| REINER, Thomas | Semiotic model of musical time | PhD | University of Melbourne | 1995 | 205 |
| INGS, Welby | Talking Pictures: a creative utilization of structural and aesthetic profiles from narrative music videos and television commercials in a non-spoken film text. | PhD | Auckland University of Technology | 2005 | 423 + DVD |
| HEWITT, Donna | Compositions for voice and technology [+ Dissertation] | PhD | University of Western Sydney | 2006 | 178 |
| BROWNLEE, Philip | PhD in composition [Part 1. Folio of compositions -- Part 2. Structural functions of timbre in selected works of Philip Brownlee] | PhD | Victoria University of Wellington | 2007 | |
| WATSON, Christopher | The effects of music notation software on compositional practices and outcomes [+ Composition Folio] | PhD | Victoria University of Wellington | 2007 | 2 vol |
| KAMINSKYJ, Ian | Automatic recognition of musical instruments using isolated monophonic sounds | PhD | Monash University | 2004 | 543 |
| CONSTANTINO, R. | An approach to the language of music through the relationship of poetic texts to song writing | PhD | University of Sydney | withdrawn 1968 | |
| FANANY, Runa | The Devil’s Due: the musical representation of the Devil in selected Hollywood film scores | PhD | Monash University | 2011 | 320 |
| FOX, Robin | Contingency and space as structural concerns in a folio of interactive electroacoustic compositions | PhD | Monash University | 2006 | 93 + DVD + ADAT Tape |
| MYERS, Peter | Directed harmonic and melodic motion, pitch structures and compositional determinants : a folio of original compositions and a critical commentary | PhD | Monash University | 2006 | 189 + 5 scores + CD |
| GOODWIN, Russell | Furthering the understanding of indeterminacy in music composition | PhD | Monash University | 2007 | 93 + 5 scores + 2 CD |
| CHUA, Bee Yong | Automatic extraction of perceptual features and categorization of music emotional expressions from polyphonic music audio signals | PhD | Monash University | 2007 | 171 |
| CZAPLOWSKI, Philip | The use of multiple styles as a compositional approach | PhD | Monash University | 2007 | 2 vol + CD |
| Anon | "An integration of score-based and digitally produced composition" - folio of compositions and critical commentary | PhD | University of Queensland | In Progress (2009) | |
| Anon | “21st Century composer as producer: utilising technology as a creative tool in the composition, realisation and performance of new music” | PhD | University of Queensland | In Progress (2009) | |
| UNKOVICH, Yuri | Tracing the synthetic voice : contrapuntal textures of five or more parts in the works of J.S. Bach | PhD | University of Auckland | 2008 | 219 |
| LIVINGSTONE, Steven R | Changing musical emotion through score and performance with a computational rule system [electronic resource] | PhD | University of Queensland | 2008 | |
| TURNER, Gemma Bernadette | Body movement and sound intensity in Western contemporary popular singing | PhD | University of Sydney | 2010 | 261 + 1 CD + 1 DVD |
| MILLHOUSE, Thomas J | Auditory-acoustic characterisation of variability in the operatic vowel | PhD | University of Sydney | 2009 | 138 |
| BELLMANN, Héctor G. | Categorization of tonal music style: a quantitative investigation | PhD | Griffith University | 2012 | 282 |
| HILL, Matthew | Hit scrape click drag : analysis and application of compositional methodologies at the intersection of conserved and emergent technologies | PhD | James Cook University | 2007 | 301 + CD Rom + DVD |
| SHEN, Nalin | The integration of Chinese opera traditions into new musical compositions | PhD | Victoria University of Wellington | 2010 | 349 + 3 Discs |
| ADENEY, Roland William | The HarmonyGrid : music, space and performance in grid music systems | PhD | Queensland University of Technology | 2011 | 256 + Disc |
| GIFFORD, Toby | Improvisation in interactive music systems | PhD | Queensland University of Technology | 2011 | 205 + Disc |
| KLEIN, Eve Elizabeth | The pomegranate cycle : reconfiguring opera through performance, technology & composition | PhD | Queensland University of Technology | 2011 | 276 + 2 Discs |
| MARTIN, Peter | Writing for guitar groups with and without orchestra | PhD | Southern Cross University | 2007 | 136 |
| SHELTON, Robert James | A lock-free environment for computer music : concurrent components for computer supported cooperative work | PhD | University of Melbourne | 2011 | 315 |
| McLEOD, Philip | Fast, accurate pitch detection tools for music analysis | PhD | University of Otago | 2008 | 181 |
| QUINTO, Lena Rachel | The communication of emotion in music : understanding the contributions of composition and performance | PhD | Macquarie University | 2012 | 1 vol |
| VAN GEENEN, Jurgen Lippold | Formal methods for the design of imitative polyphonic structures | PhD | University of Sydney | 2013 | |
| DELEFLIE, Etienne | Music and Spatial Verisimilitude | PhD | University of Wollongong | 2013 | 210 |
| MULDER, Johannes | Making Things Louder: Amplified Music and Multimodality | PhD | University of Technology Sydney | 2012 | 395 |
| PRAKHOFF, Belinda Marie | Music from the inside: emotional expression and the understanding listener | PhD | University of Melbourne | 2013 | 239 |
| SHAPLEY, Gregory James | Sound of failure : experimental electronic music in our post-digital era | PhD | University of Technology Sydney | 2012 | 212 |
| WALUS, Bartlomiej Piotr | A new modular approach to the composition of film music. | PhD | University of Adelaide | 2013 | 468 |
| BURREL, Robert W. B. | A Process of Becoming: A Musical Enquiry into Process-Relational Philosophy Through Autoethnographical and Zoomusicological Means | PhD | Griffith University | 2013 | |
| TOMLINSON, Michelle M. | Transformational and Transmodal Redesign in Children's Music Invention: An Exploration Using the Space of Music Dialogue | PhD | Griffith University | 2013 | |
| JAYASINGHE, Rohan | The application of serial technique to tonal music: the emancipation of consonance | PhD | University of Queensland | 2011 | |
| MARCO, David John-Tom | Familiarity and the perception of dissonance in musical intervals and chords | PhD | University of Melbourne | 2014 | |
| KHOO, Sui Sin | The single hidden layer neural network based classifiers for Han Chinese folk songs | PhD | Swinburne University of Technology | 2013 | 213 |
| BROWN, David | Designing sound for health and wellbeing | PhD | RMIT University | 2012 | |
| PERKINS, Andrew Michael Ellis | From Pentecost to Dodecaphony | PhD | University of Melbourne | 2013 | 239 |
| VIGGIANI, Mark | Folio of original compositions 2009 - 2012 | PhD | University of Melbourne | 2013 | |
| TERRY, Josephine A. | Implicit learning of complex auditory temporal structures with even and uneven meters | PhD | University of Western Sydney | 2013 | 352 |
| BATES, Nathanael James | Sampling and the 'Sound Object' in contemporary sonic art | PhD | RMIT University | 2013 | 117 |
| BASSETT, John | Assessing the Spatial Diffusivity of Sound Fields in Rooms using Ambisonic Techniques | PhD | University of Sydney | 2012 | 247 |
| LOVE, Martyn | Collective conceptualization: a methodology for contemporary film score composers: a portfolio of compositions (disposed as a film score) and exegesis. | PhD | University of Adelaide | 2013 | 245 |
| CARRUTHERS, Andrew | Stave Sightings: Long Poems and the Poetics of Notation, 1960-2011 | PhD | University of Sydney | 2014 | |
| MCINTYRE, Scott Ean | The simplification of complex notation presented in aleatoric forms | PhD | University of Tasmania | 2013 | 351 |
| LINTON, Sean | The Music of 'Are'are: Acoustemology, Environmental Influences and Sustainability | PhD | University of Otago | 2013 | 325 |
| HOCHENBAUM, Jordan. | L'arte di interazione musicale : new musical possibilities through multimodal techniques | PhD | NZ School of Music (Victoria + Massey) | 2013 | 228 |
| MAYALL, Jeremy Mark | Portfolio of Compositions: Systematic composition of cross-genre hybrid music | PhD | University of Waikato | 2015 | |
| ROLLO, Te Manaaroha Pirihira | Tito Waiata-Tito Pūoro: extending the Kīngitanga music tradition. | PhD | University of Waikato | 2014 | |
| DERRICK, Reuben George | Acoustic illuminations: recorded space as soundscape composition | PhD | University of Canterbury | 2014 | |
| MURPHY, Jim | Expressive Musical Robots : Building, Evaluating, and Interfacing with an Ensemble of Mechatronic Instruments | PhD | Victoria University of Wellington | 2014 | |
| ZAREEI, Mo.H. | Channelisation of Noise through a Rhythmic Gird : Brutalist Mechatronic Sound-sculpture | PhD | Victoria University of Wellington | 2016 | 307 |
| TAYLOR, John., R. | Ontology of music performance variation | PhD | University of Sydney | 2014 | |
| ROBERTS, CJ | How the pianist's touch affects tone quality: A review of performance-based and scientific literature with applications to piano practice and performance | PhD | University of New England | 2015 | |
| JAMES, Stuart George | Spectromorphology and spatiomorphology : wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domain | PhD | Edith Cowan University | 2015 | |
| CHALABI, Karen Louise | The architecture of spirit : a phenomenological study of archetypal forces in Eastern European flute repertoire. | PhD | University of Melbourne | 2014 | 271 |
| ROBINSON, Camille | Listening art: making sonic artworks that critique listening | PhD | University of Melbourne | 2016 | 195 |
| POTTER, Warwick | A case study of the life and work of an Australian Orchestral Portfolio Conductor | PhD | University of Queensland | 2015 | 151 |
| EVANS, Alsion | The prevalence, causes and management of stress velopharyngeal insufficiency in woodwind and brass players | PhD | University of Sydney | 2014 | |
| ASKILL, Michael | Reflections on Composition and Consciousness | PhD | University of Queensland | 2015 | 145 |
| ISTVANDITY, Lauren | Musically Motivated Autobiographical Memories and the Lifetime Soundtrack | PhD | Griffith University | 2014 | 280 |
| WILLIAMS, Michael Francis | Composition Portfolio | PhD | University of Melbourne | 2014 | |
| BUCKLEY, Daryl | From body schema to score: creating spatial grammars in contemporary electric guitar practice. | PhD | RMIT University | 2015 | 108 |
| Harrison, Clive Maxwell | A songwriter’s journey from little-c to pro-c creativity: an applied analytical autoethnography | PhD | University of Newcastle | 2016 | 445 |
| WILLGOSS, Richard Adrian | Creativity in Art Music Composition | PhD | University of Sydney | 2018 | 225 |
| WEEKES, Diana K. | Twistonality: A Personal Exploration: portfolio of original compositions and exegesis | PhD (Comp) | University of Adelaide | 2007 | 3 vol |
| GARCIA, AL | Stringshift : solo guitar improvisation : process, methodology and practice | Unknown | University of Tasmania | 2014 | |
