| TURNER, Gemma Bernadette | Body movement and sound intensity in Western contemporary popular singing | PhD | University of Sydney | 2010 | 261 + 1 CD + 1 DVD |
| MILLHOUSE, Thomas J | Auditory-acoustic characterisation of variability in the operatic vowel | PhD | University of Sydney | 2009 | 138 |
| VAN GEENEN, Jurgen Lippold | Formal methods for the design of imitative polyphonic structures | PhD | University of Sydney | 2013 | |
| CAREY, Benedict Eris | Notation sequence generation and sound synthesis in interactive spectral music | MMus(Comp) | University of Sydney | 2013 | 64 |
| MORPHETT, Jason | Freedom through discipline : the use of rhythmic devices in the music of Mark Simmonds / Jason Morphett | MMus. | University of Sydney | 2010 | 73 |
| SMITH, Peter Anthony | Computer Aided Statistical Analysis of Motive Use and Compositional Idiom | MMus | University of Sydney | 2012 | 83 |
| BASSETT, John | Assessing the Spatial Diffusivity of Sound Fields in Rooms using Ambisonic Techniques | PhD | University of Sydney | 2012 | 247 |
| CARRUTHERS, Andrew | Stave Sightings: Long Poems and the Poetics of Notation, 1960-2011 | PhD | University of Sydney | 2014 | |
| TAYLOR, John., R. | Ontology of music performance variation | PhD | University of Sydney | 2014 | |
| BIEDERMAN, Daniel, Marc | The Turntable as a musical instrument and the emergence of the concert turntablist : analytical notes | MMus | University of Sydney | 2014 | |
| LANDRY, Shane | Beyond Ideas: The Melodic Shapes in Selected Improvisations of Saxophonist David Binney | MMus | University of Sydney | 2014 | 198 |
| EVANS, Alsion | The prevalence, causes and management of stress velopharyngeal insufficiency in woodwind and brass players | PhD | University of Sydney | 2014 | |
| FIDDES, Andrew Ross | RHYTHMIC DEVICES WITHIN THE IMPROVISATION OF SCOTT TINKLER | MMus | University of Sydney | 2016 | 101 |
| WILLGOSS, Richard Adrian | Creativity in Art Music Composition | PhD | University of Sydney | 2018 | 225 |
| HILL, Adam Brantley | The cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process | PhD | University of Tasmania | 2004 | 239 + 2 CD |
| MacARTHUR, Jirrah Walker | Interval restriction : a composition system and its automation | MMus | University of Tasmania | 1999 | 1 vol + 2 cass |
| MCINTYRE, Scott Ean | The simplification of complex notation presented in aleatoric forms | PhD | University of Tasmania | 2013 | 351 |
| GARCIA, AL | Stringshift : solo guitar improvisation : process, methodology and practice | Unknown | University of Tasmania | 2014 | |
| BARNARD, Geoffrey David | Indeterminate composition and ideological determination | MA | University of Technology Sydney | 2003 | 106 |
| BURRASTON, David M | Generative music and cellular automata | PhD | University of Technology Sydney | 2006 | 211 + CD-Rom |
| LLOYD, John Stanley | An analysis of the artistic creative process : as experienced in the writing of an opera | PhD | University of Technology Sydney | 2006 | 2 vol |
| SCOTT, Ashley | Modes for listening | MA | University of Technology Sydney | 1996 | 120 + 2 sound casset |
| WARD, James | The composer's assistant | MSc | University of Technology Sydney | 1995 | 159 + 1 video casset |
| MULDER, Johannes | Making Things Louder: Amplified Music and Multimodality | PhD | University of Technology Sydney | 2012 | 395 |
| SHAPLEY, Gregory James | Sound of failure : experimental electronic music in our post-digital era | PhD | University of Technology Sydney | 2012 | 212 |
| BRACANIN, Philip | The function of the thematic process in dodecaphonic music : a study in analytical method | PhD | University of Western Aust. | 1970 | 345 |
| CALLAGHAN, Laurel Jean | A comparative framework for an analysis of the influence of language on national music style | MA | University of Western Aust. | 1979 | 2 vol |
| FONG, Francis Kam-Yuen | A musical analysis of the Cantonese language and some implications in the classroom | MMus Ed. | University of Western Aust. | 1990 | 173 |
| MARRIOTT, Andrew | Computer-musician interface: ME, the music editing system | MSc | University of Western Aust. | 1984 | 3 vol |
| SPANNEY, K.D. | Aspects of form in electronic music | MA | University of Western Aust. | 1969 | 1 vol |
| THORPE, Patricia G. | The relevance of twentieth-century analytical theories to the performer of keyboard music of the eighteenth and nineteenth centuries | MA | University of Western Aust. | 1994 | 239 |
| BETTS, Catherine | Reading the signs : assessing the salience of percussion symbols for use in percussion notation | MMus | University of Western Aust. | 2010 | 73 |
| CHIANG, Niann Tsuu | Optical music recognition: processing the sacred harp | MCMSC | University of Waikato | 1998 | 104 |
| COOK, Shane Samuel | Minimum message length comparison of musical sequences | MSc | University of Waikato | 1994 | 114 |
| DEWSNIP, Michael J | Evaluating melody retrieval algorithms | MCMS | University of Waikato | 2002 | 131 |
| KUO, Christy | A machine learning approach to music classification | MSc | University of Waikato | 2005 | 124 |
| McNAB, Rodger J | Interactive applications of music transcription | MSc | University of Waikato | 1996 | 120 |
| McPHERSON, John | Co-ordinating knowledge to improve optical music recognition | PhD | University of Waikato | 2006 | 172 |
| WIJAYA, Kadir | Extending cantor: an optical music recognition system | MCMS | University of Waikato | 1999 | 114 |
| MAYALL, Jeremy Mark | Portfolio of Compositions: Systematic composition of cross-genre hybrid music | PhD | University of Waikato | 2015 | |
| ROLLO, Te Manaaroha Pirihira | Tito Waiata-Tito Pūoro: extending the Kīngitanga music tradition. | PhD | University of Waikato | 2014 | |
| BARKL, Michael Laurence Gordon | Pure data as a Meta-Compositional Instrument | DCA | University of Wollongong | 2009 | 133 + CD |
| BLINKHORN, Daniel | Extra-musical consequence : reconsidering antecedent/consequent motivations | MA | University of Wollongong | 2005 | 68 + 1 CD |
| BURT, Warren | Algorithms, Microtonality, Performance: Eleven Musical Compositions | PhD | University of Wollongong | 2007 | 301 + 2 CDs + DVD |
| DIXON, John Wayne | Prospect and retrospect: a composer analyses thirteen of his own compositions | MA (Hons) | University of Wollongong | 1987 | 200 + 13 scores + 1 |
| FITZGERALD, Thomas A | New music composition for live performance and interactive multimedia | DCA | University of Wollongong | 2004 | 180 + 6 folios + 4 D |
| GALEA, Jeff | Ghana: the folk music of Malta influences on my music | MA | University of Wollongong | 2005 | 65 + 1 CD |
| Anon | Elements of orchestration | MCA | University of Wollongong | in progress (NiC08/07) | |
| MacGREGOR, Robert Colin | The design of computer-based composition software based on the intuitive symbolic representations of music by young children | M.Ed (Hons) | University of Wollongong | 1991 | 130 |
| McKERN, Brett M | The compositions of Brett M. McKern: to the greater glory of God | DCA | University of Wollongong | 2005 | 1 vid + CD |
| BLINKHORN, Daniel | New music composition in computer-assisted environments | DCA | University of Wollongong | 2007 | 134 + 14 CDs |
| DELEFLIE, Etienne | Music and Spatial Verisimilitude | PhD | University of Wollongong | 2013 | 210 |
| O'NEILL, Luke Jerome | Creating new music compositions based on the number systems of composer Greg Sheehan | MCA | University of Wollongong | 2013 | 98 |
| HANDEL, Amanda | Music of balance: circles and squares [Portfolio of compositions] | MA (Hons) | University of Western Sydney | 2004 | 110 + CD + DVD |
| STRAZZULLO, Guy | An intercultural approach to composition and improvisation | MA (Hons) | University of Western Sydney | 2003 | 78 |
| HEWITT, Donna | Compositions for voice and technology [+ Dissertation] | PhD | University of Western Sydney | 2006 | 178 |
| TERRY, Josephine A. | Implicit learning of complex auditory temporal structures with even and uneven meters | PhD | University of Western Sydney | 2013 | 352 |
| Anon | 20th-century guitar techniques: a composer's handbook | MMus | Victoria University of Wellington | in progress (NiC08/07) | |
| BROWNLEE, Philip | PhD in composition [Part 1. Folio of compositions -- Part 2. Structural functions of timbre in selected works of Philip Brownlee] | PhD | Victoria University of Wellington | 2007 | |
| WATSON, Christopher | The effects of music notation software on compositional practices and outcomes [+ Composition Folio] | PhD | Victoria University of Wellington | 2007 | 2 vol |
| SHEN, Nalin | The integration of Chinese opera traditions into new musical compositions | PhD | Victoria University of Wellington | 2010 | 349 + 3 Discs |
| TAYLOR, Sarah Elizabeth | The cinematic aspects of electroacoustic music | MMus | Victoria University of Wellington | 2010 | 39 |
| JENKINS, Brad | Tensional processes and perception of form in three selected compositions by Kaija Saariaho | MMA | Victoria University of Wellington | 2014 | |
| MURPHY, Jim | Expressive Musical Robots : Building, Evaluating, and Interfacing with an Ensemble of Mechatronic Instruments | PhD | Victoria University of Wellington | 2014 | |
| WARD, Megan | Melodic ornamentation from Muffat to Telemann | MMus | Victoria University of Wellington | 2014 | |
| ZAREEI, Mo.H. | Channelisation of Noise through a Rhythmic Gird : Brutalist Mechatronic Sound-sculpture | PhD | Victoria University of Wellington | 2016 | 307 |
| MARETT, Allan | 1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga no | PhD | Overseas | 1976 | |
| MARETT, Allan | An examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, Samgitaratnakara | MA | Overseas | 1972 | |
| WILLIAMS, Ross Adrian | On Open Sky | DMA | Overseas | 2002 | 27 |
| HODGES, Glen John | "Eyre," a three movement instrumental work for small chamber ensemble. (Original composition); | MM | Overseas | 1991 | 117 |
| WALKER, Judith Ann | Rhythmic nonalignment in Aboriginal Australian, West African, and twentieth-century art musics | PhD | Overseas | 1983 | 599 |
