Theory/Techs/Tools

WriterThesis TitleDegreeUniversitysort iconYear# of Pages
CODDINGTON, Anna PinengaSinging as we speak? : an exploratory investigation of singing pronunciation in New Zealand popular music MAUniversity of Auckland2004135
LEE, Chyi-HueyThe role of piano pedalling in the context of piano triosDMAUniversity of Auckland2008138
UNKOVICH, YuriTracing the synthetic voice : contrapuntal textures of five or more parts in the works of J.S. BachPhDUniversity of Auckland2008219
KAWAMOTO, TsubasaMasters portfolioMMusUniversity of Auckland20121 v. + DVD
CHI, Jasmine Yi-TzuCreative process in electroacoustic music with live acoustic performance composition : an observation on sound and the performer's gestureMMus(Composition)University of Auckland200930 + DVD
FALEATUA, Andrew KelevaConstructing compositional concepts to exploit contemporary compositions MMusUniversity of Auckland201376
LI, EvaHow does semantic language enhance the communicability of electroacoustic music?MMusUniversity of Auckland201345
WOODLEY, Kathleen FrancesVoice science and vocal pedagogy : joining the dotsMMusUniversity of Auckland2014277
BAYNES, Mark EdwardAnalytic, descriptive, and prescriptive components of evolving jazz : a new model based on the works of Brad MehldauDMAUniversity of Auckland2015229
KAUR, AmritaRāgamālā : a garland of architecture and musicMArch University of Auckland2015181 + soundfile
RICHARDS, WendyMusic literacy, music braille, and audiation : towards a new pedagogyMMus University of Auckland2016135
DERRICK, Reuben GeorgeAcoustic illuminations: recorded space as soundscape compositionPhDUniversity of Canterbury2014
CHAPLIN, PeterFolio of compositions and analysesMMusUniversity of Melbourne19867 vol + tape
BAKER, AmandaComposing with computers: aesthetics, methods and musicMMusUniversity of Melbourne1988143
CASTEELS, RobertBerlayar ke mata hari (Set sail to the sun) : a folio of original compositions comprising the use of gamelan instruments with related exegesisPhDUniversity of Melbourne20032 vol + 3 CD-Roms
CATRICE, AndrePortfolio of compositions and analysisMMusUniversity of Melbourne19898 vol
DENCH, ChrisTowards an ethics of musical compositionMMusUniversity of Melbourne199873
HIRST, DavidThe development of a cognitive framework for the analysis of acousmatic musicPhDUniversity of Melbourne2006235
McDONALD, Grantley"Orpheus Germanicus:" Metrical Music and the Reception of Marsilio Ficino's Poetics and Music Theory in Renaissance GermanyPhDUniversity of Melbourne2002902
PERISSINOTTO, DominicA Survey of intabulation techniques in keyboard music of sixteenth-century SpainMMusUniversity of Melbourne2002105
PERTOUT, AndriánThree microtonal compositions : the utilization of tuning systems in modern composition PhDUniversity of Melbourne20073 vol + 4 CD-Rom
PETHERICK, BruceOrchestration treatises of the 19th and early 20th centuriesMMusUniversity of Melbournewithdrawn c.2006
AnonMelodicMatch - Music Analysis Software for the 21st CenturyPhDUniversity of Melbournein progress (2006)
REINER, ThomasSemiotic model of musical timePhDUniversity of Melbourne1995205
ANDERSON, JustineFinding a voice : age, competition and mastery in singing : a discussion of the challenges that a singer faces in endeavouring to master the voice and enter the singing profession M.Mus.University of Melbourne200845
SHELTON, Robert JamesA lock-free environment for computer music : concurrent components for computer supported cooperative workPhDUniversity of Melbourne2011315
PRAKHOFF, Belinda MarieMusic from the inside: emotional expression and the understanding listenerPhDUniversity of Melbourne2013239
NOACK, Phillip J.Folio of compositionsMMusUniversity of Melbourne2012
RUSHFORD, James PatrickGrounding sound, distilling time: models of stasis in recent compositional frameworksMMusUniversity of Melbourne201137
STEFFEN, Darren WilliamSimple subtle sustained waveforms and the notion of comfort in a new approach to creating an immersive, interactive sound installationMA(Sound Design)University of Melbourne201259p + 1CD
MARCO, David John-TomFamiliarity and the perception of dissonance in musical intervals and chordsPhDUniversity of Melbourne2014
VIGGERS, ElisabethConnections: nothing exists in isolationMSD (Sound Design)University of Melbourne2011
PERKINS, Andrew Michael EllisFrom Pentecost to DodecaphonyPhDUniversity of Melbourne2013239
VIGGIANI, MarkFolio of original compositions 2009 - 2012PhDUniversity of Melbourne2013
CHALABI, Karen LouiseThe architecture of spirit : a phenomenological study of archetypal forces in Eastern European flute repertoire.PhDUniversity of Melbourne2014271
ROBINSON, CamilleListening art: making sonic artworks that critique listeningPhDUniversity of Melbourne2016195
WILLIAMS, Michael FrancisComposition PortfolioPhDUniversity of Melbourne2014
CAMPBELL, Steven JamesThe application in original musical compositions of algorithms within four music composition software programs and the development of composition algorithms within Phrase Garden, an original music composition software programPhDUniversity of New England1997355
GEAKE, JohnAn information processing study of individual differences in perception of pitch fluctuations in music.PhDUniversity of New England1996393
McGARITY, Gregory Melville"Musical semiology reconstructed" : an inquiry into the social, philosophical and theoretical context of the science of semiology ; the development of musical semiology and its relationship to musical analysis ; leading to analysis of selected Mozart compositions (K.550, K.515 & K.379).MMus(hons)University of New England2000181
WARD, Anthony McKennaA miniature orchestra: a study in the aesthetics of guitar transcriptionMMus(hons)University of New England1999161
ROBERTS, CJHow the pianist's touch affects tone quality: A review of performance-based and scientific literature with applications to piano practice and performancePhDUniversity of New England2015
McFADDEN, AllanKiss kiss, China doll [Creation of an opera: Kiss kiss, China doll]MCAUniversity of Newcastle20005 voll + 3 CDs
MUNRO, IanMusical conversationsMCAUniversity of Newcastle200374
PARKER, TraceyDiscovering a personal compositional processMCAUniversity of Newcastle200389
SULLIVAN, YvetteThe influence of individual differences on the planning processes of musicians learning traditionally and non-traditionally notated scores M.EdUniversity of Newcastle1997133
BOUNDS, Carolyn ZPerforming flute music of the French Baroque : an approach for modern flautists [manuscript]MAUniversity of Newcastle2010126
SCULLY, Lesa JaneThe maturing trumpeter [manuscript] : an insight to the physicality, mentality and practicality of the twenty first century performing trumpeterMCAUniversity of Newcastle200882 + 2 CDs
SAUNDERS, Scott"Towards an aesthetic of groove"MPhilUniversity of Newcastle2015116
Harrison, Clive MaxwellA songwriter’s journey from little-c to pro-c creativity: an applied analytical autoethnographyPhDUniversity of Newcastle2016445
HAYNES, David MatthewContext and process in arrangement and transcription for solo piano, left-hand alonePhDUniversity of NSW2005390
KELLER, Peter ErikAdaptive functions of meter in multipart musical rhythmPhDUniversity of NSW2000648
SCHUBERT, EmeryMeasurement and time series analysis of emotion in musicPhDUniversity of NSW1999696
SIMMERMACHER, ChristianDetecting instruments in classical music : a view on timbre, musical features, and classification MScUniversity of Otago200585
McLENNAN-KISSEL, PaulOnsombilMMusUniversity of Otago201261 + CD
LEE, Seung-YoonPerceptual and neural processing of consonance and dissonance in musicians and non-musicians : an ERP studyMScUniversity of Otago201165
McLEOD, PhilipFast, accurate pitch detection tools for music analysisPhDUniversity of Otago2008181
LINTON, SeanThe Music of 'Are'are: Acoustemology, Environmental Influences and SustainabilityPhDUniversity of Otago2013325
BROWN, Andrew R.Music composition and the computer : an examination of the work practices of five experienced composers PhDUniversity of Queensland2001328
DAVIDSON, RobertFolio of compositions and critical commentaryPhDUniversity of Queensland20012 vol
FREEMAN, Peter A.Neural networks in the analysis of music MMusUniversity of Queensland199485
GARRETT, LindaMicro-intonation and the viola : a study of just intonation, the Pythagorean scale and equal temperament in relation to the performance of unaccompanied viola repertoireMPhil (perf)University of Queensland200632
GAYLER, Ross WatsonDevelopment of a methodology and theoretical framework for melodic discriminationPhDUniversity of Queensland1987231
HOOPER, David JohannesFolio of compositions and critical commentaryPhDUniversity of Queensland2001264
YOUNG, DavidFolio & Commentary: Thousands of Bundled Straw, Skin Quartet & the Val Camonica PiecesPhDUniversity of Queensland2007 (NyiC)93 + Folio 380pp + D
Anon"An integration of score-based and digitally produced composition" - folio of compositions and critical commentaryPhDUniversity of QueenslandIn Progress (2009)
Anon“21st Century composer as producer: utilising technology as a creative tool in the composition, realisation and performance of new music”PhDUniversity of QueenslandIn Progress (2009)
BYRNE, Timothy FrancisAspects of technique in Dvořák’s cello concerto [electronic resource] : an approach based on a comparative study of relevant treatisesMPhilUniversity of Queensland201057
MACLEOD, Andrew LachlanDe la sonorité [electronic resource] : the Bel canto flute method of Marcel MoyseMPhilUniversity of Queensland200949
LIVINGSTONE, Steven RChanging musical emotion through score and performance with a computational rule system [electronic resource]PhDUniversity of Queensland2008
JAYASINGHE, RohanThe application of serial technique to tonal music: the emancipation of consonancePhDUniversity of Queensland2011
POTTER, WarwickA case study of the life and work of an Australian Orchestral Portfolio ConductorPhDUniversity of Queensland2015151
ASKILL, MichaelReflections on Composition and ConsciousnessPhDUniversity of Queensland2015145
MELVILLE-CLARK, PaulaEurhythmics and piano performance : a study to determine the benefits of applying eurhythmic techniques to the preparation of piano works by undergraduate musicians.MMusUniversity of South Queensland2000117
CHAN, Chi ManAspects of the impact of postmodernist thought on the analysis of musicMAUniversity of Sydney199675
DUANCE, KarynCompositional and performance techniques of women rock musiciansMMusUniversity of Sydney1999NiC
FRANKLIN, James AshleyCircles and arrows : an outline of a concept of musical metaanalysis and its implications MMusUniversity of Sydney1987142
GARD, StephenNasty Noises: 'Error' as a Compositional ElementMMus CompUniversity of Sydney200468 + 2 CD
GRAY, Janette MaryComposing music for childrenMMusUniversity of Sydney19744 vol
HAIR, Greta MaryTroped introits and communions from eleventh century Aquitaine manuscript Paris Bibliotheque Nationale fonds Latin 903: a study in musical reconstructionPhDUniversity of Sydney19883 vol
HARRIS, Wayne JohnThe automatic analysis of rhythm in keyboard music MScUniversity of Sydney1982129
JORDAN, ClaireCompositions [and analysis]MMus(Comp)University of Sydney19978pp + 5 scores + cas
KYRIAKOU, Mary-AnneGuitar and light for solo guitar ; Betrayal, a new music-theatre work : exploring representations of self through the portrayal of women protagonistsMMus(Comp)University of Sydney200641 + 2 scores
LYONS, Andrew D.Time space texture : an approach to audio-visual composition PhDUniversity of Sydney2003291 + 1 vid disk
McEWAN, NeilInterpretive signs and letters in Gregorian chant: the rhythmic and expressive differences between the episema and tenete in the manuscript of the Cantatorium, Codex 359, St. GallPhDUniversity of Sydney2002248 + CD-rom
McNAMARA, PeterPortfolio of Compositions + Stretching the boundaries of listening : changing microtonal aesthetics in the late twentieth century MMus(Comp)University of Sydney20064 vol + 86 + CD
NG, Kwok WaiThe modes of tōgaku from Tang-period China to modern Japan : focusing on the ōshikichō, banshikichō and hyōjō modal categories PhDUniversity of Sydney20072 v
PAGE, RosalindPoetics of allegory and number in the compositions of Rosalind Page PhDUniversity of Sydney2006148 + 2 CDs - DVD =
RICKETSON, DamienCurious noise: analytical notesPhDUniversity of Sydney2005119 + 5 scores + 2 C
STEVENS, CatherineDerivation and investigation of features mediating musical pattern recognitionPhDUniversity of Sydney1992441+disk
SUDMALIS, D.R.Gesture in composition : a model of composition involving gesture, gestural and parametric development, and hybridisation as examined in six original compositions PhDUniversity of Sydney20012 vol + CD
WATSON, Charles RichardThe computer analysis of polyphonic music PhDUniversity of Sydney1985214
GILL, Brad Compositional technique and the exploration of spirituality in the music of Brad Gill + Folio of Original CompositionsPhDUniversity of Sydney2005114 + CDs
FREDERICKS, Ian FrancisThe development and use of computational models of creative musical intelligence in the composition and realization of Death of a dragon, StarMist, Violins in space, and Spirals : 1998-March 2001 PhDUniversity of Sydney2005204 + 4 CDs
Monro, Gordon PPortfolio of Audio-visual Compositions: Accompanying Notes + The Concept of Emergence in Generative ArtMMus (Comp)University of Sydney2008 (nyiC)20 + DVD-audio + 2 D
RAE, S.A study of some modern techniques in choral compositionMMusUniversity of Sydneywithdrawn 1968
CONSTANTINO, R.An approach to the language of music through the relationship of poetic texts to song writingPhDUniversity of Sydneywithdrawn 1968
FORSTER, RaymondAn investigation into a cohesive method of teaching jazz harmony and improvisation to elective music students in secondary schools using the basic principals of chord-scale theoryMMusUniversity of Sydney201091
ROPA, Vanessa JaneThe importance of understanding the mechanisms underlying breathing, posture and embouchure for tertiary flute and wind music studentsMMusUniversity of Sydney201066
LAZAR, EricA stylistic and historical analysis of left foot high hat techniques in Swing, Bebop, and Latin jazz drummingMMusUniversity of Sydney201047
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