | 2010 | 261 + 1 CD + 1 DVD |
| MILLHOUSE, Thomas J | Auditory-acoustic characterisation of variability in the operatic vowel | PhD | University of Sydney | 2009 | 138 |
| BELLMANN, Héctor G. | Categorization of tonal music style: a quantitative investigation | PhD | Griffith University | 2012 | 282 |
| HILL, Matthew | Hit scrape click drag : analysis and application of compositional methodologies at the intersection of conserved and emergent technologies | PhD | James Cook University | 2007 | 301 + CD Rom + DVD |
| SHEN, Nalin | The integration of Chinese opera traditions into new musical compositions | PhD | Victoria University of Wellington | 2010 | 349 + 3 Discs |
| ADENEY, Roland William | The HarmonyGrid : music, space and performance in grid music systems | PhD | Queensland University of Technology | 2011 | 256 + Disc |
| GIFFORD, Toby | Improvisation in interactive music systems | PhD | Queensland University of Technology | 2011 | 205 + Disc |
| KLEIN, Eve Elizabeth | The pomegranate cycle : reconfiguring opera through performance, technology & composition | PhD | Queensland University of Technology | 2011 | 276 + 2 Discs |
| MARTIN, Peter | Writing for guitar groups with and without orchestra | PhD | Southern Cross University | 2007 | 136 |
| SHELTON, Robert James | A lock-free environment for computer music : concurrent components for computer supported cooperative work | PhD | University of Melbourne | 2011 | 315 |
| McLEOD, Philip | Fast, accurate pitch detection tools for music analysis | PhD | University of Otago | 2008 | 181 |
| QUINTO, Lena Rachel | The communication of emotion in music : understanding the contributions of composition and performance | PhD | Macquarie University | 2012 | 1 vol |
| VAN GEENEN, Jurgen Lippold | Formal methods for the design of imitative polyphonic structures | PhD | University of Sydney | 2013 | |
| DELEFLIE, Etienne | Music and Spatial Verisimilitude | PhD | University of Wollongong | 2013 | 210 |
| MULDER, Johannes | Making Things Louder: Amplified Music and Multimodality | PhD | University of Technology Sydney | 2012 | 395 |
| PRAKHOFF, Belinda Marie | Music from the inside: emotional expression and the understanding listener | PhD | University of Melbourne | 2013 | 239 |
| SHAPLEY, Gregory James | Sound of failure : experimental electronic music in our post-digital era | PhD | University of Technology Sydney | 2012 | 212 |
| WALUS, Bartlomiej Piotr | A new modular approach to the composition of film music. | PhD | University of Adelaide | 2013 | 468 |
| BURREL, Robert W. B. | A Process of Becoming: A Musical Enquiry into Process-Relational Philosophy Through Autoethnographical and Zoomusicological Means | PhD | Griffith University | 2013 | |
| TOMLINSON, Michelle M. | Transformational and Transmodal Redesign in Children's Music Invention: An Exploration Using the Space of Music Dialogue | PhD | Griffith University | 2013 | |
| JAYASINGHE, Rohan | The application of serial technique to tonal music: the emancipation of consonance | PhD | University of Queensland | 2011 | |
| MARCO, David John-Tom | Familiarity and the perception of dissonance in musical intervals and chords | PhD | University of Melbourne | 2014 | |
| KHOO, Sui Sin | The single hidden layer neural network based classifiers for Han Chinese folk songs | PhD | Swinburne University of Technology | 2013 | 213 |
| BROWN, David | Designing sound for health and wellbeing | PhD | RMIT University | 2012 | |
| PERKINS, Andrew Michael Ellis | From Pentecost to Dodecaphony | PhD | University of Melbourne | 2013 | 239 |
| VIGGIANI, Mark | Folio of original compositions 2009 - 2012 | PhD | University of Melbourne | 2013 | |
| TERRY, Josephine A. | Implicit learning of complex auditory temporal structures with even and uneven meters | PhD | University of Western Sydney | 2013 | 352 |
| BATES, Nathanael James | Sampling and the 'Sound Object' in contemporary sonic art | PhD | RMIT University | 2013 | 117 |
| BASSETT, John | Assessing the Spatial Diffusivity of Sound Fields in Rooms using Ambisonic Techniques | PhD | University of Sydney | 2012 | 247 |
| LOVE, Martyn | Collective conceptualization: a methodology for contemporary film score composers: a portfolio of compositions (disposed as a film score) and exegesis. | PhD | University of Adelaide | 2013 | 245 |
