Theory/Techs/Tools

Writersort iconThesis TitleDegreeUniversityYear# of Pages
McNAB, Rodger JInteractive applications of music transcriptionMScUniversity of Waikato1996120
McLEOD, PhilipFast, accurate pitch detection tools for music analysisPhDUniversity of Otago2008181
McLENNAN-KISSEL, PaulOnsombilMMusUniversity of Otago201261 + CD
McKERN, Brett MThe compositions of Brett M. McKern: to the greater glory of God DCAUniversity of Wollongong20051 vid + CD
MCINTYRE, Scott EanThe simplification of complex notation presented in aleatoric formsPhDUniversity of Tasmania2013351
McGARITY, Gregory Melville"Musical semiology reconstructed" : an inquiry into the social, philosophical and theoretical context of the science of semiology ; the development of musical semiology and its relationship to musical analysis ; leading to analysis of selected Mozart compositions (K.550, K.515 & K.379).MMus(hons)University of New England2000181
McFADDEN, AllanKiss kiss, China doll [Creation of an opera: Kiss kiss, China doll]MCAUniversity of Newcastle20005 voll + 3 CDs
McEWAN, NeilInterpretive signs and letters in Gregorian chant: the rhythmic and expressive differences between the episema and tenete in the manuscript of the Cantatorium, Codex 359, St. GallPhDUniversity of Sydney2002248 + CD-rom
MCEVOY, DavidAspects of Herbie Hancock’s pre-electric improvisational language and their application in contemporary jazz performance: a portfolio of recorded performances and exegesis.MPhilUniversity of Adelaide2014
McDONALD, Grantley"Orpheus Germanicus:" Metrical Music and the Reception of Marsilio Ficino's Poetics and Music Theory in Renaissance GermanyPhDUniversity of Melbourne2002902
MAYALL, Jeremy MarkPortfolio of Compositions: Systematic composition of cross-genre hybrid musicPhDUniversity of Waikato2015
MARTIN, PeterWriting for guitar groups with and without orchestraPhDSouthern Cross University2007136
MARRIOTT, AndrewComputer-musician interface: ME, the music editing systemMScUniversity of Western Aust.19843 vol
MARETT, Allan1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga noPhDOverseas1976
MARETT, AllanAn examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, SamgitaratnakaraMAOverseas1972
MARCO, David John-TomFamiliarity and the perception of dissonance in musical intervals and chordsPhDUniversity of Melbourne2014
MAGILL, Jonathan MatthewCognitive models for the production of polyrhythms by a West African master drummerMALaTrobe University1995127
MacMILLAN, BrendanMML Analysis of melodyM Comp. Sc.Monash University1997198
MACLEOD, Andrew LachlanDe la sonorité [electronic resource] : the Bel canto flute method of Marcel MoyseMPhilUniversity of Queensland200949
MacGREGOR, Robert ColinThe design of computer-based composition software based on the intuitive symbolic representations of music by young children M.Ed (Hons)University of Wollongong1991130
MacARTHUR, Jirrah WalkerInterval restriction : a composition system and its automation MMusUniversity of Tasmania19991 vol + 2 cass
LYONS, Andrew D.Time space texture : an approach to audio-visual composition PhDUniversity of Sydney2003291 + 1 vid disk
LOVE, MartynCollective conceptualization: a methodology for contemporary film score composers: a portfolio of compositions (disposed as a film score) and exegesis.PhDUniversity of Adelaide2013245
LLOYD, John StanleyAn analysis of the artistic creative process : as experienced in the writing of an opera PhDUniversity of Technology Sydney20062 vol
LIVINGSTONE, Steven RChanging musical emotion through score and performance with a computational rule system [electronic resource]PhDUniversity of Queensland2008
LINTON, SeanThe Music of 'Are'are: Acoustemology, Environmental Influences and SustainabilityPhDUniversity of Otago2013325
LILE, TrudyCreating new standards : jazz arrangements of pop songs MMus PerfNZ School of Music (Victoria + Massey)2009328
LI, EvaHow does semantic language enhance the communicability of electroacoustic music?MMusUniversity of Auckland201345
LESLIE, WendyEvolution of a musical composition: a phenomenological studyMALaTrobe University1993164
LEE, Seung-YoonPerceptual and neural processing of consonance and dissonance in musicians and non-musicians : an ERP studyMScUniversity of Otago201165
LEE, Chyi-HueyThe role of piano pedalling in the context of piano triosDMAUniversity of Auckland2008138
LAZAR, EricA stylistic and historical analysis of left foot high hat techniques in Swing, Bebop, and Latin jazz drummingMMusUniversity of Sydney201047
LANDRY, ShaneBeyond Ideas: The Melodic Shapes in Selected Improvisations of Saxophonist David BinneyMMusUniversity of Sydney2014198
LANDESMAN, YossiAutomated genetic evolution of musical structures MITMonash University200765 + CD
LAKEMANN, Virginia KayePortfolio of original compositions and exegesis : an investigation of metrical contradiction, irregularity and ambiguity in music for senior secondary students and community purposesMMUSUniversity of Adelaide2012294
KYRIAKOU, Mary-AnneGuitar and light for solo guitar ; Betrayal, a new music-theatre work : exploring representations of self through the portrayal of women protagonistsMMus(Comp)University of Sydney200641 + 2 scores
KUO, ChristyA machine learning approach to music classificationMScUniversity of Waikato2005124
KNOPF, Michael DavidStyle and genre synthesis in music composition revealing and examining the craft and creative processes in composing poly-genre musicDMAGriffith University2011136
KNOPF, MichaelIllustrating the practice of composing with styles and genres; how a composer uses global, cultural & historical style and genre in creating new music + folio of compositionsDMAGriffith University2011136
KLEIN, Eve ElizabethThe pomegranate cycle : reconfiguring opera through performance, technology & compositionPhDQueensland University of Technology2011276 + 2 Discs
KILLIN, AntonProjects in cross-cultural music compositionMMusNZ School of Music (Victoria + Massey)20121 v. + 2 Discs
KHOO, Sui SinThe single hidden layer neural network based classifiers for Han Chinese folk songsPhDSwinburne University of Technology2013213
KELLER, Peter ErikAdaptive functions of meter in multipart musical rhythmPhDUniversity of NSW2000648
KAWAMOTO, TsubasaMasters portfolioMMusUniversity of Auckland20121 v. + DVD
KAUR, AmritaRāgamālā : a garland of architecture and musicMArch University of Auckland2015181 + soundfile
KAMINSKYJ, IanAutomatic recognition of musical instruments using isolated monophonic sounds PhDMonash University2004543
JORDAN, ClaireCompositions [and analysis]MMus(Comp)University of Sydney19978pp + 5 scores + cas
JENKINS, BradTensional processes and perception of form in three selected compositions by Kaija SaariahoMMAVictoria University of Wellington2014
JAYASINGHE, RohanThe application of serial technique to tonal music: the emancipation of consonancePhDUniversity of Queensland2011
JAMES, Stuart GeorgeSpectromorphology and spatiomorphology : wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domainPhDEdith Cowan University2015
JACKSON, LeighElements of jazzMMusMassey University2001144
ISTVANDITY, LaurenMusically Motivated Autobiographical Memories and the Lifetime SoundtrackPhDGriffith University2014280
IOLINI, Robert JohnSimultaneity in musicMAMacquarie University1998228: 2 vols + 2 CDs
INGS, WelbyTalking Pictures: a creative utilization of structural and aesthetic profiles from narrative music videos and television commercials in a non-spoken film text.PhDAuckland University of Technology2005423 + DVD
HUGHES, Anthony J.Keith Humble's twelve-tone compositional approach in the Eight Bagatelles for piano soloMALaTrobe University2001180
HOOPER, David JohannesFolio of compositions and critical commentaryPhDUniversity of Queensland2001264
HODGES, Glen John"Eyre," a three movement instrumental work for small chamber ensemble. (Original composition);MMOverseas1991117
HOCHENBAUM, Jordan. L'arte di interazione musicale : new musical possibilities through multimodal techniquesPhDNZ School of Music (Victoria + Massey)2013228
HIRST, David GodfreyDigital sound analysis and synthesis using the short-time Fourier transform [sound recording]MALaTrobe University19852 vol +1 tape
HIRST, DavidThe development of a cognitive framework for the analysis of acousmatic musicPhDUniversity of Melbourne2006235
HIRCHE, Kathryn LisaMeaningful musical engagement : the potential impact of generative music systems on learning experiencesMAQueensland University of Technology2011158
HILL, MatthewHit scrape click drag : analysis and application of compositional methodologies at the intersection of conserved and emergent technologiesPhDJames Cook University2007301 + CD Rom + DVD
HILL, Adam BrantleyThe cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process PhDUniversity of Tasmania2004239 + 2 CD
HEWITT, DonnaCompositions for voice and technology [+ Dissertation]PhDUniversity of Western Sydney2006178
HAYNES, David MatthewContext and process in arrangement and transcription for solo piano, left-hand alonePhDUniversity of NSW2005390
Harrison, Clive MaxwellA songwriter’s journey from little-c to pro-c creativity: an applied analytical autoethnographyPhDUniversity of Newcastle2016445
HARRIS, Wayne JohnThe automatic analysis of rhythm in keyboard music MScUniversity of Sydney1982129
HARRIS, Philip Geoffrey.Cortical activity associated with rhythmic grouping of pitch sequencesPhDSwinburne University of Technology2007312
HANDEL, AmandaMusic of balance: circles and squares [Portfolio of compositions]MA (Hons)University of Western Sydney2004110 + CD + DVD
HAMMOND, JaneAn exploration of the possibilities of generating music from text MAMonash University200671 + 2 CDs + 6 score
HALL, Phillip JeremyPortfolio of compositions and exegesis [music] : Leitmotifs and their developmentMMusUniversity of Adelaide200941 + CD
HAIR, Greta MaryTroped introits and communions from eleventh century Aquitaine manuscript Paris Bibliotheque Nationale fonds Latin 903: a study in musical reconstructionPhDUniversity of Sydney19883 vol
GREIG, RobbieA consciousness perspective on musical development : towards an integrative developmental theory of music based on the conceptual framework of Ken Wilber M.EdLaTrobe University1993108
GRAY, Janette MaryComposing music for childrenMMusUniversity of Sydney19744 vol
GOODWIN, RussellFurthering the understanding of indeterminacy in music compositionPhDMonash University200793 + 5 scores + 2 CD
GIOVINAZZO, JosephTimbral design of primary melody in the first movement of Bartok's concerto for orchestra and a folio of musical compositionsMALaTrobe University1992132
GIOVINAZZO, JosephAnalytical models of timbral architecture in music: an application to the orchestral miniatures of Igor StravinskyPhDLaTrobe University2001291
GILL, Brad Compositional technique and the exploration of spirituality in the music of Brad Gill + Folio of Original CompositionsPhDUniversity of Sydney2005114 + CDs
GIFFORD, TobyImprovisation in interactive music systemsPhDQueensland University of Technology2011205 + Disc
GERRARD, GraemeCOMPOST : a language for computer music composition - sound synthesis from spectral functions MALaTrobe University19862 vol + accompanying
GEAKE, JohnAn information processing study of individual differences in perception of pitch fluctuations in music.PhDUniversity of New England1996393
GAYLER, Ross WatsonDevelopment of a methodology and theoretical framework for melodic discriminationPhDUniversity of Queensland1987231
GARRETT, LindaMicro-intonation and the viola : a study of just intonation, the Pythagorean scale and equal temperament in relation to the performance of unaccompanied viola repertoireMPhil (perf)University of Queensland200632
GARD, StephenNasty Noises: 'Error' as a Compositional ElementMMus CompUniversity of Sydney200468 + 2 CD
GARCIA, ALStringshift : solo guitar improvisation : process, methodology and practiceUnknownUniversity of Tasmania2014
GALLACHER, LynetteWords under pressure: an investigation of compositional linguistics focussing on recent work by Chris MannPhDLaTrobe University1996217
GALEA, JeffGhana: the folk music of Malta influences on my musicMAUniversity of Wollongong200565 + 1 CD
FREER, NicholasEvening the odds : an analysis of methodologies used to generate harmonic rhythm in asymmetrical meters since the 1950s and their subsequent implications for contemporary improvisationMAMonash University201076 + CD
FREEMAN, Peter A.Neural networks in the analysis of music MMusUniversity of Queensland199485
FREEMAN, LliamDeveloping an improviser's "tool-kit" : exploring methodologies towards the development of improvisational skill and fluency in the performance of original work in jazz ensemble MAMonash University200656 + CD
FREDERICKS, Ian FrancisThe development and use of computational models of creative musical intelligence in the composition and realization of Death of a dragon, StarMist, Violins in space, and Spirals : 1998-March 2001 PhDUniversity of Sydney2005204 + 4 CDs
FRANKLIN, James AshleyCircles and arrows : an outline of a concept of musical metaanalysis and its implications MMusUniversity of Sydney1987142
FOX, RobinContingency and space as structural concerns in a folio of interactive electroacoustic compositions PhDMonash University200693 + DVD + ADAT Tape
FORSTER, RaymondAn investigation into a cohesive method of teaching jazz harmony and improvisation to elective music students in secondary schools using the basic principals of chord-scale theoryMMusUniversity of Sydney201091
FONG, Francis Kam-YuenA musical analysis of the Cantonese language and some implications in the classroom MMus Ed.University of Western Aust.1990173
FITZGERALD, Thomas ANew music composition for live performance and interactive multimediaDCAUniversity of Wollongong2004180 + 6 folios + 4 D
FIDDES, Andrew RossRHYTHMIC DEVICES WITHIN THE IMPROVISATION OF SCOTT TINKLERMMusUniversity of Sydney2016101
FANANY, RunaThe Devil’s Due: the musical representation of the Devil in selected Hollywood film scoresPhDMonash University2011320
FALEATUA, Andrew KelevaConstructing compositional concepts to exploit contemporary compositions MMusUniversity of Auckland201376
EVANS, SamuelRepresenting tabla music : defining an effective notation system for Indian tabla repertoire MAMonash University2010105 + DVD
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