WriterThesis TitleDegreesort iconUniversityYear# of Pages
REINER, ThomasSemiotic model of musical timePhDUniversity of Melbourne1995205
INGS, WelbyTalking Pictures: a creative utilization of structural and aesthetic profiles from narrative music videos and television commercials in a non-spoken film text.PhDAuckland University of Technology2005423 + DVD
HEWITT, DonnaCompositions for voice and technology [+ Dissertation]PhDUniversity of Western Sydney2006178
BROWNLEE, PhilipPhD in composition [Part 1. Folio of compositions -- Part 2. Structural functions of timbre in selected works of Philip Brownlee]PhDVictoria University of Wellington2007
WATSON, ChristopherThe effects of music notation software on compositional practices and outcomes [+ Composition Folio]PhDVictoria University of Wellington20072 vol
KAMINSKYJ, IanAutomatic recognition of musical instruments using isolated monophonic sounds PhDMonash University2004543
CONSTANTINO, R.An approach to the language of music through the relationship of poetic texts to song writingPhDUniversity of Sydneywithdrawn 1968
FANANY, RunaThe Devil’s Due: the musical representation of the Devil in selected Hollywood film scoresPhDMonash University2011320
FOX, RobinContingency and space as structural concerns in a folio of interactive electroacoustic compositions PhDMonash University200693 + DVD + ADAT Tape
MYERS, PeterDirected harmonic and melodic motion, pitch structures and compositional determinants : a folio of original compositions and a critical commentary PhDMonash University2006189 + 5 scores + CD
GOODWIN, RussellFurthering the understanding of indeterminacy in music compositionPhDMonash University200793 + 5 scores + 2 CD
CHUA, Bee YongAutomatic extraction of perceptual features and categorization of music emotional expressions from polyphonic music audio signals PhDMonash University2007171
CZAPLOWSKI, PhilipThe use of multiple styles as a compositional approach PhDMonash University20072 vol + CD
Anon"An integration of score-based and digitally produced composition" - folio of compositions and critical commentaryPhDUniversity of QueenslandIn Progress (2009)
Anon“21st Century composer as producer: utilising technology as a creative tool in the composition, realisation and performance of new music”PhDUniversity of QueenslandIn Progress (2009)
UNKOVICH, YuriTracing the synthetic voice : contrapuntal textures of five or more parts in the works of J.S. BachPhDUniversity of Auckland2008219
LIVINGSTONE, Steven RChanging musical emotion through score and performance with a computational rule system [electronic resource]PhDUniversity of Queensland2008
TURNER, Gemma BernadetteBody movement and sound intensity in Western contemporary popular singingPhDUniversity of Sydney2010261 + 1 CD + 1 DVD
MILLHOUSE, Thomas JAuditory-acoustic characterisation of variability in the operatic vowelPhDUniversity of Sydney2009138
BELLMANN, Héctor G.Categorization of tonal music style: a quantitative investigationPhDGriffith University2012282
HILL, MatthewHit scrape click drag : analysis and application of compositional methodologies at the intersection of conserved and emergent technologiesPhDJames Cook University2007301 + CD Rom + DVD
SHEN, NalinThe integration of Chinese opera traditions into new musical compositionsPhDVictoria University of Wellington2010349 + 3 Discs
ADENEY, Roland WilliamThe HarmonyGrid : music, space and performance in grid music systemsPhDQueensland University of Technology2011256 + Disc
GIFFORD, TobyImprovisation in interactive music systemsPhDQueensland University of Technology2011205 + Disc
KLEIN, Eve ElizabethThe pomegranate cycle : reconfiguring opera through performance, technology & compositionPhDQueensland University of Technology2011276 + 2 Discs
MARTIN, PeterWriting for guitar groups with and without orchestraPhDSouthern Cross University2007136
SHELTON, Robert JamesA lock-free environment for computer music : concurrent components for computer supported cooperative workPhDUniversity of Melbourne2011315
McLEOD, PhilipFast, accurate pitch detection tools for music analysisPhDUniversity of Otago2008181
QUINTO, Lena RachelThe communication of emotion in music : understanding the contributions of composition and performancePhDMacquarie University20121 vol
VAN GEENEN, Jurgen LippoldFormal methods for the design of imitative polyphonic structuresPhDUniversity of Sydney2013
DELEFLIE, EtienneMusic and Spatial VerisimilitudePhDUniversity of Wollongong2013210
MULDER, JohannesMaking Things Louder: Amplified Music and MultimodalityPhDUniversity of Technology Sydney2012395
PRAKHOFF, Belinda MarieMusic from the inside: emotional expression and the understanding listenerPhDUniversity of Melbourne2013239
SHAPLEY, Gregory JamesSound of failure : experimental electronic music in our post-digital eraPhDUniversity of Technology Sydney2012212
WALUS, Bartlomiej PiotrA new modular approach to the composition of film music.PhDUniversity of Adelaide2013468
BURREL, Robert W. B.A Process of Becoming: A Musical Enquiry into Process-Relational Philosophy Through Autoethnographical and Zoomusicological MeansPhDGriffith University2013
TOMLINSON, Michelle M.Transformational and Transmodal Redesign in Children's Music Invention: An Exploration Using the Space of Music DialoguePhDGriffith University2013
JAYASINGHE, RohanThe application of serial technique to tonal music: the emancipation of consonancePhDUniversity of Queensland2011
MARCO, David John-TomFamiliarity and the perception of dissonance in musical intervals and chordsPhDUniversity of Melbourne2014
KHOO, Sui SinThe single hidden layer neural network based classifiers for Han Chinese folk songsPhDSwinburne University of Technology2013213
BROWN, DavidDesigning sound for health and wellbeingPhDRMIT University2012
PERKINS, Andrew Michael EllisFrom Pentecost to DodecaphonyPhDUniversity of Melbourne2013239
VIGGIANI, MarkFolio of original compositions 2009 - 2012PhDUniversity of Melbourne2013
TERRY, Josephine A. Implicit learning of complex auditory temporal structures with even and uneven metersPhDUniversity of Western Sydney2013352
BATES, Nathanael James Sampling and the 'Sound Object' in contemporary sonic artPhDRMIT University2013117
BASSETT, JohnAssessing the Spatial Diffusivity of Sound Fields in Rooms using Ambisonic TechniquesPhDUniversity of Sydney2012247
LOVE, MartynCollective conceptualization: a methodology for contemporary film score composers: a portfolio of compositions (disposed as a film score) and exegesis.PhDUniversity of Adelaide2013245
CARRUTHERS, AndrewStave Sightings: Long Poems and the Poetics of Notation, 1960-2011PhDUniversity of Sydney2014
MCINTYRE, Scott EanThe simplification of complex notation presented in aleatoric formsPhDUniversity of Tasmania2013351
LINTON, SeanThe Music of 'Are'are: Acoustemology, Environmental Influences and SustainabilityPhDUniversity of Otago2013325
HOCHENBAUM, Jordan. L'arte di interazione musicale : new musical possibilities through multimodal techniquesPhDNZ School of Music (Victoria + Massey)2013228
MAYALL, Jeremy MarkPortfolio of Compositions: Systematic composition of cross-genre hybrid musicPhDUniversity of Waikato2015
ROLLO, Te Manaaroha PirihiraTito Waiata-Tito Pūoro: extending the Kīngitanga music tradition.PhDUniversity of Waikato2014
DERRICK, Reuben GeorgeAcoustic illuminations: recorded space as soundscape compositionPhDUniversity of Canterbury2014
MURPHY, JimExpressive Musical Robots : Building, Evaluating, and Interfacing with an Ensemble of Mechatronic Instruments PhDVictoria University of Wellington2014
ZAREEI, Mo.H.Channelisation of Noise through a Rhythmic Gird : Brutalist Mechatronic Sound-sculpturePhDVictoria University of Wellington2016307
TAYLOR, John., R.Ontology of music performance variationPhDUniversity of Sydney2014
ROBERTS, CJHow the pianist's touch affects tone quality: A review of performance-based and scientific literature with applications to piano practice and performancePhDUniversity of New England2015
JAMES, Stuart GeorgeSpectromorphology and spatiomorphology : wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domainPhDEdith Cowan University2015
CHALABI, Karen LouiseThe architecture of spirit : a phenomenological study of archetypal forces in Eastern European flute repertoire.PhDUniversity of Melbourne2014271
ROBINSON, CamilleListening art: making sonic artworks that critique listeningPhDUniversity of Melbourne2016195
POTTER, WarwickA case study of the life and work of an Australian Orchestral Portfolio ConductorPhDUniversity of Queensland2015151
EVANS, AlsionThe prevalence, causes and management of stress velopharyngeal insufficiency in woodwind and brass playersPhDUniversity of Sydney2014
ASKILL, MichaelReflections on Composition and ConsciousnessPhDUniversity of Queensland2015145
ISTVANDITY, LaurenMusically Motivated Autobiographical Memories and the Lifetime SoundtrackPhDGriffith University2014280
WILLIAMS, Michael FrancisComposition PortfolioPhDUniversity of Melbourne2014
BUCKLEY, DarylFrom body schema to score: creating spatial grammars in contemporary electric guitar practice.PhDRMIT University2015108
Harrison, Clive MaxwellA songwriter’s journey from little-c to pro-c creativity: an applied analytical autoethnographyPhDUniversity of Newcastle2016445
WILLGOSS, Richard AdrianCreativity in Art Music CompositionPhDUniversity of Sydney2018225
WEEKES, Diana K.Twistonality: A Personal Exploration: portfolio of original compositions and exegesisPhD (Comp)University of Adelaide20073 vol
GARCIA, ALStringshift : solo guitar improvisation : process, methodology and practiceUnknownUniversity of Tasmania2014
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