| SPANNEY, K.D. | Aspects of form in electronic music | MA | University of Western Aust. | 1969 | 1 vol |
| BRACANIN, Philip | The function of the thematic process in dodecaphonic music : a study in analytical method | PhD | University of Western Aust. | 1970 | 345 |
| MARETT, Allan | An examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, Samgitaratnakara | MA | Overseas | 1972 | |
| GRAY, Janette Mary | Composing music for children | MMus | University of Sydney | 1974 | 4 vol |
| MARETT, Allan | 1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga no | PhD | Overseas | 1976 | |
| CALLAGHAN, Laurel Jean | A comparative framework for an analysis of the influence of language on national music style | MA | University of Western Aust. | 1979 | 2 vol |
| MILLS, Bryce Andrew | The perception of melodic closure : a study of the factors influencing final note choice to achieve melodic closure | MA | Massey University | 1979 | 69 |
| HARRIS, Wayne John | The automatic analysis of rhythm in keyboard music | MSc | University of Sydney | 1982 | 129 |
| BANDT, Rosalie | Models and processes in repetitive music, 1960-1983 | PhD | Monash University | 1983 | 433 |
| WALKER, Judith Ann | Rhythmic nonalignment in Aboriginal Australian, West African, and twentieth-century art musics | PhD | Overseas | 1983 | 599 |
| MARRIOTT, Andrew | Computer-musician interface: ME, the music editing system | MSc | University of Western Aust. | 1984 | 3 vol |
| PARISH, Brian Maxwell | A graphics based scoring system for computer music synthesis | MA | LaTrobe University | 1984 | 3 vol |
| HIRST, David Godfrey | Digital sound analysis and synthesis using the short-time Fourier transform [sound recording] | MA | LaTrobe University | 1985 | 2 vol +1 tape |
| WATSON, Charles Richard | The computer analysis of polyphonic music | PhD | University of Sydney | 1985 | 214 |
| CHAPLIN, Peter | Folio of compositions and analyses | MMus | University of Melbourne | 1986 | 7 vol + tape |
| BAJZEK, Dieter | Percussion - an annotated bibliography : with special emphasis on contemporary notation and performance | MA | LaTrobe University | 1986 | 222 |
| GERRARD, Graeme | COMPOST : a language for computer music composition - sound synthesis from spectral functions | MA | LaTrobe University | 1986 | 2 vol + accompanying |
| DIXON, John Wayne | Prospect and retrospect: a composer analyses thirteen of his own compositions | MA (Hons) | University of Wollongong | 1987 | 200 + 13 scores + 1 |
| FRANKLIN, James Ashley | Circles and arrows : an outline of a concept of musical metaanalysis and its implications | MMus | University of Sydney | 1987 | 142 |
| GAYLER, Ross Watson | Development of a methodology and theoretical framework for melodic discrimination | PhD | University of Queensland | 1987 | 231 |
| BAKER, Amanda | Composing with computers: aesthetics, methods and music | MMus | University of Melbourne | 1988 | 143 |
| HAIR, Greta Mary | Troped introits and communions from eleventh century Aquitaine manuscript Paris Bibliotheque Nationale fonds Latin 903: a study in musical reconstruction | PhD | University of Sydney | 1988 | 3 vol |
| CATRICE, Andre | Portfolio of compositions and analysis | MMus | University of Melbourne | 1989 | 8 vol |
| FONG, Francis Kam-Yuen | A musical analysis of the Cantonese language and some implications in the classroom | MMus Ed. | University of Western Aust. | 1990 | 173 |
| MacGREGOR, Robert Colin | The design of computer-based composition software based on the intuitive symbolic representations of music by young children | M.Ed (Hons) | University of Wollongong | 1991 | 130 |
| HODGES, Glen John | "Eyre," a three movement instrumental work for small chamber ensemble. (Original composition); | MM | Overseas | 1991 | 117 |
| GIOVINAZZO, Joseph | Timbral design of primary melody in the first movement of Bartok's concerto for orchestra and a folio of musical compositions | MA | LaTrobe University | 1992 | 132 |
| STEVENS, Catherine | Derivation and investigation of features mediating musical pattern recognition | PhD | University of Sydney | 1992 | 441+disk |
| WOODCOCK, Timothy P | The compositional application of musical acoustics | GDip Mus | Griffith University | 1992 | 182 |
| GREIG, Robbie | A consciousness perspective on musical development : towards an integrative developmental theory of music based on the conceptual framework of Ken Wilber | M.Ed | LaTrobe University | 1993 | 108 |
| LESLIE, Wendy | Evolution of a musical composition: a phenomenological study | MA | LaTrobe University | 1993 | 164 |
| YU, Julian | Ornamentation in traditional Chinese instrumental music and its application in original compositions | MA | LaTrobe University | 1993 | 127 |
| COOK, Shane Samuel | Minimum message length comparison of musical sequences | MSc | University of Waikato | 1994 | 114 |
| FREEMAN, Peter A. | Neural networks in the analysis of music | MMus | University of Queensland | 1994 | 85 |
| THORPE, Patricia G. | The relevance of twentieth-century analytical theories to the performer of keyboard music of the eighteenth and nineteenth centuries | MA | University of Western Aust. | 1994 | 239 |
| VENNONEN, Kimmo | Submission for the Graduate Diploma in Music (Computer Music) | GradDipMus | Australian National University | 1994 | 1 vol + floppy disk |
| DJORDJEVIC, Sinisa Danila | Study of the effect of mood and emotion of the spectra of sustained sung vowels and consonants | PhD | Monash University | 1995 | 136 |
| MAGILL, Jonathan Matthew | Cognitive models for the production of polyrhythms by a West African master drummer | MA | LaTrobe University | 1995 | 127 |
| WARD, James | The composer's assistant | MSc | University of Technology Sydney | 1995 | 159 + 1 video casset |
| WILLIAMS, Barbara Claire | Braille: New codes for early music notations, long cells, and exploratory coding analysis | PhD | Monash University | 1995 | 326 |
| ZIPMAN, Ellina | The musical portrait in Western music: a survey of theory and practice | MA | Monash University | 1995 | 199 |
| REINER, Thomas | Semiotic model of musical time | PhD | University of Melbourne | 1995 | 205 |
| BARRETT, Margaret Sylvia | Children's aesthetic decision-making: an analysis of children's musical discourse as composers | PhD | Monash University | 1996 | 2 vol |
| CHAN, Chi Man | Aspects of the impact of postmodernist thought on the analysis of music | MA | University of Sydney | 1996 | 75 |
| GALLACHER, Lynette | Words under pressure: an investigation of compositional linguistics focussing on recent work by Chris Mann | PhD | LaTrobe University | 1996 | 217 |
| GEAKE, John | An information processing study of individual differences in perception of pitch fluctuations in music. | PhD | University of New England | 1996 | 393 |
| McNAB, Rodger J | Interactive applications of music transcription | MSc | University of Waikato | 1996 | 120 |
| NICHOLLS, Mike | Submission for Master of Arts (Electronic Arts) [Electronic and Computer Music compositions] | MA | Australian National University | 1996 | 54 + video |
| SCOTT, Ashley | Modes for listening | MA | University of Technology Sydney | 1996 | 120 + 2 sound casset |
| BARBELER, Damien | Experiential learning in musical composition. | MMus | Griffith University | 1997 | 109 |
| CAMPBELL, Steven James | The application in original musical compositions of algorithms within four music composition software programs and the development of composition algorithms within Phrase Garden, an original music composition software program | PhD | University of New England | 1997 | 355 |
| JORDAN, Claire | Compositions [and analysis] | MMus(Comp) | University of Sydney | 1997 | 8pp + 5 scores + cas |
| MacMILLAN, Brendan | MML Analysis of melody | M Comp. Sc. | Monash University | 1997 | 198 |
| MILLS, Jonathan | Sound design: essays with micro-tonal tunings, musical instruments & sound spaces | MA | RMIT University | 1997 | 46 |
| SULLIVAN, Yvette | The influence of individual differences on the planning processes of musicians learning traditionally and non-traditionally notated scores | M.Ed | University of Newcastle | 1997 | 133 |
| CHIANG, Niann Tsuu | Optical music recognition: processing the sacred harp | MCMSC | University of Waikato | 1998 | 104 |
| DENCH, Chris | Towards an ethics of musical composition | MMus | University of Melbourne | 1998 | 73 |
| DRUMMOND, Jon Robert | Integrated development environment for computer music composition | MSc (Hons) | Macquarie University | 1998 | 106 + 1 CD-ROM |
| IOLINI, Robert John | Simultaneity in music | MA | Macquarie University | 1998 | 228: 2 vols + 2 CDs |
| NISBET, Robert Stevenson | Children's matching of melodies and their visual representations | PhD | Griffith University | 1998 | 1 vol |
| SCHIEMER, Gregory | MIDI Tool Box: an interactive system for music composition | PhD | Macquarie University | 1998 | 304 + 2 CD-ROMs |
| ALSOP, Peter R. | Using aspects of language in computer based composition: three approaches to current Australian texts | MA | LaTrobe University | 1999 | 201 + 3 audio CDs |
| BOLAND, Marguerite Maree | The all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositions | MA | LaTrobe University | 1999 | 143 |
| COLE, Fred | Creative practices in Australian techno and other electronica : a folio of original compositions and supporting documentation | PhD | Southern Cross University | 1999 | 221 |
| DRAPE, Rohan | Rule-following, pre-compositional environments | MA | LaTrobe University | 1999 | 88 + 1 audio CD |
| DUANCE, Karyn | Compositional and performance techniques of women rock musicians | MMus | University of Sydney | 1999 | NiC |
| MacARTHUR, Jirrah Walker | Interval restriction : a composition system and its automation | MMus | University of Tasmania | 1999 | 1 vol + 2 cass |
| SCHUBERT, Emery | Measurement and time series analysis of emotion in music | PhD | University of NSW | 1999 | 696 |
| WARD, Anthony McKenna | A miniature orchestra: a study in the aesthetics of guitar transcription | MMus(hons) | University of New England | 1999 | 161 |
| WIJAYA, Kadir | Extending cantor: an optical music recognition system | MCMS | University of Waikato | 1999 | 114 |
| DIXON, Michael Hugh | Just intonation: a study through its notation | MMus | Griffith University | 2000 | 111 + 1 audio CD |
| KELLER, Peter Erik | Adaptive functions of meter in multipart musical rhythm | PhD | University of NSW | 2000 | 648 |
| McFADDEN, Allan | Kiss kiss, China doll [Creation of an opera: Kiss kiss, China doll] | MCA | University of Newcastle | 2000 | 5 voll + 3 CDs |
| McGARITY, Gregory Melville | "Musical semiology reconstructed" : an inquiry into the social, philosophical and theoretical context of the science of semiology ; the development of musical semiology and its relationship to musical analysis ; leading to analysis of selected Mozart compositions (K.550, K.515 & K.379). | MMus(hons) | University of New England | 2000 | 181 |
| MELVILLE-CLARK, Paula | Eurhythmics and piano performance : a study to determine the benefits of applying eurhythmic techniques to the preparation of piano works by undergraduate musicians. | MMus | University of South Queensland | 2000 | 117 |
| BROWN, Andrew R. | Music composition and the computer : an examination of the work practices of five experienced composers | PhD | University of Queensland | 2001 | 328 |
| DAVIDSON, Robert | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 2 vol |
| GIOVINAZZO, Joseph | Analytical models of timbral architecture in music: an application to the orchestral miniatures of Igor Stravinsky | PhD | LaTrobe University | 2001 | 291 |
| HOOPER, David Johannes | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 264 |
| HUGHES, Anthony J. | Keith Humble's twelve-tone compositional approach in the Eight Bagatelles for piano solo | MA | LaTrobe University | 2001 | 180 |
| SUDMALIS, D.R. | Gesture in composition : a model of composition involving gesture, gestural and parametric development, and hybridisation as examined in six original compositions | PhD | University of Sydney | 2001 | 2 vol + CD |
| WHEATLAND, Philip | MelodicMatch - A software searching tool for music analysis | MA | Monash University | 2001 | 67 + cd |
| JACKSON, Leigh | Elements of jazz | MMus | Massey University | 2001 | 144 |
| DEWSNIP, Michael J | Evaluating melody retrieval algorithms | MCMS | University of Waikato | 2002 | 131 |
| McDONALD, Grantley | "Orpheus Germanicus:" Metrical Music and the Reception of Marsilio Ficino's Poetics and Music Theory in Renaissance Germany | PhD | University of Melbourne | 2002 | 902 |
| McEWAN, Neil | Interpretive signs and letters in Gregorian chant: the rhythmic and expressive differences between the episema and tenete in the manuscript of the Cantatorium, Codex 359, St. Gall | PhD | University of Sydney | 2002 | 248 + CD-rom |
| PERISSINOTTO, Dominic | A Survey of intabulation techniques in keyboard music of sixteenth-century Spain | MMus | University of Melbourne | 2002 | 105 |
| TIUTIUNNIK, Katia | The symbolic dimension: an exploration of the compositional process | PhD | Australian National University | 2002 | 7 vol + 3 CD + 1 vid |
| WILLIAMS, Ross Adrian | On Open Sky | DMA | Overseas | 2002 | 27 |
| BARNARD, Geoffrey David | Indeterminate composition and ideological determination | MA | University of Technology Sydney | 2003 | 106 |
| CASTEELS, Robert | Berlayar ke mata hari (Set sail to the sun) : a folio of original compositions comprising the use of gamelan instruments with related exegesis | PhD | University of Melbourne | 2003 | 2 vol + 3 CD-Roms |
| LYONS, Andrew D. | Time space texture : an approach to audio-visual composition | PhD | University of Sydney | 2003 | 291 + 1 vid disk |
| MITCHELL, Anne Kathryn | Crossing the great divide : the composition of jazz concerti using historical sources . [Thesis + compositions] | PhD | Southern Cross University | 2003 | 2 vol + 2 CDs |
| MUNRO, Ian | Musical conversations | MCA | University of Newcastle | 2003 | 74 |
| PARKER, Tracey | Discovering a personal compositional process | MCA | University of Newcastle | 2003 | 89 |
| STRAZZULLO, Guy | An intercultural approach to composition and improvisation | MA (Hons) | University of Western Sydney | 2003 | 78 |
| WALSH, Robert | The composition of contemporary ambient music utilising field-recordings of Tokyo, unusual instrument combinations and minimalist techniques | PhD | Southern Cross University | 2003 | 84 |
| NARUSHIMA, Terumi | Music in the work of Compagnie Maguy Marin: choreo-musical collaborative processes + Portfolio of original compositions | MMus (Comp) | Australian Catholic University | 2003 | 176 |
| PATERAS, Anthony | A folio of original compositions exploring contemporary practices in notation, improvisation, live electronic performance and music for film | MA | Monash University | 2003 | 50 + 2 scores + vide |
| BEN-SALAMON, Nissan | a folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio files | MA | Monash University | 2003 | c.50 + 4 scores + CD |
