FITZGERALD, Thomas A | New music composition for live performance and interactive multimedia | DCA | University of Wollongong | 2004 | 180 + 6 folios + 4 D |
GARD, Stephen | Nasty Noises: 'Error' as a Compositional Element | MMus Comp | University of Sydney | 2004 | 68 + 2 CD |
HANDEL, Amanda | Music of balance: circles and squares [Portfolio of compositions] | MA (Hons) | University of Western Sydney | 2004 | 110 + CD + DVD |
HILL, Adam Brantley | The cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process | PhD | University of Tasmania | 2004 | 239 + 2 CD |
CODDINGTON, Anna Pinenga | Singing as we speak? : an exploratory investigation of singing pronunciation in New Zealand popular music | MA | University of Auckland | 2004 | 135 |
KAMINSKYJ, Ian | Automatic recognition of musical instruments using isolated monophonic sounds | PhD | Monash University | 2004 | 543 |
BLINKHORN, Daniel | Extra-musical consequence : reconsidering antecedent/consequent motivations | MA | University of Wollongong | 2005 | 68 + 1 CD |
GALEA, Jeff | Ghana: the folk music of Malta influences on my music | MA | University of Wollongong | 2005 | 65 + 1 CD |
HAYNES, David Matthew | Context and process in arrangement and transcription for solo piano, left-hand alone | PhD | University of NSW | 2005 | 390 |
KUO, Christy | A machine learning approach to music classification | MSc | University of Waikato | 2005 | 124 |
McKERN, Brett M | The compositions of Brett M. McKern: to the greater glory of God | DCA | University of Wollongong | 2005 | 1 vid + CD |
RICKETSON, Damien | Curious noise: analytical notes | PhD | University of Sydney | 2005 | 119 + 5 scores + 2 C |
GILL, Brad | Compositional technique and the exploration of spirituality in the music of Brad Gill + Folio of Original Compositions | PhD | University of Sydney | 2005 | 114 + CDs |
FREDERICKS, Ian Francis | The development and use of computational models of creative musical intelligence in the composition and realization of Death of a dragon, StarMist, Violins in space, and Spirals : 1998-March 2001 | PhD | University of Sydney | 2005 | 204 + 4 CDs |
INGS, Welby | Talking Pictures: a creative utilization of structural and aesthetic profiles from narrative music videos and television commercials in a non-spoken film text. | PhD | Auckland University of Technology | 2005 | 423 + DVD |
SIMMERMACHER, Christian | Detecting instruments in classical music : a view on timbre, musical features, and classification | MSc | University of Otago | 2005 | 85 |
BELLMANN, Hector Guillermo | Toward a scientific taxonomy of musical styles | M.Inf.Tech (Research) | Queensland University of Technology | 2006 | 183 |
BURRASTON, David M | Generative music and cellular automata | PhD | University of Technology Sydney | 2006 | 211 + CD-Rom |
GARRETT, Linda | Micro-intonation and the viola : a study of just intonation, the Pythagorean scale and equal temperament in relation to the performance of unaccompanied viola repertoire | MPhil (perf) | University of Queensland | 2006 | 32 |
HIRST, David | The development of a cognitive framework for the analysis of acousmatic music | PhD | University of Melbourne | 2006 | 235 |
KYRIAKOU, Mary-Anne | Guitar and light for solo guitar ; Betrayal, a new music-theatre work : exploring representations of self through the portrayal of women protagonists | MMus(Comp) | University of Sydney | 2006 | 41 + 2 scores |
LLOYD, John Stanley | An analysis of the artistic creative process : as experienced in the writing of an opera | PhD | University of Technology Sydney | 2006 | 2 vol |
McNAMARA, Peter | Portfolio of Compositions + Stretching the boundaries of listening : changing microtonal aesthetics in the late twentieth century | MMus(Comp) | University of Sydney | 2006 | 4 vol + 86 + CD |
McPHERSON, John | Co-ordinating knowledge to improve optical music recognition | PhD | University of Waikato | 2006 | 172 |
PAGE, Rosalind | Poetics of allegory and number in the compositions of Rosalind Page | PhD | University of Sydney | 2006 | 148 + 2 CDs - DVD = |
WHITE, Melita | Music composition as an expression of research in feminist theory | MA | Monash University | 2006 | 2 vol + CD |
HEWITT, Donna | Compositions for voice and technology [+ Dissertation] | PhD | University of Western Sydney | 2006 | 178 |
HAMMOND, Jane | An exploration of the possibilities of generating music from text | MA | Monash University | 2006 | 71 + 2 CDs + 6 score |
FOX, Robin | Contingency and space as structural concerns in a folio of interactive electroacoustic compositions | PhD | Monash University | 2006 | 93 + DVD + ADAT Tape |
FREEMAN, Lliam | Developing an improviser's "tool-kit" : exploring methodologies towards the development of improvisational skill and fluency in the performance of original work in jazz ensemble | MA | Monash University | 2006 | 56 + CD |
MYERS, Peter | Directed harmonic and melodic motion, pitch structures and compositional determinants : a folio of original compositions and a critical commentary | PhD | Monash University | 2006 | 189 + 5 scores + CD |
SOH, Chew May | Classifying music performance using k-nearest neighbor classification | MIT | Monash University | 2006 | 157 |
BURT, Warren | Algorithms, Microtonality, Performance: Eleven Musical Compositions | PhD | University of Wollongong | 2007 | 301 + 2 CDs + DVD |
CHAPMAN, Jim (James Norman) | Afro No-Clash: Composing syncretic African/Western music: Eleven Compositions and frameworks for their systematic analysis | PhD | Queensland University of Technology | 2007 | 2v (225 + 237) + 1CD |
DUNCAN, Wayne | Portfolio of Original Compositions | PhD | University of Adelaide | 2007 | 322 |
HARRIS, Philip Geoffrey. | Cortical activity associated with rhythmic grouping of pitch sequences | PhD | Swinburne University of Technology | 2007 | 312 |
NG, Kwok Wai | The modes of tōgaku from Tang-period China to modern Japan : focusing on the ōshikichō, banshikichō and hyōjō modal categories | PhD | University of Sydney | 2007 | 2 v |
PERTOUT, Andrián | Three microtonal compositions : the utilization of tuning systems in modern composition | PhD | University of Melbourne | 2007 | 3 vol + 4 CD-Rom |
WEEKES, Diana K. | Twistonality: A Personal Exploration: portfolio of original compositions and exegesis | PhD (Comp) | University of Adelaide | 2007 | 3 vol |
BLINKHORN, Daniel | New music composition in computer-assisted environments | DCA | University of Wollongong | 2007 | 134 + 14 CDs |
BROWNLEE, Philip | PhD in composition [Part 1. Folio of compositions -- Part 2. Structural functions of timbre in selected works of Philip Brownlee] | PhD | Victoria University of Wellington | 2007 | |
WATSON, Christopher | The effects of music notation software on compositional practices and outcomes [+ Composition Folio] | PhD | Victoria University of Wellington | 2007 | 2 vol |
GOODWIN, Russell | Furthering the understanding of indeterminacy in music composition | PhD | Monash University | 2007 | 93 + 5 scores + 2 CD |
LANDESMAN, Yossi | Automated genetic evolution of musical structures | MIT | Monash University | 2007 | 65 + CD |
CHUA, Bee Yong | Automatic extraction of perceptual features and categorization of music emotional expressions from polyphonic music audio signals | PhD | Monash University | 2007 | 171 |
WALLACE, Michael | Unifying composition and improvisation : applying Bob Brookmeyer's pitch module concept to composition and improvisation | MA | Monash University | 2007 | 76 + cd |
CZAPLOWSKI, Philip | The use of multiple styles as a compositional approach | PhD | Monash University | 2007 | 2 vol + CD |
HILL, Matthew | Hit scrape click drag : analysis and application of compositional methodologies at the intersection of conserved and emergent technologies | PhD | James Cook University | 2007 | 301 + CD Rom + DVD |
MARTIN, Peter | Writing for guitar groups with and without orchestra | PhD | Southern Cross University | 2007 | 136 |
YOUNG, David | Folio & Commentary: Thousands of Bundled Straw, Skin Quartet & the Val Camonica Pieces | PhD | University of Queensland | 2007 (NyiC) | 93 + Folio 380pp + D |
WOOD, Callie | Portfolio of compositions and exegesis: composing for a choral spectrum | MMus | University of Adelaide | 2008 | 285 2 vol |
LEE, Chyi-Huey | The role of piano pedalling in the context of piano trios | DMA | University of Auckland | 2008 | 138 |
UNKOVICH, Yuri | Tracing the synthetic voice : contrapuntal textures of five or more parts in the works of J.S. Bach | PhD | University of Auckland | 2008 | 219 |
ANDERSON, Justine | Finding a voice : age, competition and mastery in singing : a discussion of the challenges that a singer faces in endeavouring to master the voice and enter the singing profession | M.Mus. | University of Melbourne | 2008 | 45 |
SCULLY, Lesa Jane | The maturing trumpeter [manuscript] : an insight to the physicality, mentality and practicality of the twenty first century performing trumpeter | MCA | University of Newcastle | 2008 | 82 + 2 CDs |
LIVINGSTONE, Steven R | Changing musical emotion through score and performance with a computational rule system [electronic resource] | PhD | University of Queensland | 2008 | |
McLEOD, Philip | Fast, accurate pitch detection tools for music analysis | PhD | University of Otago | 2008 | 181 |
Monro, Gordon P | Portfolio of Audio-visual Compositions: Accompanying Notes + The Concept of Emergence in Generative Art | MMus (Comp) | University of Sydney | 2008 (nyiC) | 20 + DVD-audio + 2 D |
BARKL, Michael Laurence Gordon | Pure data as a Meta-Compositional Instrument | DCA | University of Wollongong | 2009 | 133 + CD |
LILE, Trudy | Creating new standards : jazz arrangements of pop songs | MMus Perf | NZ School of Music (Victoria + Massey) | 2009 | 328 |
MACLEOD, Andrew Lachlan | De la sonorité [electronic resource] : the Bel canto flute method of Marcel Moyse | MPhil | University of Queensland | 2009 | 49 |
MILLHOUSE, Thomas J | Auditory-acoustic characterisation of variability in the operatic vowel | PhD | University of Sydney | 2009 | 138 |
HALL, Phillip Jeremy | Portfolio of compositions and exegesis [music] : Leitmotifs and their development | MMus | University of Adelaide | 2009 | 41 + CD |
CHI, Jasmine Yi-Tzu | Creative process in electroacoustic music with live acoustic performance composition : an observation on sound and the performer's gesture | MMus(Composition) | University of Auckland | 2009 | 30 + DVD |
BOUNDS, Carolyn Z | Performing flute music of the French Baroque : an approach for modern flautists [manuscript] | MA | University of Newcastle | 2010 | 126 |
BYRNE, Timothy Francis | Aspects of technique in Dvořák’s cello concerto [electronic resource] : an approach based on a comparative study of relevant treatises | MPhil | University of Queensland | 2010 | 57 |
FORSTER, Raymond | An investigation into a cohesive method of teaching jazz harmony and improvisation to elective music students in secondary schools using the basic principals of chord-scale theory | MMus | University of Sydney | 2010 | 91 |
ROPA, Vanessa Jane | The importance of understanding the mechanisms underlying breathing, posture and embouchure for tertiary flute and wind music students | MMus | University of Sydney | 2010 | 66 |
LAZAR, Eric | A stylistic and historical analysis of left foot high hat techniques in Swing, Bebop, and Latin jazz drumming | MMus | University of Sydney | 2010 | 47 |
TURNER, Gemma Bernadette | Body movement and sound intensity in Western contemporary popular singing | PhD | University of Sydney | 2010 | 261 + 1 CD + 1 DVD |
EVANS, Samuel | Representing tabla music : defining an effective notation system for Indian tabla repertoire | MA | Monash University | 2010 | 105 + DVD |
FREER, Nicholas | Evening the odds : an analysis of methodologies used to generate harmonic rhythm in asymmetrical meters since the 1950s and their subsequent implications for contemporary improvisation | MA | Monash University | 2010 | 76 + CD |
SHEN, Nalin | The integration of Chinese opera traditions into new musical compositions | PhD | Victoria University of Wellington | 2010 | 349 + 3 Discs |
AUÉ, Johannes | (E)merging idioms [music] : integrating jazz and classical ensembles : portfilio of compositions and exegesis | MMus | University of Adelaide | 2010 | 240 + CD |
BETTS, Catherine | Reading the signs : assessing the salience of percussion symbols for use in percussion notation | MMus | University of Western Aust. | 2010 | 73 |
MORPHETT, Jason | Freedom through discipline : the use of rhythmic devices in the music of Mark Simmonds / Jason Morphett | MMus. | University of Sydney | 2010 | 73 |
TAYLOR, Sarah Elizabeth | The cinematic aspects of electroacoustic music | MMus | Victoria University of Wellington | 2010 | 39 |
SONG, Sun-Ju | Music analysis and the avant-garde compositions of post-world war II: four case studies | PhD | Griffith University | 2011 | 2 v. |
KNOPF, Michael | Illustrating the practice of composing with styles and genres; how a composer uses global, cultural & historical style and genre in creating new music + folio of compositions | DMA | Griffith University | 2011 | 136 |
FANANY, Runa | The Devil’s Due: the musical representation of the Devil in selected Hollywood film scores | PhD | Monash University | 2011 | 320 |
ADENEY, Roland William | The HarmonyGrid : music, space and performance in grid music systems | PhD | Queensland University of Technology | 2011 | 256 + Disc |
GIFFORD, Toby | Improvisation in interactive music systems | PhD | Queensland University of Technology | 2011 | 205 + Disc |
KLEIN, Eve Elizabeth | The pomegranate cycle : reconfiguring opera through performance, technology & composition | PhD | Queensland University of Technology | 2011 | 276 + 2 Discs |
HIRCHE, Kathryn Lisa | Meaningful musical engagement : the potential impact of generative music systems on learning experiences | MA | Queensland University of Technology | 2011 | 158 |
SHELTON, Robert James | A lock-free environment for computer music : concurrent components for computer supported cooperative work | PhD | University of Melbourne | 2011 | 315 |
LEE, Seung-Yoon | Perceptual and neural processing of consonance and dissonance in musicians and non-musicians : an ERP study | MSc | University of Otago | 2011 | 65 |
TERZER, Armin | Transcribing symphonic repertoire for eight horns principles and process leading from sources of inspiration and final product | DMA | Griffith University | 2011 | |
KNOPF, Michael David | Style and genre synthesis in music composition revealing and examining the craft and creative processes in composing poly-genre music | DMA | Griffith University | 2011 | 136 |
JAYASINGHE, Rohan | The application of serial technique to tonal music: the emancipation of consonance | PhD | University of Queensland | 2011 | |
RUSHFORD, James Patrick | Grounding sound, distilling time: models of stasis in recent compositional frameworks | MMus | University of Melbourne | 2011 | 37 |
VIGGERS, Elisabeth | Connections: nothing exists in isolation | MSD (Sound Design) | University of Melbourne | 2011 | |
BELLMANN, Héctor G. | Categorization of tonal music style: a quantitative investigation | PhD | Griffith University | 2012 | 282 |
KILLIN, Anton | Projects in cross-cultural music composition | MMus | NZ School of Music (Victoria + Massey) | 2012 | 1 v. + 2 Discs |
LAKEMANN, Virginia Kaye | Portfolio of original compositions and exegesis : an investigation of metrical contradiction, irregularity and ambiguity in music for senior secondary students and community purposes | MMUS | University of Adelaide | 2012 | 294 |
KAWAMOTO, Tsubasa | Masters portfolio | MMus | University of Auckland | 2012 | 1 v. + DVD |
McLENNAN-KISSEL, Paul | Onsombil | MMus | University of Otago | 2012 | 61 + CD |
QUINTO, Lena Rachel | The communication of emotion in music : understanding the contributions of composition and performance | PhD | Macquarie University | 2012 | 1 vol |
MULDER, Johannes | Making Things Louder: Amplified Music and Multimodality | PhD | University of Technology Sydney | 2012 | 395 |
SMITH, Peter Anthony | Computer Aided Statistical Analysis of Motive Use and Compositional Idiom | MMus | University of Sydney | 2012 | 83 |
CARROLL, Adrian D. | Beat-mixing Rock music : Rock and electronic dance music merge to create the Manarays | M.A | Queensland University of Technology | 2012 | 118 |