Theory/Techs/Tools

WriterThesis TitleDegreeUniversityYearsort icon# of Pages
SHAPLEY, Gregory JamesSound of failure : experimental electronic music in our post-digital eraPhDUniversity of Technology Sydney2012212
NOACK, Phillip J.Folio of compositionsMMusUniversity of Melbourne2012
STEFFEN, Darren WilliamSimple subtle sustained waveforms and the notion of comfort in a new approach to creating an immersive, interactive sound installationMA(Sound Design)University of Melbourne201259p + 1CD
BROWN, DavidDesigning sound for health and wellbeingPhDRMIT University2012
BASSETT, JohnAssessing the Spatial Diffusivity of Sound Fields in Rooms using Ambisonic TechniquesPhDUniversity of Sydney2012247
VAN GEENEN, Jurgen LippoldFormal methods for the design of imitative polyphonic structuresPhDUniversity of Sydney2013
CAREY, Benedict ErisNotation sequence generation and sound synthesis in interactive spectral musicMMus(Comp)University of Sydney201364
DELEFLIE, EtienneMusic and Spatial VerisimilitudePhDUniversity of Wollongong2013210
PRAKHOFF, Belinda MarieMusic from the inside: emotional expression and the understanding listenerPhDUniversity of Melbourne2013239
WALUS, Bartlomiej PiotrA new modular approach to the composition of film music.PhDUniversity of Adelaide2013468
O'NEILL, Luke JeromeCreating new music compositions based on the number systems of composer Greg SheehanMCAUniversity of Wollongong201398
BURREL, Robert W. B.A Process of Becoming: A Musical Enquiry into Process-Relational Philosophy Through Autoethnographical and Zoomusicological MeansPhDGriffith University2013
TOMLINSON, Michelle M.Transformational and Transmodal Redesign in Children's Music Invention: An Exploration Using the Space of Music DialoguePhDGriffith University2013
TOPPI, AntonioAn investigation into narrative as a compositional approachMMusMonash University2013
KHOO, Sui SinThe single hidden layer neural network based classifiers for Han Chinese folk songsPhDSwinburne University of Technology2013213
PERKINS, Andrew Michael EllisFrom Pentecost to DodecaphonyPhDUniversity of Melbourne2013239
VIGGIANI, MarkFolio of original compositions 2009 - 2012PhDUniversity of Melbourne2013
TERRY, Josephine A. Implicit learning of complex auditory temporal structures with even and uneven metersPhDUniversity of Western Sydney2013352
BATES, Nathanael James Sampling and the 'Sound Object' in contemporary sonic artPhDRMIT University2013117
LOVE, MartynCollective conceptualization: a methodology for contemporary film score composers: a portfolio of compositions (disposed as a film score) and exegesis.PhDUniversity of Adelaide2013245
MCINTYRE, Scott EanThe simplification of complex notation presented in aleatoric formsPhDUniversity of Tasmania2013351
VAN MELLE, GerbrandSound bitesM.PhilAuckland University of Technology2013102
LINTON, SeanThe Music of 'Are'are: Acoustemology, Environmental Influences and SustainabilityPhDUniversity of Otago2013325
HOCHENBAUM, Jordan. L'arte di interazione musicale : new musical possibilities through multimodal techniquesPhDNZ School of Music (Victoria + Massey)2013228
FALEATUA, Andrew KelevaConstructing compositional concepts to exploit contemporary compositions MMusUniversity of Auckland201376
LI, EvaHow does semantic language enhance the communicability of electroacoustic music?MMusUniversity of Auckland201345
MARCO, David John-TomFamiliarity and the perception of dissonance in musical intervals and chordsPhDUniversity of Melbourne2014
CARRUTHERS, AndrewStave Sightings: Long Poems and the Poetics of Notation, 1960-2011PhDUniversity of Sydney2014
WOODLEY, Kathleen FrancesVoice science and vocal pedagogy : joining the dotsMMusUniversity of Auckland2014277
ROLLO, Te Manaaroha PirihiraTito Waiata-Tito Pūoro: extending the Kīngitanga music tradition.PhDUniversity of Waikato2014
DERRICK, Reuben GeorgeAcoustic illuminations: recorded space as soundscape compositionPhDUniversity of Canterbury2014
JENKINS, BradTensional processes and perception of form in three selected compositions by Kaija SaariahoMMAVictoria University of Wellington2014
MURPHY, JimExpressive Musical Robots : Building, Evaluating, and Interfacing with an Ensemble of Mechatronic Instruments PhDVictoria University of Wellington2014
WARD, MeganMelodic ornamentation from Muffat to TelemannMMusVictoria University of Wellington2014
TAYLOR, John., R.Ontology of music performance variationPhDUniversity of Sydney2014
BIEDERMAN, Daniel, MarcThe Turntable as a musical instrument and the emergence of the concert turntablist : analytical notesMMusUniversity of Sydney2014
LANDRY, ShaneBeyond Ideas: The Melodic Shapes in Selected Improvisations of Saxophonist David BinneyMMusUniversity of Sydney2014198
MCEVOY, DavidAspects of Herbie Hancock’s pre-electric improvisational language and their application in contemporary jazz performance: a portfolio of recorded performances and exegesis.MPhilUniversity of Adelaide2014
CHALABI, Karen LouiseThe architecture of spirit : a phenomenological study of archetypal forces in Eastern European flute repertoire.PhDUniversity of Melbourne2014271
EVANS, AlsionThe prevalence, causes and management of stress velopharyngeal insufficiency in woodwind and brass playersPhDUniversity of Sydney2014
ISTVANDITY, LaurenMusically Motivated Autobiographical Memories and the Lifetime SoundtrackPhDGriffith University2014280
THOMAS, Holly EllenApplying the linear concept of contemporary drumming: a portfolio of recorded performances and exegesis.MPhilUniversity of Adelaide2014
WILLIAMS, Michael FrancisComposition PortfolioPhDUniversity of Melbourne2014
GARCIA, ALStringshift : solo guitar improvisation : process, methodology and practiceUnknownUniversity of Tasmania2014
BAYNES, Mark EdwardAnalytic, descriptive, and prescriptive components of evolving jazz : a new model based on the works of Brad MehldauDMAUniversity of Auckland2015229
KAUR, AmritaRāgamālā : a garland of architecture and musicMArch University of Auckland2015181 + soundfile
MAYALL, Jeremy MarkPortfolio of Compositions: Systematic composition of cross-genre hybrid musicPhDUniversity of Waikato2015
ROBERTS, CJHow the pianist's touch affects tone quality: A review of performance-based and scientific literature with applications to piano practice and performancePhDUniversity of New England2015
JAMES, Stuart GeorgeSpectromorphology and spatiomorphology : wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domainPhDEdith Cowan University2015
POTTER, WarwickA case study of the life and work of an Australian Orchestral Portfolio ConductorPhDUniversity of Queensland2015151
ASKILL, MichaelReflections on Composition and ConsciousnessPhDUniversity of Queensland2015145
SAUNDERS, Scott"Towards an aesthetic of groove"MPhilUniversity of Newcastle2015116
WORLEY, KimThe Singing Cellist: An Exploration of the Relationship between the Cello and the Human VoiceMMusGriffith University2015
BUCKLEY, DarylFrom body schema to score: creating spatial grammars in contemporary electric guitar practice.PhDRMIT University2015108
RICHARDS, WendyMusic literacy, music braille, and audiation : towards a new pedagogyMMus University of Auckland2016135
ZAREEI, Mo.H.Channelisation of Noise through a Rhythmic Gird : Brutalist Mechatronic Sound-sculpturePhDVictoria University of Wellington2016307
MILLS, JenniferOrchestral cello auditions in Australia: an assessment of commonly set excerptsMMusMonash University2016
ROBINSON, CamilleListening art: making sonic artworks that critique listeningPhDUniversity of Melbourne2016195
FIDDES, Andrew RossRHYTHMIC DEVICES WITHIN THE IMPROVISATION OF SCOTT TINKLERMMusUniversity of Sydney2016101
CAMERON, Christopher PaulExploring applications of multi-dexterity in drum kit performanceMMusMonash University2016
Harrison, Clive MaxwellA songwriter’s journey from little-c to pro-c creativity: an applied analytical autoethnographyPhDUniversity of Newcastle2016445
WILLGOSS, Richard AdrianCreativity in Art Music CompositionPhDUniversity of Sydney2018225
AnonMelodicMatch - Music Analysis Software for the 21st CenturyPhDUniversity of Melbournein progress (2006)
Anon"An integration of score-based and digitally produced composition" - folio of compositions and critical commentaryPhDUniversity of QueenslandIn Progress (2009)
Anon“21st Century composer as producer: utilising technology as a creative tool in the composition, realisation and performance of new music”PhDUniversity of QueenslandIn Progress (2009)
AnonElements of orchestrationMCAUniversity of Wollongongin progress (NiC08/07)
Anon20th-century guitar techniques: a composer's handbookMMusVictoria University of Wellingtonin progress (NiC08/07)
WOOLER, ReneTechniques for automated and interactive note sequence morphing of mainstream electronic musicPhDQueensland University of Technologysubmitted 2007
RAE, S.A study of some modern techniques in choral compositionMMusUniversity of Sydneywithdrawn 1968
CONSTANTINO, R.An approach to the language of music through the relationship of poetic texts to song writingPhDUniversity of Sydneywithdrawn 1968
PETHERICK, BruceOrchestration treatises of the 19th and early 20th centuriesMMusUniversity of Melbournewithdrawn c.2006
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