Theory/Techs/Tools

WriterThesis TitleDegreeUniversityYearsort icon# of Pages
SPANNEY, K.D.Aspects of form in electronic musicMAUniversity of Western Aust.19691 vol
BRACANIN, PhilipThe function of the thematic process in dodecaphonic music : a study in analytical method PhDUniversity of Western Aust.1970345
MARETT, AllanAn examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, SamgitaratnakaraMAOverseas1972
GRAY, Janette MaryComposing music for childrenMMusUniversity of Sydney19744 vol
MARETT, Allan1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga noPhDOverseas1976
CALLAGHAN, Laurel JeanA comparative framework for an analysis of the influence of language on national music style MAUniversity of Western Aust.19792 vol
MILLS, Bryce AndrewThe perception of melodic closure : a study of the factors influencing final note choice to achieve melodic closure MAMassey University197969
HARRIS, Wayne JohnThe automatic analysis of rhythm in keyboard music MScUniversity of Sydney1982129
BANDT, RosalieModels and processes in repetitive music, 1960-1983PhDMonash University1983433
WALKER, Judith AnnRhythmic nonalignment in Aboriginal Australian, West African, and twentieth-century art musicsPhDOverseas1983599
MARRIOTT, AndrewComputer-musician interface: ME, the music editing systemMScUniversity of Western Aust.19843 vol
PARISH, Brian MaxwellA graphics based scoring system for computer music synthesisMALaTrobe University19843 vol
HIRST, David GodfreyDigital sound analysis and synthesis using the short-time Fourier transform [sound recording]MALaTrobe University19852 vol +1 tape
WATSON, Charles RichardThe computer analysis of polyphonic music PhDUniversity of Sydney1985214
CHAPLIN, PeterFolio of compositions and analysesMMusUniversity of Melbourne19867 vol + tape
BAJZEK, DieterPercussion - an annotated bibliography : with special emphasis on contemporary notation and performance MALaTrobe University1986222
GERRARD, GraemeCOMPOST : a language for computer music composition - sound synthesis from spectral functions MALaTrobe University19862 vol + accompanying
DIXON, John WayneProspect and retrospect: a composer analyses thirteen of his own compositionsMA (Hons)University of Wollongong1987200 + 13 scores + 1
FRANKLIN, James AshleyCircles and arrows : an outline of a concept of musical metaanalysis and its implications MMusUniversity of Sydney1987142
GAYLER, Ross WatsonDevelopment of a methodology and theoretical framework for melodic discriminationPhDUniversity of Queensland1987231
BAKER, AmandaComposing with computers: aesthetics, methods and musicMMusUniversity of Melbourne1988143
HAIR, Greta MaryTroped introits and communions from eleventh century Aquitaine manuscript Paris Bibliotheque Nationale fonds Latin 903: a study in musical reconstructionPhDUniversity of Sydney19883 vol
CATRICE, AndrePortfolio of compositions and analysisMMusUniversity of Melbourne19898 vol
FONG, Francis Kam-YuenA musical analysis of the Cantonese language and some implications in the classroom MMus Ed.University of Western Aust.1990173
MacGREGOR, Robert ColinThe design of computer-based composition software based on the intuitive symbolic representations of music by young children M.Ed (Hons)University of Wollongong1991130
HODGES, Glen John"Eyre," a three movement instrumental work for small chamber ensemble. (Original composition);MMOverseas1991117
GIOVINAZZO, JosephTimbral design of primary melody in the first movement of Bartok's concerto for orchestra and a folio of musical compositionsMALaTrobe University1992132
STEVENS, CatherineDerivation and investigation of features mediating musical pattern recognitionPhDUniversity of Sydney1992441+disk
WOODCOCK, Timothy PThe compositional application of musical acoustics GDip MusGriffith University1992182
GREIG, RobbieA consciousness perspective on musical development : towards an integrative developmental theory of music based on the conceptual framework of Ken Wilber M.EdLaTrobe University1993108
LESLIE, WendyEvolution of a musical composition: a phenomenological studyMALaTrobe University1993164
YU, JulianOrnamentation in traditional Chinese instrumental music and its application in original compositionsMALaTrobe University1993127
COOK, Shane SamuelMinimum message length comparison of musical sequencesMScUniversity of Waikato1994114
FREEMAN, Peter A.Neural networks in the analysis of music MMusUniversity of Queensland199485
THORPE, Patricia G.The relevance of twentieth-century analytical theories to the performer of keyboard music of the eighteenth and nineteenth centuriesMAUniversity of Western Aust.1994239
VENNONEN, KimmoSubmission for the Graduate Diploma in Music (Computer Music)GradDipMusAustralian National University19941 vol + floppy disk
DJORDJEVIC, Sinisa DanilaStudy of the effect of mood and emotion of the spectra of sustained sung vowels and consonants PhDMonash University1995136
MAGILL, Jonathan MatthewCognitive models for the production of polyrhythms by a West African master drummerMALaTrobe University1995127
WARD, JamesThe composer's assistantMScUniversity of Technology Sydney1995159 + 1 video casset
WILLIAMS, Barbara ClaireBraille: New codes for early music notations, long cells, and exploratory coding analysisPhDMonash University1995326
ZIPMAN, EllinaThe musical portrait in Western music: a survey of theory and practiceMAMonash University1995199
REINER, ThomasSemiotic model of musical timePhDUniversity of Melbourne1995205
BARRETT, Margaret SylviaChildren's aesthetic decision-making: an analysis of children's musical discourse as composers PhDMonash University19962 vol
CHAN, Chi ManAspects of the impact of postmodernist thought on the analysis of musicMAUniversity of Sydney199675
GALLACHER, LynetteWords under pressure: an investigation of compositional linguistics focussing on recent work by Chris MannPhDLaTrobe University1996217
GEAKE, JohnAn information processing study of individual differences in perception of pitch fluctuations in music.PhDUniversity of New England1996393
McNAB, Rodger JInteractive applications of music transcriptionMScUniversity of Waikato1996120
NICHOLLS, MikeSubmission for Master of Arts (Electronic Arts) [Electronic and Computer Music compositions]MAAustralian National University199654 + video
SCOTT, AshleyModes for listeningMAUniversity of Technology Sydney1996120 + 2 sound casset
BARBELER, DamienExperiential learning in musical composition.MMusGriffith University1997109
CAMPBELL, Steven JamesThe application in original musical compositions of algorithms within four music composition software programs and the development of composition algorithms within Phrase Garden, an original music composition software programPhDUniversity of New England1997355
JORDAN, ClaireCompositions [and analysis]MMus(Comp)University of Sydney19978pp + 5 scores + cas
MacMILLAN, BrendanMML Analysis of melodyM Comp. Sc.Monash University1997198
MILLS, JonathanSound design: essays with micro-tonal tunings, musical instruments & sound spacesMARMIT University199746
SULLIVAN, YvetteThe influence of individual differences on the planning processes of musicians learning traditionally and non-traditionally notated scores M.EdUniversity of Newcastle1997133
CHIANG, Niann TsuuOptical music recognition: processing the sacred harpMCMSCUniversity of Waikato1998104
DENCH, ChrisTowards an ethics of musical compositionMMusUniversity of Melbourne199873
DRUMMOND, Jon RobertIntegrated development environment for computer music composition MSc (Hons)Macquarie University1998106 + 1 CD-ROM
IOLINI, Robert JohnSimultaneity in musicMAMacquarie University1998228: 2 vols + 2 CDs
NISBET, Robert StevensonChildren's matching of melodies and their visual representationsPhDGriffith University19981 vol
SCHIEMER, GregoryMIDI Tool Box: an interactive system for music compositionPhDMacquarie University1998304 + 2 CD-ROMs
ALSOP, Peter R.Using aspects of language in computer based composition: three approaches to current Australian textsMALaTrobe University1999201 + 3 audio CDs
BOLAND, Marguerite MareeThe all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositionsMALaTrobe University1999143
COLE, FredCreative practices in Australian techno and other electronica : a folio of original compositions and supporting documentation PhDSouthern Cross University1999221
DRAPE, RohanRule-following, pre-compositional environmentsMALaTrobe University199988 + 1 audio CD
DUANCE, KarynCompositional and performance techniques of women rock musiciansMMusUniversity of Sydney1999NiC
MacARTHUR, Jirrah WalkerInterval restriction : a composition system and its automation MMusUniversity of Tasmania19991 vol + 2 cass
SCHUBERT, EmeryMeasurement and time series analysis of emotion in musicPhDUniversity of NSW1999696
WARD, Anthony McKennaA miniature orchestra: a study in the aesthetics of guitar transcriptionMMus(hons)University of New England1999161
WIJAYA, KadirExtending cantor: an optical music recognition systemMCMSUniversity of Waikato1999114
DIXON, Michael HughJust intonation: a study through its notationMMusGriffith University2000111 + 1 audio CD
KELLER, Peter ErikAdaptive functions of meter in multipart musical rhythmPhDUniversity of NSW2000648
McFADDEN, AllanKiss kiss, China doll [Creation of an opera: Kiss kiss, China doll]MCAUniversity of Newcastle20005 voll + 3 CDs
McGARITY, Gregory Melville"Musical semiology reconstructed" : an inquiry into the social, philosophical and theoretical context of the science of semiology ; the development of musical semiology and its relationship to musical analysis ; leading to analysis of selected Mozart compositions (K.550, K.515 & K.379).MMus(hons)University of New England2000181
MELVILLE-CLARK, PaulaEurhythmics and piano performance : a study to determine the benefits of applying eurhythmic techniques to the preparation of piano works by undergraduate musicians.MMusUniversity of South Queensland2000117
BROWN, Andrew R.Music composition and the computer : an examination of the work practices of five experienced composers PhDUniversity of Queensland2001328
DAVIDSON, RobertFolio of compositions and critical commentaryPhDUniversity of Queensland20012 vol
GIOVINAZZO, JosephAnalytical models of timbral architecture in music: an application to the orchestral miniatures of Igor StravinskyPhDLaTrobe University2001291
HOOPER, David JohannesFolio of compositions and critical commentaryPhDUniversity of Queensland2001264
HUGHES, Anthony J.Keith Humble's twelve-tone compositional approach in the Eight Bagatelles for piano soloMALaTrobe University2001180
SUDMALIS, D.R.Gesture in composition : a model of composition involving gesture, gestural and parametric development, and hybridisation as examined in six original compositions PhDUniversity of Sydney20012 vol + CD
WHEATLAND, PhilipMelodicMatch - A software searching tool for music analysisMAMonash University200167 + cd
JACKSON, LeighElements of jazzMMusMassey University2001144
DEWSNIP, Michael JEvaluating melody retrieval algorithmsMCMSUniversity of Waikato2002131
McDONALD, Grantley"Orpheus Germanicus:" Metrical Music and the Reception of Marsilio Ficino's Poetics and Music Theory in Renaissance GermanyPhDUniversity of Melbourne2002902
McEWAN, NeilInterpretive signs and letters in Gregorian chant: the rhythmic and expressive differences between the episema and tenete in the manuscript of the Cantatorium, Codex 359, St. GallPhDUniversity of Sydney2002248 + CD-rom
PERISSINOTTO, DominicA Survey of intabulation techniques in keyboard music of sixteenth-century SpainMMusUniversity of Melbourne2002105
TIUTIUNNIK, KatiaThe symbolic dimension: an exploration of the compositional processPhDAustralian National University20027 vol + 3 CD + 1 vid
WILLIAMS, Ross AdrianOn Open SkyDMAOverseas200227
BARNARD, Geoffrey DavidIndeterminate composition and ideological determination MAUniversity of Technology Sydney2003106
CASTEELS, RobertBerlayar ke mata hari (Set sail to the sun) : a folio of original compositions comprising the use of gamelan instruments with related exegesisPhDUniversity of Melbourne20032 vol + 3 CD-Roms
LYONS, Andrew D.Time space texture : an approach to audio-visual composition PhDUniversity of Sydney2003291 + 1 vid disk
MITCHELL, Anne KathrynCrossing the great divide : the composition of jazz concerti using historical sources . [Thesis + compositions]PhDSouthern Cross University20032 vol + 2 CDs
MUNRO, IanMusical conversationsMCAUniversity of Newcastle200374
PARKER, TraceyDiscovering a personal compositional processMCAUniversity of Newcastle200389
STRAZZULLO, GuyAn intercultural approach to composition and improvisationMA (Hons)University of Western Sydney200378
WALSH, RobertThe composition of contemporary ambient music utilising field-recordings of Tokyo, unusual instrument combinations and minimalist techniques PhDSouthern Cross University200384
NARUSHIMA, TerumiMusic in the work of Compagnie Maguy Marin: choreo-musical collaborative processes + Portfolio of original compositionsMMus (Comp)Australian Catholic University2003176
PATERAS, AnthonyA folio of original compositions exploring contemporary practices in notation, improvisation, live electronic performance and music for film MAMonash University200350 + 2 scores + vide
BEN-SALAMON, Nissana folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio filesMAMonash University2003c.50 + 4 scores + CD
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