| SHAPLEY, Gregory James | Sound of failure : experimental electronic music in our post-digital era | PhD | University of Technology Sydney | 2012 | 212 |
| NOACK, Phillip J. | Folio of compositions | MMus | University of Melbourne | 2012 | |
| STEFFEN, Darren William | Simple subtle sustained waveforms and the notion of comfort in a new approach to creating an immersive, interactive sound installation | MA(Sound Design) | University of Melbourne | 2012 | 59p + 1CD |
| BROWN, David | Designing sound for health and wellbeing | PhD | RMIT University | 2012 | |
| BASSETT, John | Assessing the Spatial Diffusivity of Sound Fields in Rooms using Ambisonic Techniques | PhD | University of Sydney | 2012 | 247 |
| VAN GEENEN, Jurgen Lippold | Formal methods for the design of imitative polyphonic structures | PhD | University of Sydney | 2013 | |
| CAREY, Benedict Eris | Notation sequence generation and sound synthesis in interactive spectral music | MMus(Comp) | University of Sydney | 2013 | 64 |
| DELEFLIE, Etienne | Music and Spatial Verisimilitude | PhD | University of Wollongong | 2013 | 210 |
| PRAKHOFF, Belinda Marie | Music from the inside: emotional expression and the understanding listener | PhD | University of Melbourne | 2013 | 239 |
| WALUS, Bartlomiej Piotr | A new modular approach to the composition of film music. | PhD | University of Adelaide | 2013 | 468 |
| O'NEILL, Luke Jerome | Creating new music compositions based on the number systems of composer Greg Sheehan | MCA | University of Wollongong | 2013 | 98 |
| BURREL, Robert W. B. | A Process of Becoming: A Musical Enquiry into Process-Relational Philosophy Through Autoethnographical and Zoomusicological Means | PhD | Griffith University | 2013 | |
| TOMLINSON, Michelle M. | Transformational and Transmodal Redesign in Children's Music Invention: An Exploration Using the Space of Music Dialogue | PhD | Griffith University | 2013 | |
| TOPPI, Antonio | An investigation into narrative as a compositional approach | MMus | Monash University | 2013 | |
| KHOO, Sui Sin | The single hidden layer neural network based classifiers for Han Chinese folk songs | PhD | Swinburne University of Technology | 2013 | 213 |
| PERKINS, Andrew Michael Ellis | From Pentecost to Dodecaphony | PhD | University of Melbourne | 2013 | 239 |
| VIGGIANI, Mark | Folio of original compositions 2009 - 2012 | PhD | University of Melbourne | 2013 | |
| TERRY, Josephine A. | Implicit learning of complex auditory temporal structures with even and uneven meters | PhD | University of Western Sydney | 2013 | 352 |
| BATES, Nathanael James | Sampling and the 'Sound Object' in contemporary sonic art | PhD | RMIT University | 2013 | 117 |
| LOVE, Martyn | Collective conceptualization: a methodology for contemporary film score composers: a portfolio of compositions (disposed as a film score) and exegesis. | PhD | University of Adelaide | 2013 | 245 |
| MCINTYRE, Scott Ean | The simplification of complex notation presented in aleatoric forms | PhD | University of Tasmania | 2013 | 351 |
| VAN MELLE, Gerbrand | Sound bites | M.Phil | Auckland University of Technology | 2013 | 102 |
| LINTON, Sean | The Music of 'Are'are: Acoustemology, Environmental Influences and Sustainability | PhD | University of Otago | 2013 | 325 |
| HOCHENBAUM, Jordan. | L'arte di interazione musicale : new musical possibilities through multimodal techniques | PhD | NZ School of Music (Victoria + Massey) | 2013 | 228 |
| FALEATUA, Andrew Keleva | Constructing compositional concepts to exploit contemporary compositions | MMus | University of Auckland | 2013 | 76 |
| LI, Eva | How does semantic language enhance the communicability of electroacoustic music? | MMus | University of Auckland | 2013 | 45 |
| MARCO, David John-Tom | Familiarity and the perception of dissonance in musical intervals and chords | PhD | University of Melbourne | 2014 | |
| CARRUTHERS, Andrew | Stave Sightings: Long Poems and the Poetics of Notation, 1960-2011 | PhD | University of Sydney | 2014 | |
| WOODLEY, Kathleen Frances | Voice science and vocal pedagogy : joining the dots | MMus | University of Auckland | 2014 | 277 |
| ROLLO, Te Manaaroha Pirihira | Tito Waiata-Tito Pūoro: extending the Kīngitanga music tradition. | PhD | University of Waikato | 2014 | |
| DERRICK, Reuben George | Acoustic illuminations: recorded space as soundscape composition | PhD | University of Canterbury | 2014 | |
| JENKINS, Brad | Tensional processes and perception of form in three selected compositions by Kaija Saariaho | MMA | Victoria University of Wellington | 2014 | |
| MURPHY, Jim | Expressive Musical Robots : Building, Evaluating, and Interfacing with an Ensemble of Mechatronic Instruments | PhD | Victoria University of Wellington | 2014 | |
| WARD, Megan | Melodic ornamentation from Muffat to Telemann | MMus | Victoria University of Wellington | 2014 | |
| TAYLOR, John., R. | Ontology of music performance variation | PhD | University of Sydney | 2014 | |
| BIEDERMAN, Daniel, Marc | The Turntable as a musical instrument and the emergence of the concert turntablist : analytical notes | MMus | University of Sydney | 2014 | |
| LANDRY, Shane | Beyond Ideas: The Melodic Shapes in Selected Improvisations of Saxophonist David Binney | MMus | University of Sydney | 2014 | 198 |
| MCEVOY, David | Aspects of Herbie Hancock’s pre-electric improvisational language and their application in contemporary jazz performance: a portfolio of recorded performances and exegesis. | MPhil | University of Adelaide | 2014 | |
| CHALABI, Karen Louise | The architecture of spirit : a phenomenological study of archetypal forces in Eastern European flute repertoire. | PhD | University of Melbourne | 2014 | 271 |
| EVANS, Alsion | The prevalence, causes and management of stress velopharyngeal insufficiency in woodwind and brass players | PhD | University of Sydney | 2014 | |
| ISTVANDITY, Lauren | Musically Motivated Autobiographical Memories and the Lifetime Soundtrack | PhD | Griffith University | 2014 | 280 |
| THOMAS, Holly Ellen | Applying the linear concept of contemporary drumming: a portfolio of recorded performances and exegesis. | MPhil | University of Adelaide | 2014 | |
| WILLIAMS, Michael Francis | Composition Portfolio | PhD | University of Melbourne | 2014 | |
| GARCIA, AL | Stringshift : solo guitar improvisation : process, methodology and practice | Unknown | University of Tasmania | 2014 | |
| BAYNES, Mark Edward | Analytic, descriptive, and prescriptive components of evolving jazz : a new model based on the works of Brad Mehldau | DMA | University of Auckland | 2015 | 229 |
| KAUR, Amrita | Rāgamālā : a garland of architecture and music | MArch | University of Auckland | 2015 | 181 + soundfile |
| MAYALL, Jeremy Mark | Portfolio of Compositions: Systematic composition of cross-genre hybrid music | PhD | University of Waikato | 2015 | |
| ROBERTS, CJ | How the pianist's touch affects tone quality: A review of performance-based and scientific literature with applications to piano practice and performance | PhD | University of New England | 2015 | |
| JAMES, Stuart George | Spectromorphology and spatiomorphology : wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domain | PhD | Edith Cowan University | 2015 | |
| POTTER, Warwick | A case study of the life and work of an Australian Orchestral Portfolio Conductor | PhD | University of Queensland | 2015 | 151 |
| ASKILL, Michael | Reflections on Composition and Consciousness | PhD | University of Queensland | 2015 | 145 |
| SAUNDERS, Scott | "Towards an aesthetic of groove" | MPhil | University of Newcastle | 2015 | 116 |
| WORLEY, Kim | The Singing Cellist: An Exploration of the Relationship between the Cello and the Human Voice | MMus | Griffith University | 2015 | |
| BUCKLEY, Daryl | From body schema to score: creating spatial grammars in contemporary electric guitar practice. | PhD | RMIT University | 2015 | 108 |
| RICHARDS, Wendy | Music literacy, music braille, and audiation : towards a new pedagogy | MMus | University of Auckland | 2016 | 135 |
| ZAREEI, Mo.H. | Channelisation of Noise through a Rhythmic Gird : Brutalist Mechatronic Sound-sculpture | PhD | Victoria University of Wellington | 2016 | 307 |
| MILLS, Jennifer | Orchestral cello auditions in Australia: an assessment of commonly set excerpts | MMus | Monash University | 2016 | |
| ROBINSON, Camille | Listening art: making sonic artworks that critique listening | PhD | University of Melbourne | 2016 | 195 |
| FIDDES, Andrew Ross | RHYTHMIC DEVICES WITHIN THE IMPROVISATION OF SCOTT TINKLER | MMus | University of Sydney | 2016 | 101 |
| CAMERON, Christopher Paul | Exploring applications of multi-dexterity in drum kit performance | MMus | Monash University | 2016 | |
| Harrison, Clive Maxwell | A songwriter’s journey from little-c to pro-c creativity: an applied analytical autoethnography | PhD | University of Newcastle | 2016 | 445 |
| WILLGOSS, Richard Adrian | Creativity in Art Music Composition | PhD | University of Sydney | 2018 | 225 |
| Anon | MelodicMatch - Music Analysis Software for the 21st Century | PhD | University of Melbourne | in progress (2006) | |
| Anon | "An integration of score-based and digitally produced composition" - folio of compositions and critical commentary | PhD | University of Queensland | In Progress (2009) | |
| Anon | “21st Century composer as producer: utilising technology as a creative tool in the composition, realisation and performance of new music” | PhD | University of Queensland | In Progress (2009) | |
| Anon | Elements of orchestration | MCA | University of Wollongong | in progress (NiC08/07) | |
| Anon | 20th-century guitar techniques: a composer's handbook | MMus | Victoria University of Wellington | in progress (NiC08/07) | |
| WOOLER, Rene | Techniques for automated and interactive note sequence morphing of mainstream electronic music | PhD | Queensland University of Technology | submitted 2007 | |
| RAE, S. | A study of some modern techniques in choral composition | MMus | University of Sydney | withdrawn 1968 | |
| CONSTANTINO, R. | An approach to the language of music through the relationship of poetic texts to song writing | PhD | University of Sydney | withdrawn 1968 | |
| PETHERICK, Bruce | Orchestration treatises of the 19th and early 20th centuries | MMus | University of Melbourne | withdrawn c.2006 | |
