| PRAKHOFF, Belinda Marie | Music from the inside: emotional expression and the understanding listener | PhD | University of Melbourne | 2013 | 239 |
| QUINTO, Lena Rachel | The communication of emotion in music : understanding the contributions of composition and performance | PhD | Macquarie University | 2012 | 1 vol |
| RAE, S. | A study of some modern techniques in choral composition | MMus | University of Sydney | withdrawn 1968 | |
| REINER, Thomas | Semiotic model of musical time | PhD | University of Melbourne | 1995 | 205 |
| RICHARDS, Wendy | Music literacy, music braille, and audiation : towards a new pedagogy | MMus | University of Auckland | 2016 | 135 |
| RICKETSON, Damien | Curious noise: analytical notes | PhD | University of Sydney | 2005 | 119 + 5 scores + 2 C |
| ROBERTS, CJ | How the pianist's touch affects tone quality: A review of performance-based and scientific literature with applications to piano practice and performance | PhD | University of New England | 2015 | |
| ROBINSON, Camille | Listening art: making sonic artworks that critique listening | PhD | University of Melbourne | 2016 | 195 |
| ROLLO, Te Manaaroha Pirihira | Tito Waiata-Tito Pūoro: extending the Kīngitanga music tradition. | PhD | University of Waikato | 2014 | |
| ROPA, Vanessa Jane | The importance of understanding the mechanisms underlying breathing, posture and embouchure for tertiary flute and wind music students | MMus | University of Sydney | 2010 | 66 |
| RUSHFORD, James Patrick | Grounding sound, distilling time: models of stasis in recent compositional frameworks | MMus | University of Melbourne | 2011 | 37 |
| SAUNDERS, Scott | "Towards an aesthetic of groove" | MPhil | University of Newcastle | 2015 | 116 |
| SCHIEMER, Gregory | MIDI Tool Box: an interactive system for music composition | PhD | Macquarie University | 1998 | 304 + 2 CD-ROMs |
| SCHUBERT, Emery | Measurement and time series analysis of emotion in music | PhD | University of NSW | 1999 | 696 |
| SCOTT, Ashley | Modes for listening | MA | University of Technology Sydney | 1996 | 120 + 2 sound casset |
| SCULLY, Lesa Jane | The maturing trumpeter [manuscript] : an insight to the physicality, mentality and practicality of the twenty first century performing trumpeter | MCA | University of Newcastle | 2008 | 82 + 2 CDs |
| SHAPLEY, Gregory James | Sound of failure : experimental electronic music in our post-digital era | PhD | University of Technology Sydney | 2012 | 212 |
| SHELTON, Robert James | A lock-free environment for computer music : concurrent components for computer supported cooperative work | PhD | University of Melbourne | 2011 | 315 |
| SHEN, Nalin | The integration of Chinese opera traditions into new musical compositions | PhD | Victoria University of Wellington | 2010 | 349 + 3 Discs |
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| SMITH, Peter Anthony | Computer Aided Statistical Analysis of Motive Use and Compositional Idiom | MMus | University of Sydney | 2012 | 83 |
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| SONG, Sun-Ju | Music analysis and the avant-garde compositions of post-world war II: four case studies | PhD | Griffith University | 2011 | 2 v. |
| SPANNEY, K.D. | Aspects of form in electronic music | MA | University of Western Aust. | 1969 | 1 vol |
| STEFFEN, Darren William | Simple subtle sustained waveforms and the notion of comfort in a new approach to creating an immersive, interactive sound installation | MA(Sound Design) | University of Melbourne | 2012 | 59p + 1CD |
| STEVENS, Catherine | Derivation and investigation of features mediating musical pattern recognition | PhD | University of Sydney | 1992 | 441+disk |
| STRAZZULLO, Guy | An intercultural approach to composition and improvisation | MA (Hons) | University of Western Sydney | 2003 | 78 |
| SUDMALIS, D.R. | Gesture in composition : a model of composition involving gesture, gestural and parametric development, and hybridisation as examined in six original compositions | PhD | University of Sydney | 2001 | 2 vol + CD |
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| TAYLOR, John., R. | Ontology of music performance variation | PhD | University of Sydney | 2014 | |
| TAYLOR, Sarah Elizabeth | The cinematic aspects of electroacoustic music | MMus | Victoria University of Wellington | 2010 | 39 |
| TERRY, Josephine A. | Implicit learning of complex auditory temporal structures with even and uneven meters | PhD | University of Western Sydney | 2013 | 352 |
| TERZER, Armin | Transcribing symphonic repertoire for eight horns principles and process leading from sources of inspiration and final product | DMA | Griffith University | 2011 | |
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| TOMLINSON, Michelle M. | Transformational and Transmodal Redesign in Children's Music Invention: An Exploration Using the Space of Music Dialogue | PhD | Griffith University | 2013 | |
| TOPPI, Antonio | An investigation into narrative as a compositional approach | MMus | Monash University | 2013 | |
| TURNER, Gemma Bernadette | Body movement and sound intensity in Western contemporary popular singing | PhD | University of Sydney | 2010 | 261 + 1 CD + 1 DVD |
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| VAN GEENEN, Jurgen Lippold | Formal methods for the design of imitative polyphonic structures | PhD | University of Sydney | 2013 | |
| VAN MELLE, Gerbrand | Sound bites | M.Phil | Auckland University of Technology | 2013 | 102 |
| VENNONEN, Kimmo | Submission for the Graduate Diploma in Music (Computer Music) | GradDipMus | Australian National University | 1994 | 1 vol + floppy disk |
| VIGGERS, Elisabeth | Connections: nothing exists in isolation | MSD (Sound Design) | University of Melbourne | 2011 | |
| VIGGIANI, Mark | Folio of original compositions 2009 - 2012 | PhD | University of Melbourne | 2013 | |
| WALKER, Judith Ann | Rhythmic nonalignment in Aboriginal Australian, West African, and twentieth-century art musics | PhD | Overseas | 1983 | 599 |
| WALLACE, Michael | Unifying composition and improvisation : applying Bob Brookmeyer's pitch module concept to composition and improvisation | MA | Monash University | 2007 | 76 + cd |
| WALSH, Robert | The composition of contemporary ambient music utilising field-recordings of Tokyo, unusual instrument combinations and minimalist techniques | PhD | Southern Cross University | 2003 | 84 |
| WALUS, Bartlomiej Piotr | A new modular approach to the composition of film music. | PhD | University of Adelaide | 2013 | 468 |
| WARD, Anthony McKenna | A miniature orchestra: a study in the aesthetics of guitar transcription | MMus(hons) | University of New England | 1999 | 161 |
| WARD, James | The composer's assistant | MSc | University of Technology Sydney | 1995 | 159 + 1 video casset |
| WARD, Megan | Melodic ornamentation from Muffat to Telemann | MMus | Victoria University of Wellington | 2014 | |
| WATSON, Charles Richard | The computer analysis of polyphonic music | PhD | University of Sydney | 1985 | 214 |
| WATSON, Christopher | The effects of music notation software on compositional practices and outcomes [+ Composition Folio] | PhD | Victoria University of Wellington | 2007 | 2 vol |
| WEEKES, Diana K. | Twistonality: A Personal Exploration: portfolio of original compositions and exegesis | PhD (Comp) | University of Adelaide | 2007 | 3 vol |
| WHEATLAND, Philip | MelodicMatch - A software searching tool for music analysis | MA | Monash University | 2001 | 67 + cd |
| WHITE, Melita | Music composition as an expression of research in feminist theory | MA | Monash University | 2006 | 2 vol + CD |
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| WILLGOSS, Richard Adrian | Creativity in Art Music Composition | PhD | University of Sydney | 2018 | 225 |
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| WORLEY, Kim | The Singing Cellist: An Exploration of the Relationship between the Cello and the Human Voice | MMus | Griffith University | 2015 | |
| YOUNG, David | Folio & Commentary: Thousands of Bundled Straw, Skin Quartet & the Val Camonica Pieces | PhD | University of Queensland | 2007 (NyiC) | 93 + Folio 380pp + D |
| YU, Julian | Ornamentation in traditional Chinese instrumental music and its application in original compositions | MA | LaTrobe University | 1993 | 127 |
| ZAREEI, Mo.H. | Channelisation of Noise through a Rhythmic Gird : Brutalist Mechatronic Sound-sculpture | PhD | Victoria University of Wellington | 2016 | 307 |
| ZIPMAN, Ellina | The musical portrait in Western music: a survey of theory and practice | MA | Monash University | 1995 | 199 |
