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| McLEOD, Philip | Fast, accurate pitch detection tools for music analysis | PhD | University of Otago | 2008 | 181 |
| McLENNAN-KISSEL, Paul | Onsombil | MMus | University of Otago | 2012 | 61 + CD |
| McKERN, Brett M | The compositions of Brett M. McKern: to the greater glory of God | DCA | University of Wollongong | 2005 | 1 vid + CD |
| MCINTYRE, Scott Ean | The simplification of complex notation presented in aleatoric forms | PhD | University of Tasmania | 2013 | 351 |
| McGARITY, Gregory Melville | "Musical semiology reconstructed" : an inquiry into the social, philosophical and theoretical context of the science of semiology ; the development of musical semiology and its relationship to musical analysis ; leading to analysis of selected Mozart compositions (K.550, K.515 & K.379). | MMus(hons) | University of New England | 2000 | 181 |
| McFADDEN, Allan | Kiss kiss, China doll [Creation of an opera: Kiss kiss, China doll] | MCA | University of Newcastle | 2000 | 5 voll + 3 CDs |
| McEWAN, Neil | Interpretive signs and letters in Gregorian chant: the rhythmic and expressive differences between the episema and tenete in the manuscript of the Cantatorium, Codex 359, St. Gall | PhD | University of Sydney | 2002 | 248 + CD-rom |
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| KYRIAKOU, Mary-Anne | Guitar and light for solo guitar ; Betrayal, a new music-theatre work : exploring representations of self through the portrayal of women protagonists | MMus(Comp) | University of Sydney | 2006 | 41 + 2 scores |
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| KAWAMOTO, Tsubasa | Masters portfolio | MMus | University of Auckland | 2012 | 1 v. + DVD |
| KAUR, Amrita | Rāgamālā : a garland of architecture and music | MArch | University of Auckland | 2015 | 181 + soundfile |
| KAMINSKYJ, Ian | Automatic recognition of musical instruments using isolated monophonic sounds | PhD | Monash University | 2004 | 543 |
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| JENKINS, Brad | Tensional processes and perception of form in three selected compositions by Kaija Saariaho | MMA | Victoria University of Wellington | 2014 | |
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| JAMES, Stuart George | Spectromorphology and spatiomorphology : wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domain | PhD | Edith Cowan University | 2015 | |
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| GARCIA, AL | Stringshift : solo guitar improvisation : process, methodology and practice | Unknown | University of Tasmania | 2014 | |
| GALLACHER, Lynette | Words under pressure: an investigation of compositional linguistics focussing on recent work by Chris Mann | PhD | LaTrobe University | 1996 | 217 |
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