Theory/Techs/Tools

WriterThesis TitleDegreeUniversitysort iconYear# of Pages
TURNER, Gemma BernadetteBody movement and sound intensity in Western contemporary popular singingPhDUniversity of Sydney2010261 + 1 CD + 1 DVD
MILLHOUSE, Thomas JAuditory-acoustic characterisation of variability in the operatic vowelPhDUniversity of Sydney2009138
VAN GEENEN, Jurgen LippoldFormal methods for the design of imitative polyphonic structuresPhDUniversity of Sydney2013
CAREY, Benedict ErisNotation sequence generation and sound synthesis in interactive spectral musicMMus(Comp)University of Sydney201364
MORPHETT, JasonFreedom through discipline : the use of rhythmic devices in the music of Mark Simmonds /​ Jason MorphettMMus.University of Sydney201073
SMITH, Peter AnthonyComputer Aided Statistical Analysis of Motive Use and Compositional IdiomMMusUniversity of Sydney201283
BASSETT, JohnAssessing the Spatial Diffusivity of Sound Fields in Rooms using Ambisonic TechniquesPhDUniversity of Sydney2012247
CARRUTHERS, AndrewStave Sightings: Long Poems and the Poetics of Notation, 1960-2011PhDUniversity of Sydney2014
TAYLOR, John., R.Ontology of music performance variationPhDUniversity of Sydney2014
BIEDERMAN, Daniel, MarcThe Turntable as a musical instrument and the emergence of the concert turntablist : analytical notesMMusUniversity of Sydney2014
LANDRY, ShaneBeyond Ideas: The Melodic Shapes in Selected Improvisations of Saxophonist David BinneyMMusUniversity of Sydney2014198
EVANS, AlsionThe prevalence, causes and management of stress velopharyngeal insufficiency in woodwind and brass playersPhDUniversity of Sydney2014
FIDDES, Andrew RossRHYTHMIC DEVICES WITHIN THE IMPROVISATION OF SCOTT TINKLERMMusUniversity of Sydney2016101
WILLGOSS, Richard AdrianCreativity in Art Music CompositionPhDUniversity of Sydney2018225
HILL, Adam BrantleyThe cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process PhDUniversity of Tasmania2004239 + 2 CD
MacARTHUR, Jirrah WalkerInterval restriction : a composition system and its automation MMusUniversity of Tasmania19991 vol + 2 cass
MCINTYRE, Scott EanThe simplification of complex notation presented in aleatoric formsPhDUniversity of Tasmania2013351
GARCIA, ALStringshift : solo guitar improvisation : process, methodology and practiceUnknownUniversity of Tasmania2014
BARNARD, Geoffrey DavidIndeterminate composition and ideological determination MAUniversity of Technology Sydney2003106
BURRASTON, David MGenerative music and cellular automataPhDUniversity of Technology Sydney2006211 + CD-Rom
LLOYD, John StanleyAn analysis of the artistic creative process : as experienced in the writing of an opera PhDUniversity of Technology Sydney20062 vol
SCOTT, AshleyModes for listeningMAUniversity of Technology Sydney1996120 + 2 sound casset
WARD, JamesThe composer's assistantMScUniversity of Technology Sydney1995159 + 1 video casset
MULDER, JohannesMaking Things Louder: Amplified Music and MultimodalityPhDUniversity of Technology Sydney2012395
SHAPLEY, Gregory JamesSound of failure : experimental electronic music in our post-digital eraPhDUniversity of Technology Sydney2012212
BRACANIN, PhilipThe function of the thematic process in dodecaphonic music : a study in analytical method PhDUniversity of Western Aust.1970345
CALLAGHAN, Laurel JeanA comparative framework for an analysis of the influence of language on national music style MAUniversity of Western Aust.19792 vol
FONG, Francis Kam-YuenA musical analysis of the Cantonese language and some implications in the classroom MMus Ed.University of Western Aust.1990173
MARRIOTT, AndrewComputer-musician interface: ME, the music editing systemMScUniversity of Western Aust.19843 vol
SPANNEY, K.D.Aspects of form in electronic musicMAUniversity of Western Aust.19691 vol
THORPE, Patricia G.The relevance of twentieth-century analytical theories to the performer of keyboard music of the eighteenth and nineteenth centuriesMAUniversity of Western Aust.1994239
BETTS, CatherineReading the signs : assessing the salience of percussion symbols for use in percussion notationMMusUniversity of Western Aust.201073
CHIANG, Niann TsuuOptical music recognition: processing the sacred harpMCMSCUniversity of Waikato1998104
COOK, Shane SamuelMinimum message length comparison of musical sequencesMScUniversity of Waikato1994114
DEWSNIP, Michael JEvaluating melody retrieval algorithmsMCMSUniversity of Waikato2002131
KUO, ChristyA machine learning approach to music classificationMScUniversity of Waikato2005124
McNAB, Rodger JInteractive applications of music transcriptionMScUniversity of Waikato1996120
McPHERSON, JohnCo-ordinating knowledge to improve optical music recognitionPhDUniversity of Waikato2006172
WIJAYA, KadirExtending cantor: an optical music recognition systemMCMSUniversity of Waikato1999114
MAYALL, Jeremy MarkPortfolio of Compositions: Systematic composition of cross-genre hybrid musicPhDUniversity of Waikato2015
ROLLO, Te Manaaroha PirihiraTito Waiata-Tito Pūoro: extending the Kīngitanga music tradition.PhDUniversity of Waikato2014
BARKL, Michael Laurence GordonPure data as a Meta-Compositional InstrumentDCAUniversity of Wollongong2009133 + CD
BLINKHORN, DanielExtra-musical consequence : reconsidering antecedent/consequent motivations MAUniversity of Wollongong200568 + 1 CD
BURT, WarrenAlgorithms, Microtonality, Performance: Eleven Musical CompositionsPhDUniversity of Wollongong2007301 + 2 CDs + DVD
DIXON, John WayneProspect and retrospect: a composer analyses thirteen of his own compositionsMA (Hons)University of Wollongong1987200 + 13 scores + 1
FITZGERALD, Thomas ANew music composition for live performance and interactive multimediaDCAUniversity of Wollongong2004180 + 6 folios + 4 D
GALEA, JeffGhana: the folk music of Malta influences on my musicMAUniversity of Wollongong200565 + 1 CD
AnonElements of orchestrationMCAUniversity of Wollongongin progress (NiC08/07)
MacGREGOR, Robert ColinThe design of computer-based composition software based on the intuitive symbolic representations of music by young children M.Ed (Hons)University of Wollongong1991130
McKERN, Brett MThe compositions of Brett M. McKern: to the greater glory of God DCAUniversity of Wollongong20051 vid + CD
BLINKHORN, DanielNew music composition in computer-assisted environmentsDCAUniversity of Wollongong2007134 + 14 CDs
DELEFLIE, EtienneMusic and Spatial VerisimilitudePhDUniversity of Wollongong2013210
O'NEILL, Luke JeromeCreating new music compositions based on the number systems of composer Greg SheehanMCAUniversity of Wollongong201398
HANDEL, AmandaMusic of balance: circles and squares [Portfolio of compositions]MA (Hons)University of Western Sydney2004110 + CD + DVD
STRAZZULLO, GuyAn intercultural approach to composition and improvisationMA (Hons)University of Western Sydney200378
HEWITT, DonnaCompositions for voice and technology [+ Dissertation]PhDUniversity of Western Sydney2006178
TERRY, Josephine A. Implicit learning of complex auditory temporal structures with even and uneven metersPhDUniversity of Western Sydney2013352
Anon20th-century guitar techniques: a composer's handbookMMusVictoria University of Wellingtonin progress (NiC08/07)
BROWNLEE, PhilipPhD in composition [Part 1. Folio of compositions -- Part 2. Structural functions of timbre in selected works of Philip Brownlee]PhDVictoria University of Wellington2007
WATSON, ChristopherThe effects of music notation software on compositional practices and outcomes [+ Composition Folio]PhDVictoria University of Wellington20072 vol
SHEN, NalinThe integration of Chinese opera traditions into new musical compositionsPhDVictoria University of Wellington2010349 + 3 Discs
TAYLOR, Sarah ElizabethThe cinematic aspects of electroacoustic musicMMusVictoria University of Wellington201039
JENKINS, BradTensional processes and perception of form in three selected compositions by Kaija SaariahoMMAVictoria University of Wellington2014
MURPHY, JimExpressive Musical Robots : Building, Evaluating, and Interfacing with an Ensemble of Mechatronic Instruments PhDVictoria University of Wellington2014
WARD, MeganMelodic ornamentation from Muffat to TelemannMMusVictoria University of Wellington2014
ZAREEI, Mo.H.Channelisation of Noise through a Rhythmic Gird : Brutalist Mechatronic Sound-sculpturePhDVictoria University of Wellington2016307
MARETT, Allan1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga noPhDOverseas1976
MARETT, AllanAn examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, SamgitaratnakaraMAOverseas1972
WILLIAMS, Ross AdrianOn Open SkyDMAOverseas200227
HODGES, Glen John"Eyre," a three movement instrumental work for small chamber ensemble. (Original composition);MMOverseas1991117
WALKER, Judith AnnRhythmic nonalignment in Aboriginal Australian, West African, and twentieth-century art musicsPhDOverseas1983599
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