| HALL, Phillip Jeremy | Portfolio of compositions and exegesis [music] : Leitmotifs and their development | MMus | University of Adelaide | 2009 | 41 + CD |
| KAWAMOTO, Tsubasa | Masters portfolio | MMus | University of Auckland | 2012 | 1 v. + DVD |
| McLENNAN-KISSEL, Paul | Onsombil | MMus | University of Otago | 2012 | 61 + CD |
| BETTS, Catherine | Reading the signs : assessing the salience of percussion symbols for use in percussion notation | MMus | University of Western Aust. | 2010 | 73 |
| SMITH, Peter Anthony | Computer Aided Statistical Analysis of Motive Use and Compositional Idiom | MMus | University of Sydney | 2012 | 83 |
| NOACK, Phillip J. | Folio of compositions | MMus | University of Melbourne | 2012 | |
| RUSHFORD, James Patrick | Grounding sound, distilling time: models of stasis in recent compositional frameworks | MMus | University of Melbourne | 2011 | 37 |
| TOPPI, Antonio | An investigation into narrative as a compositional approach | MMus | Monash University | 2013 | |
| TAYLOR, Sarah Elizabeth | The cinematic aspects of electroacoustic music | MMus | Victoria University of Wellington | 2010 | 39 |
| FALEATUA, Andrew Keleva | Constructing compositional concepts to exploit contemporary compositions | MMus | University of Auckland | 2013 | 76 |
| LI, Eva | How does semantic language enhance the communicability of electroacoustic music? | MMus | University of Auckland | 2013 | 45 |
| WOODLEY, Kathleen Frances | Voice science and vocal pedagogy : joining the dots | MMus | University of Auckland | 2014 | 277 |
| RICHARDS, Wendy | Music literacy, music braille, and audiation : towards a new pedagogy | MMus | University of Auckland | 2016 | 135 |
| WARD, Megan | Melodic ornamentation from Muffat to Telemann | MMus | Victoria University of Wellington | 2014 | |
| BIEDERMAN, Daniel, Marc | The Turntable as a musical instrument and the emergence of the concert turntablist : analytical notes | MMus | University of Sydney | 2014 | |
| LANDRY, Shane | Beyond Ideas: The Melodic Shapes in Selected Improvisations of Saxophonist David Binney | MMus | University of Sydney | 2014 | 198 |
| MILLS, Jennifer | Orchestral cello auditions in Australia: an assessment of commonly set excerpts | MMus | Monash University | 2016 | |
| FIDDES, Andrew Ross | RHYTHMIC DEVICES WITHIN THE IMPROVISATION OF SCOTT TINKLER | MMus | University of Sydney | 2016 | 101 |
| WORLEY, Kim | The Singing Cellist: An Exploration of the Relationship between the Cello and the Human Voice | MMus | Griffith University | 2015 | |
| CAMERON, Christopher Paul | Exploring applications of multi-dexterity in drum kit performance | MMus | Monash University | 2016 | |
| NARUSHIMA, Terumi | Music in the work of Compagnie Maguy Marin: choreo-musical collaborative processes + Portfolio of original compositions | MMus (Comp) | Australian Catholic University | 2003 | 176 |
| Monro, Gordon P | Portfolio of Audio-visual Compositions: Accompanying Notes + The Concept of Emergence in Generative Art | MMus (Comp) | University of Sydney | 2008 (nyiC) | 20 + DVD-audio + 2 D |
| GARD, Stephen | Nasty Noises: 'Error' as a Compositional Element | MMus Comp | University of Sydney | 2004 | 68 + 2 CD |
| FONG, Francis Kam-Yuen | A musical analysis of the Cantonese language and some implications in the classroom | MMus Ed. | University of Western Aust. | 1990 | 173 |
| LILE, Trudy | Creating new standards : jazz arrangements of pop songs | MMus Perf | NZ School of Music (Victoria + Massey) | 2009 | 328 |
| JORDAN, Claire | Compositions [and analysis] | MMus(Comp) | University of Sydney | 1997 | 8pp + 5 scores + cas |
| KYRIAKOU, Mary-Anne | Guitar and light for solo guitar ; Betrayal, a new music-theatre work : exploring representations of self through the portrayal of women protagonists | MMus(Comp) | University of Sydney | 2006 | 41 + 2 scores |
| McNAMARA, Peter | Portfolio of Compositions + Stretching the boundaries of listening : changing microtonal aesthetics in the late twentieth century | MMus(Comp) | University of Sydney | 2006 | 4 vol + 86 + CD |
| CAREY, Benedict Eris | Notation sequence generation and sound synthesis in interactive spectral music | MMus(Comp) | University of Sydney | 2013 | 64 |
| CHI, Jasmine Yi-Tzu | Creative process in electroacoustic music with live acoustic performance composition : an observation on sound and the performer's gesture | MMus(Composition) | University of Auckland | 2009 | 30 + DVD |
| McGARITY, Gregory Melville | "Musical semiology reconstructed" : an inquiry into the social, philosophical and theoretical context of the science of semiology ; the development of musical semiology and its relationship to musical analysis ; leading to analysis of selected Mozart compositions (K.550, K.515 & K.379). | MMus(hons) | University of New England | 2000 | 181 |
| WARD, Anthony McKenna | A miniature orchestra: a study in the aesthetics of guitar transcription | MMus(hons) | University of New England | 1999 | 161 |
| MORPHETT, Jason | Freedom through discipline : the use of rhythmic devices in the music of Mark Simmonds / Jason Morphett | MMus. | University of Sydney | 2010 | 73 |
| BYRNE, Timothy Francis | Aspects of technique in Dvořák’s cello concerto [electronic resource] : an approach based on a comparative study of relevant treatises | MPhil | University of Queensland | 2010 | 57 |
| MACLEOD, Andrew Lachlan | De la sonorité [electronic resource] : the Bel canto flute method of Marcel Moyse | MPhil | University of Queensland | 2009 | 49 |
| MCEVOY, David | Aspects of Herbie Hancock’s pre-electric improvisational language and their application in contemporary jazz performance: a portfolio of recorded performances and exegesis. | MPhil | University of Adelaide | 2014 | |
| SAUNDERS, Scott | "Towards an aesthetic of groove" | MPhil | University of Newcastle | 2015 | 116 |
| THOMAS, Holly Ellen | Applying the linear concept of contemporary drumming: a portfolio of recorded performances and exegesis. | MPhil | University of Adelaide | 2014 | |
| GARRETT, Linda | Micro-intonation and the viola : a study of just intonation, the Pythagorean scale and equal temperament in relation to the performance of unaccompanied viola repertoire | MPhil (perf) | University of Queensland | 2006 | 32 |
| COOK, Shane Samuel | Minimum message length comparison of musical sequences | MSc | University of Waikato | 1994 | 114 |
| HARRIS, Wayne John | The automatic analysis of rhythm in keyboard music | MSc | University of Sydney | 1982 | 129 |
| KUO, Christy | A machine learning approach to music classification | MSc | University of Waikato | 2005 | 124 |
| MARRIOTT, Andrew | Computer-musician interface: ME, the music editing system | MSc | University of Western Aust. | 1984 | 3 vol |
| McNAB, Rodger J | Interactive applications of music transcription | MSc | University of Waikato | 1996 | 120 |
| WARD, James | The composer's assistant | MSc | University of Technology Sydney | 1995 | 159 + 1 video casset |
| SIMMERMACHER, Christian | Detecting instruments in classical music : a view on timbre, musical features, and classification | MSc | University of Otago | 2005 | 85 |
| LEE, Seung-Yoon | Perceptual and neural processing of consonance and dissonance in musicians and non-musicians : an ERP study | MSc | University of Otago | 2011 | 65 |
| DRUMMOND, Jon Robert | Integrated development environment for computer music composition | MSc (Hons) | Macquarie University | 1998 | 106 + 1 CD-ROM |
| VIGGERS, Elisabeth | Connections: nothing exists in isolation | MSD (Sound Design) | University of Melbourne | 2011 | |
| MARETT, Allan | 1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga no | PhD | Overseas | 1976 | |
| BANDT, Rosalie | Models and processes in repetitive music, 1960-1983 | PhD | Monash University | 1983 | 433 |
| BARRETT, Margaret Sylvia | Children's aesthetic decision-making: an analysis of children's musical discourse as composers | PhD | Monash University | 1996 | 2 vol |
| BRACANIN, Philip | The function of the thematic process in dodecaphonic music : a study in analytical method | PhD | University of Western Aust. | 1970 | 345 |
| BROWN, Andrew R. | Music composition and the computer : an examination of the work practices of five experienced composers | PhD | University of Queensland | 2001 | 328 |
| BURRASTON, David M | Generative music and cellular automata | PhD | University of Technology Sydney | 2006 | 211 + CD-Rom |
| BURT, Warren | Algorithms, Microtonality, Performance: Eleven Musical Compositions | PhD | University of Wollongong | 2007 | 301 + 2 CDs + DVD |
| CAMPBELL, Steven James | The application in original musical compositions of algorithms within four music composition software programs and the development of composition algorithms within Phrase Garden, an original music composition software program | PhD | University of New England | 1997 | 355 |
| CASTEELS, Robert | Berlayar ke mata hari (Set sail to the sun) : a folio of original compositions comprising the use of gamelan instruments with related exegesis | PhD | University of Melbourne | 2003 | 2 vol + 3 CD-Roms |
| CHAPMAN, Jim (James Norman) | Afro No-Clash: Composing syncretic African/Western music: Eleven Compositions and frameworks for their systematic analysis | PhD | Queensland University of Technology | 2007 | 2v (225 + 237) + 1CD |
| COLE, Fred | Creative practices in Australian techno and other electronica : a folio of original compositions and supporting documentation | PhD | Southern Cross University | 1999 | 221 |
| DAVIDSON, Robert | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 2 vol |
| DJORDJEVIC, Sinisa Danila | Study of the effect of mood and emotion of the spectra of sustained sung vowels and consonants | PhD | Monash University | 1995 | 136 |
| DUNCAN, Wayne | Portfolio of Original Compositions | PhD | University of Adelaide | 2007 | 322 |
| GALLACHER, Lynette | Words under pressure: an investigation of compositional linguistics focussing on recent work by Chris Mann | PhD | LaTrobe University | 1996 | 217 |
| GAYLER, Ross Watson | Development of a methodology and theoretical framework for melodic discrimination | PhD | University of Queensland | 1987 | 231 |
| GEAKE, John | An information processing study of individual differences in perception of pitch fluctuations in music. | PhD | University of New England | 1996 | 393 |
| GIOVINAZZO, Joseph | Analytical models of timbral architecture in music: an application to the orchestral miniatures of Igor Stravinsky | PhD | LaTrobe University | 2001 | 291 |
| HAIR, Greta Mary | Troped introits and communions from eleventh century Aquitaine manuscript Paris Bibliotheque Nationale fonds Latin 903: a study in musical reconstruction | PhD | University of Sydney | 1988 | 3 vol |
| HARRIS, Philip Geoffrey. | Cortical activity associated with rhythmic grouping of pitch sequences | PhD | Swinburne University of Technology | 2007 | 312 |
| HAYNES, David Matthew | Context and process in arrangement and transcription for solo piano, left-hand alone | PhD | University of NSW | 2005 | 390 |
| HILL, Adam Brantley | The cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process | PhD | University of Tasmania | 2004 | 239 + 2 CD |
| HIRST, David | The development of a cognitive framework for the analysis of acousmatic music | PhD | University of Melbourne | 2006 | 235 |
| HOOPER, David Johannes | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 264 |
| KELLER, Peter Erik | Adaptive functions of meter in multipart musical rhythm | PhD | University of NSW | 2000 | 648 |
| LLOYD, John Stanley | An analysis of the artistic creative process : as experienced in the writing of an opera | PhD | University of Technology Sydney | 2006 | 2 vol |
| LYONS, Andrew D. | Time space texture : an approach to audio-visual composition | PhD | University of Sydney | 2003 | 291 + 1 vid disk |
| McDONALD, Grantley | "Orpheus Germanicus:" Metrical Music and the Reception of Marsilio Ficino's Poetics and Music Theory in Renaissance Germany | PhD | University of Melbourne | 2002 | 902 |
| McEWAN, Neil | Interpretive signs and letters in Gregorian chant: the rhythmic and expressive differences between the episema and tenete in the manuscript of the Cantatorium, Codex 359, St. Gall | PhD | University of Sydney | 2002 | 248 + CD-rom |
| McPHERSON, John | Co-ordinating knowledge to improve optical music recognition | PhD | University of Waikato | 2006 | 172 |
| MITCHELL, Anne Kathryn | Crossing the great divide : the composition of jazz concerti using historical sources . [Thesis + compositions] | PhD | Southern Cross University | 2003 | 2 vol + 2 CDs |
| NG, Kwok Wai | The modes of tōgaku from Tang-period China to modern Japan : focusing on the ōshikichō, banshikichō and hyōjō modal categories | PhD | University of Sydney | 2007 | 2 v |
| NISBET, Robert Stevenson | Children's matching of melodies and their visual representations | PhD | Griffith University | 1998 | 1 vol |
| PAGE, Rosalind | Poetics of allegory and number in the compositions of Rosalind Page | PhD | University of Sydney | 2006 | 148 + 2 CDs - DVD = |
| PERTOUT, Andrián | Three microtonal compositions : the utilization of tuning systems in modern composition | PhD | University of Melbourne | 2007 | 3 vol + 4 CD-Rom |
| RICKETSON, Damien | Curious noise: analytical notes | PhD | University of Sydney | 2005 | 119 + 5 scores + 2 C |
| SCHIEMER, Gregory | MIDI Tool Box: an interactive system for music composition | PhD | Macquarie University | 1998 | 304 + 2 CD-ROMs |
| SCHUBERT, Emery | Measurement and time series analysis of emotion in music | PhD | University of NSW | 1999 | 696 |
| SONG, Sun-Ju | Music analysis and the avant-garde compositions of post-world war II: four case studies | PhD | Griffith University | 2011 | 2 v. |
| STEVENS, Catherine | Derivation and investigation of features mediating musical pattern recognition | PhD | University of Sydney | 1992 | 441+disk |
| SUDMALIS, D.R. | Gesture in composition : a model of composition involving gesture, gestural and parametric development, and hybridisation as examined in six original compositions | PhD | University of Sydney | 2001 | 2 vol + CD |
| TIUTIUNNIK, Katia | The symbolic dimension: an exploration of the compositional process | PhD | Australian National University | 2002 | 7 vol + 3 CD + 1 vid |
| WALSH, Robert | The composition of contemporary ambient music utilising field-recordings of Tokyo, unusual instrument combinations and minimalist techniques | PhD | Southern Cross University | 2003 | 84 |
| WATSON, Charles Richard | The computer analysis of polyphonic music | PhD | University of Sydney | 1985 | 214 |
| Anon | MelodicMatch - Music Analysis Software for the 21st Century | PhD | University of Melbourne | in progress (2006) | |
| WILLIAMS, Barbara Claire | Braille: New codes for early music notations, long cells, and exploratory coding analysis | PhD | Monash University | 1995 | 326 |
| WOOLER, Rene | Techniques for automated and interactive note sequence morphing of mainstream electronic music | PhD | Queensland University of Technology | submitted 2007 | |
| YOUNG, David | Folio & Commentary: Thousands of Bundled Straw, Skin Quartet & the Val Camonica Pieces | PhD | University of Queensland | 2007 (NyiC) | 93 + Folio 380pp + D |
| WALKER, Judith Ann | Rhythmic nonalignment in Aboriginal Australian, West African, and twentieth-century art musics | PhD | Overseas | 1983 | 599 |
| GILL, Brad | Compositional technique and the exploration of spirituality in the music of Brad Gill + Folio of Original Compositions | PhD | University of Sydney | 2005 | 114 + CDs |
| FREDERICKS, Ian Francis | The development and use of computational models of creative musical intelligence in the composition and realization of Death of a dragon, StarMist, Violins in space, and Spirals : 1998-March 2001 | PhD | University of Sydney | 2005 | 204 + 4 CDs |
