Theory/Techs/Tools

Writersort iconThesis TitleDegreeUniversityYear# of Pages
PRAKHOFF, Belinda MarieMusic from the inside: emotional expression and the understanding listenerPhDUniversity of Melbourne2013239
QUINTO, Lena RachelThe communication of emotion in music : understanding the contributions of composition and performancePhDMacquarie University20121 vol
RAE, S.A study of some modern techniques in choral compositionMMusUniversity of Sydneywithdrawn 1968
REINER, ThomasSemiotic model of musical timePhDUniversity of Melbourne1995205
RICHARDS, WendyMusic literacy, music braille, and audiation : towards a new pedagogyMMus University of Auckland2016135
RICKETSON, DamienCurious noise: analytical notesPhDUniversity of Sydney2005119 + 5 scores + 2 C
ROBERTS, CJHow the pianist's touch affects tone quality: A review of performance-based and scientific literature with applications to piano practice and performancePhDUniversity of New England2015
ROBINSON, CamilleListening art: making sonic artworks that critique listeningPhDUniversity of Melbourne2016195
ROLLO, Te Manaaroha PirihiraTito Waiata-Tito Pūoro: extending the Kīngitanga music tradition.PhDUniversity of Waikato2014
ROPA, Vanessa JaneThe importance of understanding the mechanisms underlying breathing, posture and embouchure for tertiary flute and wind music studentsMMusUniversity of Sydney201066
RUSHFORD, James PatrickGrounding sound, distilling time: models of stasis in recent compositional frameworksMMusUniversity of Melbourne201137
SAUNDERS, Scott"Towards an aesthetic of groove"MPhilUniversity of Newcastle2015116
SCHIEMER, GregoryMIDI Tool Box: an interactive system for music compositionPhDMacquarie University1998304 + 2 CD-ROMs
SCHUBERT, EmeryMeasurement and time series analysis of emotion in musicPhDUniversity of NSW1999696
SCOTT, AshleyModes for listeningMAUniversity of Technology Sydney1996120 + 2 sound casset
SCULLY, Lesa JaneThe maturing trumpeter [manuscript] : an insight to the physicality, mentality and practicality of the twenty first century performing trumpeterMCAUniversity of Newcastle200882 + 2 CDs
SHAPLEY, Gregory JamesSound of failure : experimental electronic music in our post-digital eraPhDUniversity of Technology Sydney2012212
SHELTON, Robert JamesA lock-free environment for computer music : concurrent components for computer supported cooperative workPhDUniversity of Melbourne2011315
SHEN, NalinThe integration of Chinese opera traditions into new musical compositionsPhDVictoria University of Wellington2010349 + 3 Discs
SIMMERMACHER, ChristianDetecting instruments in classical music : a view on timbre, musical features, and classification MScUniversity of Otago200585
SMITH, Peter AnthonyComputer Aided Statistical Analysis of Motive Use and Compositional IdiomMMusUniversity of Sydney201283
SOH, Chew MayClassifying music performance using k-nearest neighbor classification MITMonash University2006157
SONG, Sun-JuMusic analysis and the avant-garde compositions of post-world war II: four case studiesPhDGriffith University20112 v.
SPANNEY, K.D.Aspects of form in electronic musicMAUniversity of Western Aust.19691 vol
STEFFEN, Darren WilliamSimple subtle sustained waveforms and the notion of comfort in a new approach to creating an immersive, interactive sound installationMA(Sound Design)University of Melbourne201259p + 1CD
STEVENS, CatherineDerivation and investigation of features mediating musical pattern recognitionPhDUniversity of Sydney1992441+disk
STRAZZULLO, GuyAn intercultural approach to composition and improvisationMA (Hons)University of Western Sydney200378
SUDMALIS, D.R.Gesture in composition : a model of composition involving gesture, gestural and parametric development, and hybridisation as examined in six original compositions PhDUniversity of Sydney20012 vol + CD
SULLIVAN, YvetteThe influence of individual differences on the planning processes of musicians learning traditionally and non-traditionally notated scores M.EdUniversity of Newcastle1997133
TAYLOR, John., R.Ontology of music performance variationPhDUniversity of Sydney2014
TAYLOR, Sarah ElizabethThe cinematic aspects of electroacoustic musicMMusVictoria University of Wellington201039
TERRY, Josephine A. Implicit learning of complex auditory temporal structures with even and uneven metersPhDUniversity of Western Sydney2013352
TERZER, ArminTranscribing symphonic repertoire for eight horns principles and process leading from sources of inspiration and final productDMAGriffith University2011
THOMAS, Holly EllenApplying the linear concept of contemporary drumming: a portfolio of recorded performances and exegesis.MPhilUniversity of Adelaide2014
THORPE, Patricia G.The relevance of twentieth-century analytical theories to the performer of keyboard music of the eighteenth and nineteenth centuriesMAUniversity of Western Aust.1994239
TIUTIUNNIK, KatiaThe symbolic dimension: an exploration of the compositional processPhDAustralian National University20027 vol + 3 CD + 1 vid
TOMLINSON, Michelle M.Transformational and Transmodal Redesign in Children's Music Invention: An Exploration Using the Space of Music DialoguePhDGriffith University2013
TOPPI, AntonioAn investigation into narrative as a compositional approachMMusMonash University2013
TURNER, Gemma BernadetteBody movement and sound intensity in Western contemporary popular singingPhDUniversity of Sydney2010261 + 1 CD + 1 DVD
UNKOVICH, YuriTracing the synthetic voice : contrapuntal textures of five or more parts in the works of J.S. BachPhDUniversity of Auckland2008219
VAN GEENEN, Jurgen LippoldFormal methods for the design of imitative polyphonic structuresPhDUniversity of Sydney2013
VAN MELLE, GerbrandSound bitesM.PhilAuckland University of Technology2013102
VENNONEN, KimmoSubmission for the Graduate Diploma in Music (Computer Music)GradDipMusAustralian National University19941 vol + floppy disk
VIGGERS, ElisabethConnections: nothing exists in isolationMSD (Sound Design)University of Melbourne2011
VIGGIANI, MarkFolio of original compositions 2009 - 2012PhDUniversity of Melbourne2013
WALKER, Judith AnnRhythmic nonalignment in Aboriginal Australian, West African, and twentieth-century art musicsPhDOverseas1983599
WALLACE, MichaelUnifying composition and improvisation : applying Bob Brookmeyer's pitch module concept to composition and improvisation MAMonash University200776 + cd
WALSH, RobertThe composition of contemporary ambient music utilising field-recordings of Tokyo, unusual instrument combinations and minimalist techniques PhDSouthern Cross University200384
WALUS, Bartlomiej PiotrA new modular approach to the composition of film music.PhDUniversity of Adelaide2013468
WARD, Anthony McKennaA miniature orchestra: a study in the aesthetics of guitar transcriptionMMus(hons)University of New England1999161
WARD, JamesThe composer's assistantMScUniversity of Technology Sydney1995159 + 1 video casset
WARD, MeganMelodic ornamentation from Muffat to TelemannMMusVictoria University of Wellington2014
WATSON, Charles RichardThe computer analysis of polyphonic music PhDUniversity of Sydney1985214
WATSON, ChristopherThe effects of music notation software on compositional practices and outcomes [+ Composition Folio]PhDVictoria University of Wellington20072 vol
WEEKES, Diana K.Twistonality: A Personal Exploration: portfolio of original compositions and exegesisPhD (Comp)University of Adelaide20073 vol
WHEATLAND, PhilipMelodicMatch - A software searching tool for music analysisMAMonash University200167 + cd
WHITE, MelitaMusic composition as an expression of research in feminist theoryMAMonash University20062 vol + CD
WIJAYA, KadirExtending cantor: an optical music recognition systemMCMSUniversity of Waikato1999114
WILLGOSS, Richard AdrianCreativity in Art Music CompositionPhDUniversity of Sydney2018225
WILLIAMS, Barbara ClaireBraille: New codes for early music notations, long cells, and exploratory coding analysisPhDMonash University1995326
WILLIAMS, Michael FrancisComposition PortfolioPhDUniversity of Melbourne2014
WILLIAMS, Ross AdrianOn Open SkyDMAOverseas200227
WOOD, CalliePortfolio of compositions and exegesis: composing for a choral spectrum MMusUniversity of Adelaide2008285 2 vol
WOODCOCK, Timothy PThe compositional application of musical acoustics GDip MusGriffith University1992182
WOODLEY, Kathleen FrancesVoice science and vocal pedagogy : joining the dotsMMusUniversity of Auckland2014277
WOOLER, ReneTechniques for automated and interactive note sequence morphing of mainstream electronic musicPhDQueensland University of Technologysubmitted 2007
WORLEY, KimThe Singing Cellist: An Exploration of the Relationship between the Cello and the Human VoiceMMusGriffith University2015
YOUNG, DavidFolio & Commentary: Thousands of Bundled Straw, Skin Quartet & the Val Camonica PiecesPhDUniversity of Queensland2007 (NyiC)93 + Folio 380pp + D
YU, JulianOrnamentation in traditional Chinese instrumental music and its application in original compositionsMALaTrobe University1993127
ZAREEI, Mo.H.Channelisation of Noise through a Rhythmic Gird : Brutalist Mechatronic Sound-sculpturePhDVictoria University of Wellington2016307
ZIPMAN, EllinaThe musical portrait in Western music: a survey of theory and practiceMAMonash University1995199
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