Theory/Techs/Tools

WriterThesis TitleDegreeUniversityYear# of Pagessort icon
DUANCE, KarynCompositional and performance techniques of women rock musiciansMMusUniversity of Sydney1999NiC
BEN-SALAMON, Nissana folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio filesMAMonash University2003c.50 + 4 scores + CD
O'NEILL, Luke JeromeCreating new music compositions based on the number systems of composer Greg SheehanMCAUniversity of Wollongong201398
YOUNG, DavidFolio & Commentary: Thousands of Bundled Straw, Skin Quartet & the Val Camonica PiecesPhDUniversity of Queensland2007 (NyiC)93 + Folio 380pp + D
FOX, RobinContingency and space as structural concerns in a folio of interactive electroacoustic compositions PhDMonash University200693 + DVD + ADAT Tape
GOODWIN, RussellFurthering the understanding of indeterminacy in music compositionPhDMonash University200793 + 5 scores + 2 CD
FORSTER, RaymondAn investigation into a cohesive method of teaching jazz harmony and improvisation to elective music students in secondary schools using the basic principals of chord-scale theoryMMusUniversity of Sydney201091
McDONALD, Grantley"Orpheus Germanicus:" Metrical Music and the Reception of Marsilio Ficino's Poetics and Music Theory in Renaissance GermanyPhDUniversity of Melbourne2002902
JORDAN, ClaireCompositions [and analysis]MMus(Comp)University of Sydney19978pp + 5 scores + cas
PARKER, TraceyDiscovering a personal compositional processMCAUniversity of Newcastle200389
DRAPE, RohanRule-following, pre-compositional environmentsMALaTrobe University199988 + 1 audio CD
FREEMAN, Peter A.Neural networks in the analysis of music MMusUniversity of Queensland199485
SIMMERMACHER, ChristianDetecting instruments in classical music : a view on timbre, musical features, and classification MScUniversity of Otago200585
WALSH, RobertThe composition of contemporary ambient music utilising field-recordings of Tokyo, unusual instrument combinations and minimalist techniques PhDSouthern Cross University200384
SMITH, Peter AnthonyComputer Aided Statistical Analysis of Motive Use and Compositional IdiomMMusUniversity of Sydney201283
SCULLY, Lesa JaneThe maturing trumpeter [manuscript] : an insight to the physicality, mentality and practicality of the twenty first century performing trumpeterMCAUniversity of Newcastle200882 + 2 CDs
CATRICE, AndrePortfolio of compositions and analysisMMusUniversity of Melbourne19898 vol
STRAZZULLO, GuyAn intercultural approach to composition and improvisationMA (Hons)University of Western Sydney200378
WALLACE, MichaelUnifying composition and improvisation : applying Bob Brookmeyer's pitch module concept to composition and improvisation MAMonash University200776 + cd
FREER, NicholasEvening the odds : an analysis of methodologies used to generate harmonic rhythm in asymmetrical meters since the 1950s and their subsequent implications for contemporary improvisationMAMonash University201076 + CD
FALEATUA, Andrew KelevaConstructing compositional concepts to exploit contemporary compositions MMusUniversity of Auckland201376
CHAN, Chi ManAspects of the impact of postmodernist thought on the analysis of musicMAUniversity of Sydney199675
MUNRO, IanMusical conversationsMCAUniversity of Newcastle200374
DENCH, ChrisTowards an ethics of musical compositionMMusUniversity of Melbourne199873
BETTS, CatherineReading the signs : assessing the salience of percussion symbols for use in percussion notationMMusUniversity of Western Aust.201073
MORPHETT, JasonFreedom through discipline : the use of rhythmic devices in the music of Mark Simmonds /​ Jason MorphettMMus.University of Sydney201073
HAMMOND, JaneAn exploration of the possibilities of generating music from text MAMonash University200671 + 2 CDs + 6 score
CHAPLIN, PeterFolio of compositions and analysesMMusUniversity of Melbourne19867 vol + tape
TIUTIUNNIK, KatiaThe symbolic dimension: an exploration of the compositional processPhDAustralian National University20027 vol + 3 CD + 1 vid
SCHUBERT, EmeryMeasurement and time series analysis of emotion in musicPhDUniversity of NSW1999696
MILLS, Bryce AndrewThe perception of melodic closure : a study of the factors influencing final note choice to achieve melodic closure MAMassey University197969
GARD, StephenNasty Noises: 'Error' as a Compositional ElementMMus CompUniversity of Sydney200468 + 2 CD
BLINKHORN, DanielExtra-musical consequence : reconsidering antecedent/consequent motivations MAUniversity of Wollongong200568 + 1 CD
WHEATLAND, PhilipMelodicMatch - A software searching tool for music analysisMAMonash University200167 + cd
ROPA, Vanessa JaneThe importance of understanding the mechanisms underlying breathing, posture and embouchure for tertiary flute and wind music studentsMMusUniversity of Sydney201066
LANDESMAN, YossiAutomated genetic evolution of musical structures MITMonash University200765 + CD
GALEA, JeffGhana: the folk music of Malta influences on my musicMAUniversity of Wollongong200565 + 1 CD
LEE, Seung-YoonPerceptual and neural processing of consonance and dissonance in musicians and non-musicians : an ERP studyMScUniversity of Otago201165
KELLER, Peter ErikAdaptive functions of meter in multipart musical rhythmPhDUniversity of NSW2000648
CAREY, Benedict ErisNotation sequence generation and sound synthesis in interactive spectral musicMMus(Comp)University of Sydney201364
McLENNAN-KISSEL, PaulOnsombilMMusUniversity of Otago201261 + CD
STEFFEN, Darren WilliamSimple subtle sustained waveforms and the notion of comfort in a new approach to creating an immersive, interactive sound installationMA(Sound Design)University of Melbourne201259p + 1CD
WALKER, Judith AnnRhythmic nonalignment in Aboriginal Australian, West African, and twentieth-century art musicsPhDOverseas1983599
BYRNE, Timothy FrancisAspects of technique in Dvořák’s cello concerto [electronic resource] : an approach based on a comparative study of relevant treatisesMPhilUniversity of Queensland201057
FREEMAN, LliamDeveloping an improviser's "tool-kit" : exploring methodologies towards the development of improvisational skill and fluency in the performance of original work in jazz ensemble MAMonash University200656 + CD
KAMINSKYJ, IanAutomatic recognition of musical instruments using isolated monophonic sounds PhDMonash University2004543
NICHOLLS, MikeSubmission for Master of Arts (Electronic Arts) [Electronic and Computer Music compositions]MAAustralian National University199654 + video
PATERAS, AnthonyA folio of original compositions exploring contemporary practices in notation, improvisation, live electronic performance and music for film MAMonash University200350 + 2 scores + vide
McFADDEN, AllanKiss kiss, China doll [Creation of an opera: Kiss kiss, China doll]MCAUniversity of Newcastle20005 voll + 3 CDs
MACLEOD, Andrew LachlanDe la sonorité [electronic resource] : the Bel canto flute method of Marcel MoyseMPhilUniversity of Queensland200949
LAZAR, EricA stylistic and historical analysis of left foot high hat techniques in Swing, Bebop, and Latin jazz drummingMMusUniversity of Sydney201047
WALUS, Bartlomiej PiotrA new modular approach to the composition of film music.PhDUniversity of Adelaide2013468
MILLS, JonathanSound design: essays with micro-tonal tunings, musical instruments & sound spacesMARMIT University199746
ANDERSON, JustineFinding a voice : age, competition and mastery in singing : a discussion of the challenges that a singer faces in endeavouring to master the voice and enter the singing profession M.Mus.University of Melbourne200845
LI, EvaHow does semantic language enhance the communicability of electroacoustic music?MMusUniversity of Auckland201345
Harrison, Clive MaxwellA songwriter’s journey from little-c to pro-c creativity: an applied analytical autoethnographyPhDUniversity of Newcastle2016445
STEVENS, CatherineDerivation and investigation of features mediating musical pattern recognitionPhDUniversity of Sydney1992441+disk
BANDT, RosalieModels and processes in repetitive music, 1960-1983PhDMonash University1983433
INGS, WelbyTalking Pictures: a creative utilization of structural and aesthetic profiles from narrative music videos and television commercials in a non-spoken film text.PhDAuckland University of Technology2005423 + DVD
HALL, Phillip JeremyPortfolio of compositions and exegesis [music] : Leitmotifs and their developmentMMusUniversity of Adelaide200941 + CD
KYRIAKOU, Mary-AnneGuitar and light for solo guitar ; Betrayal, a new music-theatre work : exploring representations of self through the portrayal of women protagonistsMMus(Comp)University of Sydney200641 + 2 scores
McNAMARA, PeterPortfolio of Compositions + Stretching the boundaries of listening : changing microtonal aesthetics in the late twentieth century MMus(Comp)University of Sydney20064 vol + 86 + CD
GRAY, Janette MaryComposing music for childrenMMusUniversity of Sydney19744 vol
MULDER, JohannesMaking Things Louder: Amplified Music and MultimodalityPhDUniversity of Technology Sydney2012395
GEAKE, JohnAn information processing study of individual differences in perception of pitch fluctuations in music.PhDUniversity of New England1996393
HAYNES, David MatthewContext and process in arrangement and transcription for solo piano, left-hand alonePhDUniversity of NSW2005390
TAYLOR, Sarah ElizabethThe cinematic aspects of electroacoustic musicMMusVictoria University of Wellington201039
RUSHFORD, James PatrickGrounding sound, distilling time: models of stasis in recent compositional frameworksMMusUniversity of Melbourne201137
CAMPBELL, Steven JamesThe application in original musical compositions of algorithms within four music composition software programs and the development of composition algorithms within Phrase Garden, an original music composition software programPhDUniversity of New England1997355
TERRY, Josephine A. Implicit learning of complex auditory temporal structures with even and uneven metersPhDUniversity of Western Sydney2013352
MCINTYRE, Scott EanThe simplification of complex notation presented in aleatoric formsPhDUniversity of Tasmania2013351
SHEN, NalinThe integration of Chinese opera traditions into new musical compositionsPhDVictoria University of Wellington2010349 + 3 Discs
BRACANIN, PhilipThe function of the thematic process in dodecaphonic music : a study in analytical method PhDUniversity of Western Aust.1970345
BROWN, Andrew R.Music composition and the computer : an examination of the work practices of five experienced composers PhDUniversity of Queensland2001328
LILE, TrudyCreating new standards : jazz arrangements of pop songs MMus PerfNZ School of Music (Victoria + Massey)2009328
WILLIAMS, Barbara ClaireBraille: New codes for early music notations, long cells, and exploratory coding analysisPhDMonash University1995326
LINTON, SeanThe Music of 'Are'are: Acoustemology, Environmental Influences and SustainabilityPhDUniversity of Otago2013325
DUNCAN, WaynePortfolio of Original Compositions PhDUniversity of Adelaide2007322
FANANY, RunaThe Devil’s Due: the musical representation of the Devil in selected Hollywood film scoresPhDMonash University2011320
GARRETT, LindaMicro-intonation and the viola : a study of just intonation, the Pythagorean scale and equal temperament in relation to the performance of unaccompanied viola repertoireMPhil (perf)University of Queensland200632
SHELTON, Robert JamesA lock-free environment for computer music : concurrent components for computer supported cooperative workPhDUniversity of Melbourne2011315
HARRIS, Philip Geoffrey.Cortical activity associated with rhythmic grouping of pitch sequencesPhDSwinburne University of Technology2007312
ZAREEI, Mo.H.Channelisation of Noise through a Rhythmic Gird : Brutalist Mechatronic Sound-sculpturePhDVictoria University of Wellington2016307
SCHIEMER, GregoryMIDI Tool Box: an interactive system for music compositionPhDMacquarie University1998304 + 2 CD-ROMs
HILL, MatthewHit scrape click drag : analysis and application of compositional methodologies at the intersection of conserved and emergent technologiesPhDJames Cook University2007301 + CD Rom + DVD
BURT, WarrenAlgorithms, Microtonality, Performance: Eleven Musical CompositionsPhDUniversity of Wollongong2007301 + 2 CDs + DVD
CHI, Jasmine Yi-TzuCreative process in electroacoustic music with live acoustic performance composition : an observation on sound and the performer's gestureMMus(Composition)University of Auckland200930 + DVD
PERTOUT, AndriánThree microtonal compositions : the utilization of tuning systems in modern composition PhDUniversity of Melbourne20073 vol + 4 CD-Rom
HAIR, Greta MaryTroped introits and communions from eleventh century Aquitaine manuscript Paris Bibliotheque Nationale fonds Latin 903: a study in musical reconstructionPhDUniversity of Sydney19883 vol
MARRIOTT, AndrewComputer-musician interface: ME, the music editing systemMScUniversity of Western Aust.19843 vol
PARISH, Brian MaxwellA graphics based scoring system for computer music synthesisMALaTrobe University19843 vol
WEEKES, Diana K.Twistonality: A Personal Exploration: portfolio of original compositions and exegesisPhD (Comp)University of Adelaide20073 vol
CHAPMAN, Jim (James Norman)Afro No-Clash: Composing syncretic African/Western music: Eleven Compositions and frameworks for their systematic analysisPhDQueensland University of Technology20072v (225 + 237) + 1CD
LAKEMANN, Virginia KayePortfolio of original compositions and exegesis : an investigation of metrical contradiction, irregularity and ambiguity in music for senior secondary students and community purposesMMUSUniversity of Adelaide2012294
LYONS, Andrew D.Time space texture : an approach to audio-visual composition PhDUniversity of Sydney2003291 + 1 vid disk
GIOVINAZZO, JosephAnalytical models of timbral architecture in music: an application to the orchestral miniatures of Igor StravinskyPhDLaTrobe University2001291
WOOD, CalliePortfolio of compositions and exegesis: composing for a choral spectrum MMusUniversity of Adelaide2008285 2 vol
BELLMANN, Héctor G.Categorization of tonal music style: a quantitative investigationPhDGriffith University2012282
ISTVANDITY, LaurenMusically Motivated Autobiographical Memories and the Lifetime SoundtrackPhDGriffith University2014280
WOODLEY, Kathleen FrancesVoice science and vocal pedagogy : joining the dotsMMusUniversity of Auckland2014277
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