Theory/Techs/Tools

WriterThesis TitleDegreeUniversityYear# of Pagessort icon
MARETT, Allan1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga noPhDOverseas1976
MARETT, AllanAn examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, SamgitaratnakaraMAOverseas1972
AnonElements of orchestrationMCAUniversity of Wollongongin progress (NiC08/07)
Anon20th-century guitar techniques: a composer's handbookMMusVictoria University of Wellingtonin progress (NiC08/07)
PETHERICK, BruceOrchestration treatises of the 19th and early 20th centuriesMMusUniversity of Melbournewithdrawn c.2006
AnonMelodicMatch - Music Analysis Software for the 21st CenturyPhDUniversity of Melbournein progress (2006)
WOOLER, ReneTechniques for automated and interactive note sequence morphing of mainstream electronic musicPhDQueensland University of Technologysubmitted 2007
BROWNLEE, PhilipPhD in composition [Part 1. Folio of compositions -- Part 2. Structural functions of timbre in selected works of Philip Brownlee]PhDVictoria University of Wellington2007
RAE, S.A study of some modern techniques in choral compositionMMusUniversity of Sydneywithdrawn 1968
CONSTANTINO, R.An approach to the language of music through the relationship of poetic texts to song writingPhDUniversity of Sydneywithdrawn 1968
Anon"An integration of score-based and digitally produced composition" - folio of compositions and critical commentaryPhDUniversity of QueenslandIn Progress (2009)
Anon“21st Century composer as producer: utilising technology as a creative tool in the composition, realisation and performance of new music”PhDUniversity of QueenslandIn Progress (2009)
LIVINGSTONE, Steven RChanging musical emotion through score and performance with a computational rule system [electronic resource]PhDUniversity of Queensland2008
VAN GEENEN, Jurgen LippoldFormal methods for the design of imitative polyphonic structuresPhDUniversity of Sydney2013
TERZER, ArminTranscribing symphonic repertoire for eight horns principles and process leading from sources of inspiration and final productDMAGriffith University2011
BURREL, Robert W. B.A Process of Becoming: A Musical Enquiry into Process-Relational Philosophy Through Autoethnographical and Zoomusicological MeansPhDGriffith University2013
TOMLINSON, Michelle M.Transformational and Transmodal Redesign in Children's Music Invention: An Exploration Using the Space of Music DialoguePhDGriffith University2013
JAYASINGHE, RohanThe application of serial technique to tonal music: the emancipation of consonancePhDUniversity of Queensland2011
NOACK, Phillip J.Folio of compositionsMMusUniversity of Melbourne2012
TOPPI, AntonioAn investigation into narrative as a compositional approachMMusMonash University2013
MARCO, David John-TomFamiliarity and the perception of dissonance in musical intervals and chordsPhDUniversity of Melbourne2014
VIGGERS, ElisabethConnections: nothing exists in isolationMSD (Sound Design)University of Melbourne2011
BROWN, DavidDesigning sound for health and wellbeingPhDRMIT University2012
VIGGIANI, MarkFolio of original compositions 2009 - 2012PhDUniversity of Melbourne2013
CARRUTHERS, AndrewStave Sightings: Long Poems and the Poetics of Notation, 1960-2011PhDUniversity of Sydney2014
MAYALL, Jeremy MarkPortfolio of Compositions: Systematic composition of cross-genre hybrid musicPhDUniversity of Waikato2015
ROLLO, Te Manaaroha PirihiraTito Waiata-Tito Pūoro: extending the Kīngitanga music tradition.PhDUniversity of Waikato2014
DERRICK, Reuben GeorgeAcoustic illuminations: recorded space as soundscape compositionPhDUniversity of Canterbury2014
JENKINS, BradTensional processes and perception of form in three selected compositions by Kaija SaariahoMMAVictoria University of Wellington2014
MURPHY, JimExpressive Musical Robots : Building, Evaluating, and Interfacing with an Ensemble of Mechatronic Instruments PhDVictoria University of Wellington2014
WARD, MeganMelodic ornamentation from Muffat to TelemannMMusVictoria University of Wellington2014
TAYLOR, John., R.Ontology of music performance variationPhDUniversity of Sydney2014
BIEDERMAN, Daniel, MarcThe Turntable as a musical instrument and the emergence of the concert turntablist : analytical notesMMusUniversity of Sydney2014
ROBERTS, CJHow the pianist's touch affects tone quality: A review of performance-based and scientific literature with applications to piano practice and performancePhDUniversity of New England2015
MILLS, JenniferOrchestral cello auditions in Australia: an assessment of commonly set excerptsMMusMonash University2016
JAMES, Stuart GeorgeSpectromorphology and spatiomorphology : wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domainPhDEdith Cowan University2015
MCEVOY, DavidAspects of Herbie Hancock’s pre-electric improvisational language and their application in contemporary jazz performance: a portfolio of recorded performances and exegesis.MPhilUniversity of Adelaide2014
EVANS, AlsionThe prevalence, causes and management of stress velopharyngeal insufficiency in woodwind and brass playersPhDUniversity of Sydney2014
THOMAS, Holly EllenApplying the linear concept of contemporary drumming: a portfolio of recorded performances and exegesis.MPhilUniversity of Adelaide2014
WORLEY, KimThe Singing Cellist: An Exploration of the Relationship between the Cello and the Human VoiceMMusGriffith University2015
WILLIAMS, Michael FrancisComposition PortfolioPhDUniversity of Melbourne2014
GARCIA, ALStringshift : solo guitar improvisation : process, methodology and practiceUnknownUniversity of Tasmania2014
CAMERON, Christopher PaulExploring applications of multi-dexterity in drum kit performanceMMusMonash University2016
KILLIN, AntonProjects in cross-cultural music compositionMMusNZ School of Music (Victoria + Massey)20121 v. + 2 Discs
KAWAMOTO, TsubasaMasters portfolioMMusUniversity of Auckland20121 v. + DVD
McKERN, Brett MThe compositions of Brett M. McKern: to the greater glory of God DCAUniversity of Wollongong20051 vid + CD
NISBET, Robert StevensonChildren's matching of melodies and their visual representationsPhDGriffith University19981 vol
SPANNEY, K.D.Aspects of form in electronic musicMAUniversity of Western Aust.19691 vol
QUINTO, Lena RachelThe communication of emotion in music : understanding the contributions of composition and performancePhDMacquarie University20121 vol
MacARTHUR, Jirrah WalkerInterval restriction : a composition system and its automation MMusUniversity of Tasmania19991 vol + 2 cass
VENNONEN, KimmoSubmission for the Graduate Diploma in Music (Computer Music)GradDipMusAustralian National University19941 vol + floppy disk
FIDDES, Andrew RossRHYTHMIC DEVICES WITHIN THE IMPROVISATION OF SCOTT TINKLERMMusUniversity of Sydney2016101
VAN MELLE, GerbrandSound bitesM.PhilAuckland University of Technology2013102
CHIANG, Niann TsuuOptical music recognition: processing the sacred harpMCMSCUniversity of Waikato1998104
PERISSINOTTO, DominicA Survey of intabulation techniques in keyboard music of sixteenth-century SpainMMusUniversity of Melbourne2002105
EVANS, SamuelRepresenting tabla music : defining an effective notation system for Indian tabla repertoire MAMonash University2010105 + DVD
BARNARD, Geoffrey DavidIndeterminate composition and ideological determination MAUniversity of Technology Sydney2003106
DRUMMOND, Jon RobertIntegrated development environment for computer music composition MSc (Hons)Macquarie University1998106 + 1 CD-ROM
GREIG, RobbieA consciousness perspective on musical development : towards an integrative developmental theory of music based on the conceptual framework of Ken Wilber M.EdLaTrobe University1993108
BUCKLEY, DarylFrom body schema to score: creating spatial grammars in contemporary electric guitar practice.PhDRMIT University2015108
BARBELER, DamienExperiential learning in musical composition.MMusGriffith University1997109
HANDEL, AmandaMusic of balance: circles and squares [Portfolio of compositions]MA (Hons)University of Western Sydney2004110 + CD + DVD
DIXON, Michael HughJust intonation: a study through its notationMMusGriffith University2000111 + 1 audio CD
COOK, Shane SamuelMinimum message length comparison of musical sequencesMScUniversity of Waikato1994114
WIJAYA, KadirExtending cantor: an optical music recognition systemMCMSUniversity of Waikato1999114
GILL, Brad Compositional technique and the exploration of spirituality in the music of Brad Gill + Folio of Original CompositionsPhDUniversity of Sydney2005114 + CDs
SAUNDERS, Scott"Towards an aesthetic of groove"MPhilUniversity of Newcastle2015116
HODGES, Glen John"Eyre," a three movement instrumental work for small chamber ensemble. (Original composition);MMOverseas1991117
MELVILLE-CLARK, PaulaEurhythmics and piano performance : a study to determine the benefits of applying eurhythmic techniques to the preparation of piano works by undergraduate musicians.MMusUniversity of South Queensland2000117
BATES, Nathanael James Sampling and the 'Sound Object' in contemporary sonic artPhDRMIT University2013117
CARROLL, Adrian D.Beat-mixing Rock music : Rock and electronic dance music merge to create the ManaraysM.AQueensland University of Technology2012118
RICKETSON, DamienCurious noise: analytical notesPhDUniversity of Sydney2005119 + 5 scores + 2 C
McNAB, Rodger JInteractive applications of music transcriptionMScUniversity of Waikato1996120
SCOTT, AshleyModes for listeningMAUniversity of Technology Sydney1996120 + 2 sound casset
KUO, ChristyA machine learning approach to music classificationMScUniversity of Waikato2005124
BOUNDS, Carolyn ZPerforming flute music of the French Baroque : an approach for modern flautists [manuscript]MAUniversity of Newcastle2010126
MAGILL, Jonathan MatthewCognitive models for the production of polyrhythms by a West African master drummerMALaTrobe University1995127
YU, JulianOrnamentation in traditional Chinese instrumental music and its application in original compositionsMALaTrobe University1993127
HARRIS, Wayne JohnThe automatic analysis of rhythm in keyboard music MScUniversity of Sydney1982129
MacGREGOR, Robert ColinThe design of computer-based composition software based on the intuitive symbolic representations of music by young children M.Ed (Hons)University of Wollongong1991130
DEWSNIP, Michael JEvaluating melody retrieval algorithmsMCMSUniversity of Waikato2002131
GIOVINAZZO, JosephTimbral design of primary melody in the first movement of Bartok's concerto for orchestra and a folio of musical compositionsMALaTrobe University1992132
SULLIVAN, YvetteThe influence of individual differences on the planning processes of musicians learning traditionally and non-traditionally notated scores M.EdUniversity of Newcastle1997133
BARKL, Michael Laurence GordonPure data as a Meta-Compositional InstrumentDCAUniversity of Wollongong2009133 + CD
BLINKHORN, DanielNew music composition in computer-assisted environmentsDCAUniversity of Wollongong2007134 + 14 CDs
CODDINGTON, Anna PinengaSinging as we speak? : an exploratory investigation of singing pronunciation in New Zealand popular music MAUniversity of Auckland2004135
RICHARDS, WendyMusic literacy, music braille, and audiation : towards a new pedagogyMMus University of Auckland2016135
DJORDJEVIC, Sinisa DanilaStudy of the effect of mood and emotion of the spectra of sustained sung vowels and consonants PhDMonash University1995136
KNOPF, MichaelIllustrating the practice of composing with styles and genres; how a composer uses global, cultural & historical style and genre in creating new music + folio of compositionsDMAGriffith University2011136
MARTIN, PeterWriting for guitar groups with and without orchestraPhDSouthern Cross University2007136
KNOPF, Michael DavidStyle and genre synthesis in music composition revealing and examining the craft and creative processes in composing poly-genre musicDMAGriffith University2011136
LEE, Chyi-HueyThe role of piano pedalling in the context of piano triosDMAUniversity of Auckland2008138
MILLHOUSE, Thomas JAuditory-acoustic characterisation of variability in the operatic vowelPhDUniversity of Sydney2009138
FRANKLIN, James AshleyCircles and arrows : an outline of a concept of musical metaanalysis and its implications MMusUniversity of Sydney1987142
BAKER, AmandaComposing with computers: aesthetics, methods and musicMMusUniversity of Melbourne1988143
BOLAND, Marguerite MareeThe all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositionsMALaTrobe University1999143
JACKSON, LeighElements of jazzMMusMassey University2001144
ASKILL, MichaelReflections on Composition and ConsciousnessPhDUniversity of Queensland2015145
PAGE, RosalindPoetics of allegory and number in the compositions of Rosalind Page PhDUniversity of Sydney2006148 + 2 CDs - DVD =
POTTER, WarwickA case study of the life and work of an Australian Orchestral Portfolio ConductorPhDUniversity of Queensland2015151
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