Theory/Techs/Tools

WriterThesis TitleDegreesort iconUniversityYear# of Pages
BARKL, Michael Laurence GordonPure data as a Meta-Compositional InstrumentDCAUniversity of Wollongong2009133 + CD
FITZGERALD, Thomas ANew music composition for live performance and interactive multimediaDCAUniversity of Wollongong2004180 + 6 folios + 4 D
McKERN, Brett MThe compositions of Brett M. McKern: to the greater glory of God DCAUniversity of Wollongong20051 vid + CD
BLINKHORN, DanielNew music composition in computer-assisted environmentsDCAUniversity of Wollongong2007134 + 14 CDs
WILLIAMS, Ross AdrianOn Open SkyDMAOverseas200227
KNOPF, MichaelIllustrating the practice of composing with styles and genres; how a composer uses global, cultural & historical style and genre in creating new music + folio of compositionsDMAGriffith University2011136
LEE, Chyi-HueyThe role of piano pedalling in the context of piano triosDMAUniversity of Auckland2008138
TERZER, ArminTranscribing symphonic repertoire for eight horns principles and process leading from sources of inspiration and final productDMAGriffith University2011
KNOPF, Michael DavidStyle and genre synthesis in music composition revealing and examining the craft and creative processes in composing poly-genre musicDMAGriffith University2011136
BAYNES, Mark EdwardAnalytic, descriptive, and prescriptive components of evolving jazz : a new model based on the works of Brad MehldauDMAUniversity of Auckland2015229
WOODCOCK, Timothy PThe compositional application of musical acoustics GDip MusGriffith University1992182
VENNONEN, KimmoSubmission for the Graduate Diploma in Music (Computer Music)GradDipMusAustralian National University19941 vol + floppy disk
MacMILLAN, BrendanMML Analysis of melodyM Comp. Sc.Monash University1997198
CARROLL, Adrian D.Beat-mixing Rock music : Rock and electronic dance music merge to create the ManaraysM.AQueensland University of Technology2012118
GREIG, RobbieA consciousness perspective on musical development : towards an integrative developmental theory of music based on the conceptual framework of Ken Wilber M.EdLaTrobe University1993108
SULLIVAN, YvetteThe influence of individual differences on the planning processes of musicians learning traditionally and non-traditionally notated scores M.EdUniversity of Newcastle1997133
MacGREGOR, Robert ColinThe design of computer-based composition software based on the intuitive symbolic representations of music by young children M.Ed (Hons)University of Wollongong1991130
BELLMANN, Hector GuillermoToward a scientific taxonomy of musical stylesM.Inf.Tech (Research)Queensland University of Technology2006183
ANDERSON, JustineFinding a voice : age, competition and mastery in singing : a discussion of the challenges that a singer faces in endeavouring to master the voice and enter the singing profession M.Mus.University of Melbourne200845
VAN MELLE, GerbrandSound bitesM.PhilAuckland University of Technology2013102
MARETT, AllanAn examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, SamgitaratnakaraMAOverseas1972
ALSOP, Peter R.Using aspects of language in computer based composition: three approaches to current Australian textsMALaTrobe University1999201 + 3 audio CDs
BAJZEK, DieterPercussion - an annotated bibliography : with special emphasis on contemporary notation and performance MALaTrobe University1986222
BARNARD, Geoffrey DavidIndeterminate composition and ideological determination MAUniversity of Technology Sydney2003106
BLINKHORN, DanielExtra-musical consequence : reconsidering antecedent/consequent motivations MAUniversity of Wollongong200568 + 1 CD
BOLAND, Marguerite MareeThe all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositionsMALaTrobe University1999143
CALLAGHAN, Laurel JeanA comparative framework for an analysis of the influence of language on national music style MAUniversity of Western Aust.19792 vol
CHAN, Chi ManAspects of the impact of postmodernist thought on the analysis of musicMAUniversity of Sydney199675
DRAPE, RohanRule-following, pre-compositional environmentsMALaTrobe University199988 + 1 audio CD
GALEA, JeffGhana: the folk music of Malta influences on my musicMAUniversity of Wollongong200565 + 1 CD
GERRARD, GraemeCOMPOST : a language for computer music composition - sound synthesis from spectral functions MALaTrobe University19862 vol + accompanying
GIOVINAZZO, JosephTimbral design of primary melody in the first movement of Bartok's concerto for orchestra and a folio of musical compositionsMALaTrobe University1992132
HIRST, David GodfreyDigital sound analysis and synthesis using the short-time Fourier transform [sound recording]MALaTrobe University19852 vol +1 tape
HUGHES, Anthony J.Keith Humble's twelve-tone compositional approach in the Eight Bagatelles for piano soloMALaTrobe University2001180
IOLINI, Robert JohnSimultaneity in musicMAMacquarie University1998228: 2 vols + 2 CDs
LESLIE, WendyEvolution of a musical composition: a phenomenological studyMALaTrobe University1993164
MAGILL, Jonathan MatthewCognitive models for the production of polyrhythms by a West African master drummerMALaTrobe University1995127
MILLS, JonathanSound design: essays with micro-tonal tunings, musical instruments & sound spacesMARMIT University199746
NICHOLLS, MikeSubmission for Master of Arts (Electronic Arts) [Electronic and Computer Music compositions]MAAustralian National University199654 + video
PARISH, Brian MaxwellA graphics based scoring system for computer music synthesisMALaTrobe University19843 vol
SCOTT, AshleyModes for listeningMAUniversity of Technology Sydney1996120 + 2 sound casset
SPANNEY, K.D.Aspects of form in electronic musicMAUniversity of Western Aust.19691 vol
THORPE, Patricia G.The relevance of twentieth-century analytical theories to the performer of keyboard music of the eighteenth and nineteenth centuriesMAUniversity of Western Aust.1994239
WHEATLAND, PhilipMelodicMatch - A software searching tool for music analysisMAMonash University200167 + cd
WHITE, MelitaMusic composition as an expression of research in feminist theoryMAMonash University20062 vol + CD
YU, JulianOrnamentation in traditional Chinese instrumental music and its application in original compositionsMALaTrobe University1993127
ZIPMAN, EllinaThe musical portrait in Western music: a survey of theory and practiceMAMonash University1995199
MILLS, Bryce AndrewThe perception of melodic closure : a study of the factors influencing final note choice to achieve melodic closure MAMassey University197969
CODDINGTON, Anna PinengaSinging as we speak? : an exploratory investigation of singing pronunciation in New Zealand popular music MAUniversity of Auckland2004135
HAMMOND, JaneAn exploration of the possibilities of generating music from text MAMonash University200671 + 2 CDs + 6 score
FREEMAN, LliamDeveloping an improviser's "tool-kit" : exploring methodologies towards the development of improvisational skill and fluency in the performance of original work in jazz ensemble MAMonash University200656 + CD
PATERAS, AnthonyA folio of original compositions exploring contemporary practices in notation, improvisation, live electronic performance and music for film MAMonash University200350 + 2 scores + vide
BEN-SALAMON, Nissana folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio filesMAMonash University2003c.50 + 4 scores + CD
WALLACE, MichaelUnifying composition and improvisation : applying Bob Brookmeyer's pitch module concept to composition and improvisation MAMonash University200776 + cd
BOUNDS, Carolyn ZPerforming flute music of the French Baroque : an approach for modern flautists [manuscript]MAUniversity of Newcastle2010126
EVANS, SamuelRepresenting tabla music : defining an effective notation system for Indian tabla repertoire MAMonash University2010105 + DVD
FREER, NicholasEvening the odds : an analysis of methodologies used to generate harmonic rhythm in asymmetrical meters since the 1950s and their subsequent implications for contemporary improvisationMAMonash University201076 + CD
HIRCHE, Kathryn LisaMeaningful musical engagement : the potential impact of generative music systems on learning experiencesMAQueensland University of Technology2011158
HANDEL, AmandaMusic of balance: circles and squares [Portfolio of compositions]MA (Hons)University of Western Sydney2004110 + CD + DVD
DIXON, John WayneProspect and retrospect: a composer analyses thirteen of his own compositionsMA (Hons)University of Wollongong1987200 + 13 scores + 1
STRAZZULLO, GuyAn intercultural approach to composition and improvisationMA (Hons)University of Western Sydney200378
STEFFEN, Darren WilliamSimple subtle sustained waveforms and the notion of comfort in a new approach to creating an immersive, interactive sound installationMA(Sound Design)University of Melbourne201259p + 1CD
KAUR, AmritaRāgamālā : a garland of architecture and musicMArch University of Auckland2015181 + soundfile
AnonElements of orchestrationMCAUniversity of Wollongongin progress (NiC08/07)
McFADDEN, AllanKiss kiss, China doll [Creation of an opera: Kiss kiss, China doll]MCAUniversity of Newcastle20005 voll + 3 CDs
MUNRO, IanMusical conversationsMCAUniversity of Newcastle200374
PARKER, TraceyDiscovering a personal compositional processMCAUniversity of Newcastle200389
SCULLY, Lesa JaneThe maturing trumpeter [manuscript] : an insight to the physicality, mentality and practicality of the twenty first century performing trumpeterMCAUniversity of Newcastle200882 + 2 CDs
O'NEILL, Luke JeromeCreating new music compositions based on the number systems of composer Greg SheehanMCAUniversity of Wollongong201398
DEWSNIP, Michael JEvaluating melody retrieval algorithmsMCMSUniversity of Waikato2002131
WIJAYA, KadirExtending cantor: an optical music recognition systemMCMSUniversity of Waikato1999114
CHIANG, Niann TsuuOptical music recognition: processing the sacred harpMCMSCUniversity of Waikato1998104
LANDESMAN, YossiAutomated genetic evolution of musical structures MITMonash University200765 + CD
SOH, Chew MayClassifying music performance using k-nearest neighbor classification MITMonash University2006157
HODGES, Glen John"Eyre," a three movement instrumental work for small chamber ensemble. (Original composition);MMOverseas1991117
JENKINS, BradTensional processes and perception of form in three selected compositions by Kaija SaariahoMMAVictoria University of Wellington2014
CHAPLIN, PeterFolio of compositions and analysesMMusUniversity of Melbourne19867 vol + tape
BAKER, AmandaComposing with computers: aesthetics, methods and musicMMusUniversity of Melbourne1988143
BARBELER, DamienExperiential learning in musical composition.MMusGriffith University1997109
CATRICE, AndrePortfolio of compositions and analysisMMusUniversity of Melbourne19898 vol
DENCH, ChrisTowards an ethics of musical compositionMMusUniversity of Melbourne199873
DIXON, Michael HughJust intonation: a study through its notationMMusGriffith University2000111 + 1 audio CD
DUANCE, KarynCompositional and performance techniques of women rock musiciansMMusUniversity of Sydney1999NiC
FRANKLIN, James AshleyCircles and arrows : an outline of a concept of musical metaanalysis and its implications MMusUniversity of Sydney1987142
FREEMAN, Peter A.Neural networks in the analysis of music MMusUniversity of Queensland199485
GRAY, Janette MaryComposing music for childrenMMusUniversity of Sydney19744 vol
MacARTHUR, Jirrah WalkerInterval restriction : a composition system and its automation MMusUniversity of Tasmania19991 vol + 2 cass
Anon20th-century guitar techniques: a composer's handbookMMusVictoria University of Wellingtonin progress (NiC08/07)
PERISSINOTTO, DominicA Survey of intabulation techniques in keyboard music of sixteenth-century SpainMMusUniversity of Melbourne2002105
PETHERICK, BruceOrchestration treatises of the 19th and early 20th centuriesMMusUniversity of Melbournewithdrawn c.2006
JACKSON, LeighElements of jazzMMusMassey University2001144
RAE, S.A study of some modern techniques in choral compositionMMusUniversity of Sydneywithdrawn 1968
WOOD, CalliePortfolio of compositions and exegesis: composing for a choral spectrum MMusUniversity of Adelaide2008285 2 vol
MELVILLE-CLARK, PaulaEurhythmics and piano performance : a study to determine the benefits of applying eurhythmic techniques to the preparation of piano works by undergraduate musicians.MMusUniversity of South Queensland2000117
FORSTER, RaymondAn investigation into a cohesive method of teaching jazz harmony and improvisation to elective music students in secondary schools using the basic principals of chord-scale theoryMMusUniversity of Sydney201091
ROPA, Vanessa JaneThe importance of understanding the mechanisms underlying breathing, posture and embouchure for tertiary flute and wind music studentsMMusUniversity of Sydney201066
LAZAR, EricA stylistic and historical analysis of left foot high hat techniques in Swing, Bebop, and Latin jazz drummingMMusUniversity of Sydney201047
KILLIN, AntonProjects in cross-cultural music compositionMMusNZ School of Music (Victoria + Massey)20121 v. + 2 Discs
LAKEMANN, Virginia KayePortfolio of original compositions and exegesis : an investigation of metrical contradiction, irregularity and ambiguity in music for senior secondary students and community purposesMMUSUniversity of Adelaide2012294
AUÉ, Johannes(E)merging idioms [music] : integrating jazz and classical ensembles : portfilio of compositions and exegesisMMusUniversity of Adelaide2010240 + CD
Syndicate content