Theory/Techs/Tools

WriterThesis TitleDegreeUniversityYear# of Pagessort icon
MCINTYRE, Scott EanThe simplification of complex notation presented in aleatoric formsPhDUniversity of Tasmania2013351
TERRY, Josephine A. Implicit learning of complex auditory temporal structures with even and uneven metersPhDUniversity of Western Sydney2013352
CAMPBELL, Steven JamesThe application in original musical compositions of algorithms within four music composition software programs and the development of composition algorithms within Phrase Garden, an original music composition software programPhDUniversity of New England1997355
RUSHFORD, James PatrickGrounding sound, distilling time: models of stasis in recent compositional frameworksMMusUniversity of Melbourne201137
TAYLOR, Sarah ElizabethThe cinematic aspects of electroacoustic musicMMusVictoria University of Wellington201039
HAYNES, David MatthewContext and process in arrangement and transcription for solo piano, left-hand alonePhDUniversity of NSW2005390
GEAKE, JohnAn information processing study of individual differences in perception of pitch fluctuations in music.PhDUniversity of New England1996393
MULDER, JohannesMaking Things Louder: Amplified Music and MultimodalityPhDUniversity of Technology Sydney2012395
GRAY, Janette MaryComposing music for childrenMMusUniversity of Sydney19744 vol
McNAMARA, PeterPortfolio of Compositions + Stretching the boundaries of listening : changing microtonal aesthetics in the late twentieth century MMus(Comp)University of Sydney20064 vol + 86 + CD
KYRIAKOU, Mary-AnneGuitar and light for solo guitar ; Betrayal, a new music-theatre work : exploring representations of self through the portrayal of women protagonistsMMus(Comp)University of Sydney200641 + 2 scores
HALL, Phillip JeremyPortfolio of compositions and exegesis [music] : Leitmotifs and their developmentMMusUniversity of Adelaide200941 + CD
INGS, WelbyTalking Pictures: a creative utilization of structural and aesthetic profiles from narrative music videos and television commercials in a non-spoken film text.PhDAuckland University of Technology2005423 + DVD
BANDT, RosalieModels and processes in repetitive music, 1960-1983PhDMonash University1983433
STEVENS, CatherineDerivation and investigation of features mediating musical pattern recognitionPhDUniversity of Sydney1992441+disk
Harrison, Clive MaxwellA songwriter’s journey from little-c to pro-c creativity: an applied analytical autoethnographyPhDUniversity of Newcastle2016445
ANDERSON, JustineFinding a voice : age, competition and mastery in singing : a discussion of the challenges that a singer faces in endeavouring to master the voice and enter the singing profession M.Mus.University of Melbourne200845
LI, EvaHow does semantic language enhance the communicability of electroacoustic music?MMusUniversity of Auckland201345
MILLS, JonathanSound design: essays with micro-tonal tunings, musical instruments & sound spacesMARMIT University199746
WALUS, Bartlomiej PiotrA new modular approach to the composition of film music.PhDUniversity of Adelaide2013468
LAZAR, EricA stylistic and historical analysis of left foot high hat techniques in Swing, Bebop, and Latin jazz drummingMMusUniversity of Sydney201047
MACLEOD, Andrew LachlanDe la sonorité [electronic resource] : the Bel canto flute method of Marcel MoyseMPhilUniversity of Queensland200949
McFADDEN, AllanKiss kiss, China doll [Creation of an opera: Kiss kiss, China doll]MCAUniversity of Newcastle20005 voll + 3 CDs
PATERAS, AnthonyA folio of original compositions exploring contemporary practices in notation, improvisation, live electronic performance and music for film MAMonash University200350 + 2 scores + vide
NICHOLLS, MikeSubmission for Master of Arts (Electronic Arts) [Electronic and Computer Music compositions]MAAustralian National University199654 + video
KAMINSKYJ, IanAutomatic recognition of musical instruments using isolated monophonic sounds PhDMonash University2004543
FREEMAN, LliamDeveloping an improviser's "tool-kit" : exploring methodologies towards the development of improvisational skill and fluency in the performance of original work in jazz ensemble MAMonash University200656 + CD
BYRNE, Timothy FrancisAspects of technique in Dvořák’s cello concerto [electronic resource] : an approach based on a comparative study of relevant treatisesMPhilUniversity of Queensland201057
WALKER, Judith AnnRhythmic nonalignment in Aboriginal Australian, West African, and twentieth-century art musicsPhDOverseas1983599
STEFFEN, Darren WilliamSimple subtle sustained waveforms and the notion of comfort in a new approach to creating an immersive, interactive sound installationMA(Sound Design)University of Melbourne201259p + 1CD
McLENNAN-KISSEL, PaulOnsombilMMusUniversity of Otago201261 + CD
CAREY, Benedict ErisNotation sequence generation and sound synthesis in interactive spectral musicMMus(Comp)University of Sydney201364
KELLER, Peter ErikAdaptive functions of meter in multipart musical rhythmPhDUniversity of NSW2000648
LEE, Seung-YoonPerceptual and neural processing of consonance and dissonance in musicians and non-musicians : an ERP studyMScUniversity of Otago201165
GALEA, JeffGhana: the folk music of Malta influences on my musicMAUniversity of Wollongong200565 + 1 CD
LANDESMAN, YossiAutomated genetic evolution of musical structures MITMonash University200765 + CD
ROPA, Vanessa JaneThe importance of understanding the mechanisms underlying breathing, posture and embouchure for tertiary flute and wind music studentsMMusUniversity of Sydney201066
WHEATLAND, PhilipMelodicMatch - A software searching tool for music analysisMAMonash University200167 + cd
BLINKHORN, DanielExtra-musical consequence : reconsidering antecedent/consequent motivations MAUniversity of Wollongong200568 + 1 CD
GARD, StephenNasty Noises: 'Error' as a Compositional ElementMMus CompUniversity of Sydney200468 + 2 CD
MILLS, Bryce AndrewThe perception of melodic closure : a study of the factors influencing final note choice to achieve melodic closure MAMassey University197969
SCHUBERT, EmeryMeasurement and time series analysis of emotion in musicPhDUniversity of NSW1999696
TIUTIUNNIK, KatiaThe symbolic dimension: an exploration of the compositional processPhDAustralian National University20027 vol + 3 CD + 1 vid
CHAPLIN, PeterFolio of compositions and analysesMMusUniversity of Melbourne19867 vol + tape
HAMMOND, JaneAn exploration of the possibilities of generating music from text MAMonash University200671 + 2 CDs + 6 score
DENCH, ChrisTowards an ethics of musical compositionMMusUniversity of Melbourne199873
BETTS, CatherineReading the signs : assessing the salience of percussion symbols for use in percussion notationMMusUniversity of Western Aust.201073
MORPHETT, JasonFreedom through discipline : the use of rhythmic devices in the music of Mark Simmonds /​ Jason MorphettMMus.University of Sydney201073
MUNRO, IanMusical conversationsMCAUniversity of Newcastle200374
CHAN, Chi ManAspects of the impact of postmodernist thought on the analysis of musicMAUniversity of Sydney199675
FALEATUA, Andrew KelevaConstructing compositional concepts to exploit contemporary compositions MMusUniversity of Auckland201376
WALLACE, MichaelUnifying composition and improvisation : applying Bob Brookmeyer's pitch module concept to composition and improvisation MAMonash University200776 + cd
FREER, NicholasEvening the odds : an analysis of methodologies used to generate harmonic rhythm in asymmetrical meters since the 1950s and their subsequent implications for contemporary improvisationMAMonash University201076 + CD
STRAZZULLO, GuyAn intercultural approach to composition and improvisationMA (Hons)University of Western Sydney200378
CATRICE, AndrePortfolio of compositions and analysisMMusUniversity of Melbourne19898 vol
SCULLY, Lesa JaneThe maturing trumpeter [manuscript] : an insight to the physicality, mentality and practicality of the twenty first century performing trumpeterMCAUniversity of Newcastle200882 + 2 CDs
SMITH, Peter AnthonyComputer Aided Statistical Analysis of Motive Use and Compositional IdiomMMusUniversity of Sydney201283
WALSH, RobertThe composition of contemporary ambient music utilising field-recordings of Tokyo, unusual instrument combinations and minimalist techniques PhDSouthern Cross University200384
FREEMAN, Peter A.Neural networks in the analysis of music MMusUniversity of Queensland199485
SIMMERMACHER, ChristianDetecting instruments in classical music : a view on timbre, musical features, and classification MScUniversity of Otago200585
DRAPE, RohanRule-following, pre-compositional environmentsMALaTrobe University199988 + 1 audio CD
PARKER, TraceyDiscovering a personal compositional processMCAUniversity of Newcastle200389
JORDAN, ClaireCompositions [and analysis]MMus(Comp)University of Sydney19978pp + 5 scores + cas
McDONALD, Grantley"Orpheus Germanicus:" Metrical Music and the Reception of Marsilio Ficino's Poetics and Music Theory in Renaissance GermanyPhDUniversity of Melbourne2002902
FORSTER, RaymondAn investigation into a cohesive method of teaching jazz harmony and improvisation to elective music students in secondary schools using the basic principals of chord-scale theoryMMusUniversity of Sydney201091
GOODWIN, RussellFurthering the understanding of indeterminacy in music compositionPhDMonash University200793 + 5 scores + 2 CD
FOX, RobinContingency and space as structural concerns in a folio of interactive electroacoustic compositions PhDMonash University200693 + DVD + ADAT Tape
YOUNG, DavidFolio & Commentary: Thousands of Bundled Straw, Skin Quartet & the Val Camonica PiecesPhDUniversity of Queensland2007 (NyiC)93 + Folio 380pp + D
O'NEILL, Luke JeromeCreating new music compositions based on the number systems of composer Greg SheehanMCAUniversity of Wollongong201398
BEN-SALAMON, Nissana folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio filesMAMonash University2003c.50 + 4 scores + CD
DUANCE, KarynCompositional and performance techniques of women rock musiciansMMusUniversity of Sydney1999NiC
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