| BARKL, Michael Laurence Gordon | Pure data as a Meta-Compositional Instrument | DCA | University of Wollongong | 2009 | 133 + CD |
| FITZGERALD, Thomas A | New music composition for live performance and interactive multimedia | DCA | University of Wollongong | 2004 | 180 + 6 folios + 4 D |
| McKERN, Brett M | The compositions of Brett M. McKern: to the greater glory of God | DCA | University of Wollongong | 2005 | 1 vid + CD |
| BLINKHORN, Daniel | New music composition in computer-assisted environments | DCA | University of Wollongong | 2007 | 134 + 14 CDs |
| WILLIAMS, Ross Adrian | On Open Sky | DMA | Overseas | 2002 | 27 |
| KNOPF, Michael | Illustrating the practice of composing with styles and genres; how a composer uses global, cultural & historical style and genre in creating new music + folio of compositions | DMA | Griffith University | 2011 | 136 |
| LEE, Chyi-Huey | The role of piano pedalling in the context of piano trios | DMA | University of Auckland | 2008 | 138 |
| TERZER, Armin | Transcribing symphonic repertoire for eight horns principles and process leading from sources of inspiration and final product | DMA | Griffith University | 2011 | |
| KNOPF, Michael David | Style and genre synthesis in music composition revealing and examining the craft and creative processes in composing poly-genre music | DMA | Griffith University | 2011 | 136 |
| BAYNES, Mark Edward | Analytic, descriptive, and prescriptive components of evolving jazz : a new model based on the works of Brad Mehldau | DMA | University of Auckland | 2015 | 229 |
| WOODCOCK, Timothy P | The compositional application of musical acoustics | GDip Mus | Griffith University | 1992 | 182 |
| VENNONEN, Kimmo | Submission for the Graduate Diploma in Music (Computer Music) | GradDipMus | Australian National University | 1994 | 1 vol + floppy disk |
| MacMILLAN, Brendan | MML Analysis of melody | M Comp. Sc. | Monash University | 1997 | 198 |
| CARROLL, Adrian D. | Beat-mixing Rock music : Rock and electronic dance music merge to create the Manarays | M.A | Queensland University of Technology | 2012 | 118 |
| GREIG, Robbie | A consciousness perspective on musical development : towards an integrative developmental theory of music based on the conceptual framework of Ken Wilber | M.Ed | LaTrobe University | 1993 | 108 |
| SULLIVAN, Yvette | The influence of individual differences on the planning processes of musicians learning traditionally and non-traditionally notated scores | M.Ed | University of Newcastle | 1997 | 133 |
| MacGREGOR, Robert Colin | The design of computer-based composition software based on the intuitive symbolic representations of music by young children | M.Ed (Hons) | University of Wollongong | 1991 | 130 |
| BELLMANN, Hector Guillermo | Toward a scientific taxonomy of musical styles | M.Inf.Tech (Research) | Queensland University of Technology | 2006 | 183 |
| ANDERSON, Justine | Finding a voice : age, competition and mastery in singing : a discussion of the challenges that a singer faces in endeavouring to master the voice and enter the singing profession | M.Mus. | University of Melbourne | 2008 | 45 |
| VAN MELLE, Gerbrand | Sound bites | M.Phil | Auckland University of Technology | 2013 | 102 |
| MARETT, Allan | An examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, Samgitaratnakara | MA | Overseas | 1972 | |
| ALSOP, Peter R. | Using aspects of language in computer based composition: three approaches to current Australian texts | MA | LaTrobe University | 1999 | 201 + 3 audio CDs |
| BAJZEK, Dieter | Percussion - an annotated bibliography : with special emphasis on contemporary notation and performance | MA | LaTrobe University | 1986 | 222 |
| BARNARD, Geoffrey David | Indeterminate composition and ideological determination | MA | University of Technology Sydney | 2003 | 106 |
| BLINKHORN, Daniel | Extra-musical consequence : reconsidering antecedent/consequent motivations | MA | University of Wollongong | 2005 | 68 + 1 CD |
| BOLAND, Marguerite Maree | The all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositions | MA | LaTrobe University | 1999 | 143 |
| CALLAGHAN, Laurel Jean | A comparative framework for an analysis of the influence of language on national music style | MA | University of Western Aust. | 1979 | 2 vol |
| CHAN, Chi Man | Aspects of the impact of postmodernist thought on the analysis of music | MA | University of Sydney | 1996 | 75 |
| DRAPE, Rohan | Rule-following, pre-compositional environments | MA | LaTrobe University | 1999 | 88 + 1 audio CD |
| GALEA, Jeff | Ghana: the folk music of Malta influences on my music | MA | University of Wollongong | 2005 | 65 + 1 CD |
| GERRARD, Graeme | COMPOST : a language for computer music composition - sound synthesis from spectral functions | MA | LaTrobe University | 1986 | 2 vol + accompanying |
| GIOVINAZZO, Joseph | Timbral design of primary melody in the first movement of Bartok's concerto for orchestra and a folio of musical compositions | MA | LaTrobe University | 1992 | 132 |
| HIRST, David Godfrey | Digital sound analysis and synthesis using the short-time Fourier transform [sound recording] | MA | LaTrobe University | 1985 | 2 vol +1 tape |
| HUGHES, Anthony J. | Keith Humble's twelve-tone compositional approach in the Eight Bagatelles for piano solo | MA | LaTrobe University | 2001 | 180 |
| IOLINI, Robert John | Simultaneity in music | MA | Macquarie University | 1998 | 228: 2 vols + 2 CDs |
| LESLIE, Wendy | Evolution of a musical composition: a phenomenological study | MA | LaTrobe University | 1993 | 164 |
| MAGILL, Jonathan Matthew | Cognitive models for the production of polyrhythms by a West African master drummer | MA | LaTrobe University | 1995 | 127 |
| MILLS, Jonathan | Sound design: essays with micro-tonal tunings, musical instruments & sound spaces | MA | RMIT University | 1997 | 46 |
| NICHOLLS, Mike | Submission for Master of Arts (Electronic Arts) [Electronic and Computer Music compositions] | MA | Australian National University | 1996 | 54 + video |
| PARISH, Brian Maxwell | A graphics based scoring system for computer music synthesis | MA | LaTrobe University | 1984 | 3 vol |
| SCOTT, Ashley | Modes for listening | MA | University of Technology Sydney | 1996 | 120 + 2 sound casset |
| SPANNEY, K.D. | Aspects of form in electronic music | MA | University of Western Aust. | 1969 | 1 vol |
| THORPE, Patricia G. | The relevance of twentieth-century analytical theories to the performer of keyboard music of the eighteenth and nineteenth centuries | MA | University of Western Aust. | 1994 | 239 |
| WHEATLAND, Philip | MelodicMatch - A software searching tool for music analysis | MA | Monash University | 2001 | 67 + cd |
| WHITE, Melita | Music composition as an expression of research in feminist theory | MA | Monash University | 2006 | 2 vol + CD |
| YU, Julian | Ornamentation in traditional Chinese instrumental music and its application in original compositions | MA | LaTrobe University | 1993 | 127 |
| ZIPMAN, Ellina | The musical portrait in Western music: a survey of theory and practice | MA | Monash University | 1995 | 199 |
| MILLS, Bryce Andrew | The perception of melodic closure : a study of the factors influencing final note choice to achieve melodic closure | MA | Massey University | 1979 | 69 |
| CODDINGTON, Anna Pinenga | Singing as we speak? : an exploratory investigation of singing pronunciation in New Zealand popular music | MA | University of Auckland | 2004 | 135 |
| HAMMOND, Jane | An exploration of the possibilities of generating music from text | MA | Monash University | 2006 | 71 + 2 CDs + 6 score |
| FREEMAN, Lliam | Developing an improviser's "tool-kit" : exploring methodologies towards the development of improvisational skill and fluency in the performance of original work in jazz ensemble | MA | Monash University | 2006 | 56 + CD |
| PATERAS, Anthony | A folio of original compositions exploring contemporary practices in notation, improvisation, live electronic performance and music for film | MA | Monash University | 2003 | 50 + 2 scores + vide |
| BEN-SALAMON, Nissan | a folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio files | MA | Monash University | 2003 | c.50 + 4 scores + CD |
| WALLACE, Michael | Unifying composition and improvisation : applying Bob Brookmeyer's pitch module concept to composition and improvisation | MA | Monash University | 2007 | 76 + cd |
| BOUNDS, Carolyn Z | Performing flute music of the French Baroque : an approach for modern flautists [manuscript] | MA | University of Newcastle | 2010 | 126 |
| EVANS, Samuel | Representing tabla music : defining an effective notation system for Indian tabla repertoire | MA | Monash University | 2010 | 105 + DVD |
| FREER, Nicholas | Evening the odds : an analysis of methodologies used to generate harmonic rhythm in asymmetrical meters since the 1950s and their subsequent implications for contemporary improvisation | MA | Monash University | 2010 | 76 + CD |
| HIRCHE, Kathryn Lisa | Meaningful musical engagement : the potential impact of generative music systems on learning experiences | MA | Queensland University of Technology | 2011 | 158 |
| HANDEL, Amanda | Music of balance: circles and squares [Portfolio of compositions] | MA (Hons) | University of Western Sydney | 2004 | 110 + CD + DVD |
| DIXON, John Wayne | Prospect and retrospect: a composer analyses thirteen of his own compositions | MA (Hons) | University of Wollongong | 1987 | 200 + 13 scores + 1 |
| STRAZZULLO, Guy | An intercultural approach to composition and improvisation | MA (Hons) | University of Western Sydney | 2003 | 78 |
| STEFFEN, Darren William | Simple subtle sustained waveforms and the notion of comfort in a new approach to creating an immersive, interactive sound installation | MA(Sound Design) | University of Melbourne | 2012 | 59p + 1CD |
| KAUR, Amrita | Rāgamālā : a garland of architecture and music | MArch | University of Auckland | 2015 | 181 + soundfile |
| Anon | Elements of orchestration | MCA | University of Wollongong | in progress (NiC08/07) | |
| McFADDEN, Allan | Kiss kiss, China doll [Creation of an opera: Kiss kiss, China doll] | MCA | University of Newcastle | 2000 | 5 voll + 3 CDs |
| MUNRO, Ian | Musical conversations | MCA | University of Newcastle | 2003 | 74 |
| PARKER, Tracey | Discovering a personal compositional process | MCA | University of Newcastle | 2003 | 89 |
| SCULLY, Lesa Jane | The maturing trumpeter [manuscript] : an insight to the physicality, mentality and practicality of the twenty first century performing trumpeter | MCA | University of Newcastle | 2008 | 82 + 2 CDs |
| O'NEILL, Luke Jerome | Creating new music compositions based on the number systems of composer Greg Sheehan | MCA | University of Wollongong | 2013 | 98 |
| DEWSNIP, Michael J | Evaluating melody retrieval algorithms | MCMS | University of Waikato | 2002 | 131 |
| WIJAYA, Kadir | Extending cantor: an optical music recognition system | MCMS | University of Waikato | 1999 | 114 |
| CHIANG, Niann Tsuu | Optical music recognition: processing the sacred harp | MCMSC | University of Waikato | 1998 | 104 |
| LANDESMAN, Yossi | Automated genetic evolution of musical structures | MIT | Monash University | 2007 | 65 + CD |
| SOH, Chew May | Classifying music performance using k-nearest neighbor classification | MIT | Monash University | 2006 | 157 |
| HODGES, Glen John | "Eyre," a three movement instrumental work for small chamber ensemble. (Original composition); | MM | Overseas | 1991 | 117 |
| JENKINS, Brad | Tensional processes and perception of form in three selected compositions by Kaija Saariaho | MMA | Victoria University of Wellington | 2014 | |
| CHAPLIN, Peter | Folio of compositions and analyses | MMus | University of Melbourne | 1986 | 7 vol + tape |
| BAKER, Amanda | Composing with computers: aesthetics, methods and music | MMus | University of Melbourne | 1988 | 143 |
| BARBELER, Damien | Experiential learning in musical composition. | MMus | Griffith University | 1997 | 109 |
| CATRICE, Andre | Portfolio of compositions and analysis | MMus | University of Melbourne | 1989 | 8 vol |
| DENCH, Chris | Towards an ethics of musical composition | MMus | University of Melbourne | 1998 | 73 |
| DIXON, Michael Hugh | Just intonation: a study through its notation | MMus | Griffith University | 2000 | 111 + 1 audio CD |
| DUANCE, Karyn | Compositional and performance techniques of women rock musicians | MMus | University of Sydney | 1999 | NiC |
| FRANKLIN, James Ashley | Circles and arrows : an outline of a concept of musical metaanalysis and its implications | MMus | University of Sydney | 1987 | 142 |
| FREEMAN, Peter A. | Neural networks in the analysis of music | MMus | University of Queensland | 1994 | 85 |
| GRAY, Janette Mary | Composing music for children | MMus | University of Sydney | 1974 | 4 vol |
| MacARTHUR, Jirrah Walker | Interval restriction : a composition system and its automation | MMus | University of Tasmania | 1999 | 1 vol + 2 cass |
| Anon | 20th-century guitar techniques: a composer's handbook | MMus | Victoria University of Wellington | in progress (NiC08/07) | |
| PERISSINOTTO, Dominic | A Survey of intabulation techniques in keyboard music of sixteenth-century Spain | MMus | University of Melbourne | 2002 | 105 |
| PETHERICK, Bruce | Orchestration treatises of the 19th and early 20th centuries | MMus | University of Melbourne | withdrawn c.2006 | |
| JACKSON, Leigh | Elements of jazz | MMus | Massey University | 2001 | 144 |
| RAE, S. | A study of some modern techniques in choral composition | MMus | University of Sydney | withdrawn 1968 | |
| WOOD, Callie | Portfolio of compositions and exegesis: composing for a choral spectrum | MMus | University of Adelaide | 2008 | 285 2 vol |
| MELVILLE-CLARK, Paula | Eurhythmics and piano performance : a study to determine the benefits of applying eurhythmic techniques to the preparation of piano works by undergraduate musicians. | MMus | University of South Queensland | 2000 | 117 |
| FORSTER, Raymond | An investigation into a cohesive method of teaching jazz harmony and improvisation to elective music students in secondary schools using the basic principals of chord-scale theory | MMus | University of Sydney | 2010 | 91 |
| ROPA, Vanessa Jane | The importance of understanding the mechanisms underlying breathing, posture and embouchure for tertiary flute and wind music students | MMus | University of Sydney | 2010 | 66 |
| LAZAR, Eric | A stylistic and historical analysis of left foot high hat techniques in Swing, Bebop, and Latin jazz drumming | MMus | University of Sydney | 2010 | 47 |
| KILLIN, Anton | Projects in cross-cultural music composition | MMus | NZ School of Music (Victoria + Massey) | 2012 | 1 v. + 2 Discs |
| LAKEMANN, Virginia Kaye | Portfolio of original compositions and exegesis : an investigation of metrical contradiction, irregularity and ambiguity in music for senior secondary students and community purposes | MMUS | University of Adelaide | 2012 | 294 |
| AUÉ, Johannes | (E)merging idioms [music] : integrating jazz and classical ensembles : portfilio of compositions and exegesis | MMus | University of Adelaide | 2010 | 240 + CD |
