WriterThesis TitleDegreeUniversityYearsort icon# of Pages
FITZGERALD, Thomas ANew music composition for live performance and interactive multimediaDCAUniversity of Wollongong2004180 + 6 folios + 4 D
GARD, StephenNasty Noises: 'Error' as a Compositional ElementMMus CompUniversity of Sydney200468 + 2 CD
HANDEL, AmandaMusic of balance: circles and squares [Portfolio of compositions]MA (Hons)University of Western Sydney2004110 + CD + DVD
HILL, Adam BrantleyThe cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process PhDUniversity of Tasmania2004239 + 2 CD
CODDINGTON, Anna PinengaSinging as we speak? : an exploratory investigation of singing pronunciation in New Zealand popular music MAUniversity of Auckland2004135
KAMINSKYJ, IanAutomatic recognition of musical instruments using isolated monophonic sounds PhDMonash University2004543
BLINKHORN, DanielExtra-musical consequence : reconsidering antecedent/consequent motivations MAUniversity of Wollongong200568 + 1 CD
GALEA, JeffGhana: the folk music of Malta influences on my musicMAUniversity of Wollongong200565 + 1 CD
HAYNES, David MatthewContext and process in arrangement and transcription for solo piano, left-hand alonePhDUniversity of NSW2005390
KUO, ChristyA machine learning approach to music classificationMScUniversity of Waikato2005124
McKERN, Brett MThe compositions of Brett M. McKern: to the greater glory of God DCAUniversity of Wollongong20051 vid + CD
RICKETSON, DamienCurious noise: analytical notesPhDUniversity of Sydney2005119 + 5 scores + 2 C
GILL, Brad Compositional technique and the exploration of spirituality in the music of Brad Gill + Folio of Original CompositionsPhDUniversity of Sydney2005114 + CDs
FREDERICKS, Ian FrancisThe development and use of computational models of creative musical intelligence in the composition and realization of Death of a dragon, StarMist, Violins in space, and Spirals : 1998-March 2001 PhDUniversity of Sydney2005204 + 4 CDs
INGS, WelbyTalking Pictures: a creative utilization of structural and aesthetic profiles from narrative music videos and television commercials in a non-spoken film text.PhDAuckland University of Technology2005423 + DVD
SIMMERMACHER, ChristianDetecting instruments in classical music : a view on timbre, musical features, and classification MScUniversity of Otago200585
BELLMANN, Hector GuillermoToward a scientific taxonomy of musical stylesM.Inf.Tech (Research)Queensland University of Technology2006183
BURRASTON, David MGenerative music and cellular automataPhDUniversity of Technology Sydney2006211 + CD-Rom
GARRETT, LindaMicro-intonation and the viola : a study of just intonation, the Pythagorean scale and equal temperament in relation to the performance of unaccompanied viola repertoireMPhil (perf)University of Queensland200632
HIRST, DavidThe development of a cognitive framework for the analysis of acousmatic musicPhDUniversity of Melbourne2006235
KYRIAKOU, Mary-AnneGuitar and light for solo guitar ; Betrayal, a new music-theatre work : exploring representations of self through the portrayal of women protagonistsMMus(Comp)University of Sydney200641 + 2 scores
LLOYD, John StanleyAn analysis of the artistic creative process : as experienced in the writing of an opera PhDUniversity of Technology Sydney20062 vol
McNAMARA, PeterPortfolio of Compositions + Stretching the boundaries of listening : changing microtonal aesthetics in the late twentieth century MMus(Comp)University of Sydney20064 vol + 86 + CD
McPHERSON, JohnCo-ordinating knowledge to improve optical music recognitionPhDUniversity of Waikato2006172
PAGE, RosalindPoetics of allegory and number in the compositions of Rosalind Page PhDUniversity of Sydney2006148 + 2 CDs - DVD =
WHITE, MelitaMusic composition as an expression of research in feminist theoryMAMonash University20062 vol + CD
HEWITT, DonnaCompositions for voice and technology [+ Dissertation]PhDUniversity of Western Sydney2006178
HAMMOND, JaneAn exploration of the possibilities of generating music from text MAMonash University200671 + 2 CDs + 6 score
FOX, RobinContingency and space as structural concerns in a folio of interactive electroacoustic compositions PhDMonash University200693 + DVD + ADAT Tape
FREEMAN, LliamDeveloping an improviser's "tool-kit" : exploring methodologies towards the development of improvisational skill and fluency in the performance of original work in jazz ensemble MAMonash University200656 + CD
MYERS, PeterDirected harmonic and melodic motion, pitch structures and compositional determinants : a folio of original compositions and a critical commentary PhDMonash University2006189 + 5 scores + CD
SOH, Chew MayClassifying music performance using k-nearest neighbor classification MITMonash University2006157
BURT, WarrenAlgorithms, Microtonality, Performance: Eleven Musical CompositionsPhDUniversity of Wollongong2007301 + 2 CDs + DVD
CHAPMAN, Jim (James Norman)Afro No-Clash: Composing syncretic African/Western music: Eleven Compositions and frameworks for their systematic analysisPhDQueensland University of Technology20072v (225 + 237) + 1CD
DUNCAN, WaynePortfolio of Original Compositions PhDUniversity of Adelaide2007322
HARRIS, Philip Geoffrey.Cortical activity associated with rhythmic grouping of pitch sequencesPhDSwinburne University of Technology2007312
NG, Kwok WaiThe modes of tōgaku from Tang-period China to modern Japan : focusing on the ōshikichō, banshikichō and hyōjō modal categories PhDUniversity of Sydney20072 v
PERTOUT, AndriánThree microtonal compositions : the utilization of tuning systems in modern composition PhDUniversity of Melbourne20073 vol + 4 CD-Rom
WEEKES, Diana K.Twistonality: A Personal Exploration: portfolio of original compositions and exegesisPhD (Comp)University of Adelaide20073 vol
BLINKHORN, DanielNew music composition in computer-assisted environmentsDCAUniversity of Wollongong2007134 + 14 CDs
BROWNLEE, PhilipPhD in composition [Part 1. Folio of compositions -- Part 2. Structural functions of timbre in selected works of Philip Brownlee]PhDVictoria University of Wellington2007
WATSON, ChristopherThe effects of music notation software on compositional practices and outcomes [+ Composition Folio]PhDVictoria University of Wellington20072 vol
GOODWIN, RussellFurthering the understanding of indeterminacy in music compositionPhDMonash University200793 + 5 scores + 2 CD
LANDESMAN, YossiAutomated genetic evolution of musical structures MITMonash University200765 + CD
CHUA, Bee YongAutomatic extraction of perceptual features and categorization of music emotional expressions from polyphonic music audio signals PhDMonash University2007171
WALLACE, MichaelUnifying composition and improvisation : applying Bob Brookmeyer's pitch module concept to composition and improvisation MAMonash University200776 + cd
CZAPLOWSKI, PhilipThe use of multiple styles as a compositional approach PhDMonash University20072 vol + CD
HILL, MatthewHit scrape click drag : analysis and application of compositional methodologies at the intersection of conserved and emergent technologiesPhDJames Cook University2007301 + CD Rom + DVD
MARTIN, PeterWriting for guitar groups with and without orchestraPhDSouthern Cross University2007136
YOUNG, DavidFolio & Commentary: Thousands of Bundled Straw, Skin Quartet & the Val Camonica PiecesPhDUniversity of Queensland2007 (NyiC)93 + Folio 380pp + D
WOOD, CalliePortfolio of compositions and exegesis: composing for a choral spectrum MMusUniversity of Adelaide2008285 2 vol
LEE, Chyi-HueyThe role of piano pedalling in the context of piano triosDMAUniversity of Auckland2008138
UNKOVICH, YuriTracing the synthetic voice : contrapuntal textures of five or more parts in the works of J.S. BachPhDUniversity of Auckland2008219
ANDERSON, JustineFinding a voice : age, competition and mastery in singing : a discussion of the challenges that a singer faces in endeavouring to master the voice and enter the singing profession M.Mus.University of Melbourne200845
SCULLY, Lesa JaneThe maturing trumpeter [manuscript] : an insight to the physicality, mentality and practicality of the twenty first century performing trumpeterMCAUniversity of Newcastle200882 + 2 CDs
LIVINGSTONE, Steven RChanging musical emotion through score and performance with a computational rule system [electronic resource]PhDUniversity of Queensland2008
McLEOD, PhilipFast, accurate pitch detection tools for music analysisPhDUniversity of Otago2008181
Monro, Gordon PPortfolio of Audio-visual Compositions: Accompanying Notes + The Concept of Emergence in Generative ArtMMus (Comp)University of Sydney2008 (nyiC)20 + DVD-audio + 2 D
BARKL, Michael Laurence GordonPure data as a Meta-Compositional InstrumentDCAUniversity of Wollongong2009133 + CD
LILE, TrudyCreating new standards : jazz arrangements of pop songs MMus PerfNZ School of Music (Victoria + Massey)2009328
MACLEOD, Andrew LachlanDe la sonorité [electronic resource] : the Bel canto flute method of Marcel MoyseMPhilUniversity of Queensland200949
MILLHOUSE, Thomas JAuditory-acoustic characterisation of variability in the operatic vowelPhDUniversity of Sydney2009138
HALL, Phillip JeremyPortfolio of compositions and exegesis [music] : Leitmotifs and their developmentMMusUniversity of Adelaide200941 + CD
CHI, Jasmine Yi-TzuCreative process in electroacoustic music with live acoustic performance composition : an observation on sound and the performer's gestureMMus(Composition)University of Auckland200930 + DVD
BOUNDS, Carolyn ZPerforming flute music of the French Baroque : an approach for modern flautists [manuscript]MAUniversity of Newcastle2010126
BYRNE, Timothy FrancisAspects of technique in Dvořák’s cello concerto [electronic resource] : an approach based on a comparative study of relevant treatisesMPhilUniversity of Queensland201057
FORSTER, RaymondAn investigation into a cohesive method of teaching jazz harmony and improvisation to elective music students in secondary schools using the basic principals of chord-scale theoryMMusUniversity of Sydney201091
ROPA, Vanessa JaneThe importance of understanding the mechanisms underlying breathing, posture and embouchure for tertiary flute and wind music studentsMMusUniversity of Sydney201066
LAZAR, EricA stylistic and historical analysis of left foot high hat techniques in Swing, Bebop, and Latin jazz drummingMMusUniversity of Sydney201047
TURNER, Gemma BernadetteBody movement and sound intensity in Western contemporary popular singingPhDUniversity of Sydney2010261 + 1 CD + 1 DVD
EVANS, SamuelRepresenting tabla music : defining an effective notation system for Indian tabla repertoire MAMonash University2010105 + DVD
FREER, NicholasEvening the odds : an analysis of methodologies used to generate harmonic rhythm in asymmetrical meters since the 1950s and their subsequent implications for contemporary improvisationMAMonash University201076 + CD
SHEN, NalinThe integration of Chinese opera traditions into new musical compositionsPhDVictoria University of Wellington2010349 + 3 Discs
AUÉ, Johannes(E)merging idioms [music] : integrating jazz and classical ensembles : portfilio of compositions and exegesisMMusUniversity of Adelaide2010240 + CD
BETTS, CatherineReading the signs : assessing the salience of percussion symbols for use in percussion notationMMusUniversity of Western Aust.201073
MORPHETT, JasonFreedom through discipline : the use of rhythmic devices in the music of Mark Simmonds /​ Jason MorphettMMus.University of Sydney201073
TAYLOR, Sarah ElizabethThe cinematic aspects of electroacoustic musicMMusVictoria University of Wellington201039
SONG, Sun-JuMusic analysis and the avant-garde compositions of post-world war II: four case studiesPhDGriffith University20112 v.
KNOPF, MichaelIllustrating the practice of composing with styles and genres; how a composer uses global, cultural & historical style and genre in creating new music + folio of compositionsDMAGriffith University2011136
FANANY, RunaThe Devil’s Due: the musical representation of the Devil in selected Hollywood film scoresPhDMonash University2011320
ADENEY, Roland WilliamThe HarmonyGrid : music, space and performance in grid music systemsPhDQueensland University of Technology2011256 + Disc
GIFFORD, TobyImprovisation in interactive music systemsPhDQueensland University of Technology2011205 + Disc
KLEIN, Eve ElizabethThe pomegranate cycle : reconfiguring opera through performance, technology & compositionPhDQueensland University of Technology2011276 + 2 Discs
HIRCHE, Kathryn LisaMeaningful musical engagement : the potential impact of generative music systems on learning experiencesMAQueensland University of Technology2011158
SHELTON, Robert JamesA lock-free environment for computer music : concurrent components for computer supported cooperative workPhDUniversity of Melbourne2011315
LEE, Seung-YoonPerceptual and neural processing of consonance and dissonance in musicians and non-musicians : an ERP studyMScUniversity of Otago201165
TERZER, ArminTranscribing symphonic repertoire for eight horns principles and process leading from sources of inspiration and final productDMAGriffith University2011
KNOPF, Michael DavidStyle and genre synthesis in music composition revealing and examining the craft and creative processes in composing poly-genre musicDMAGriffith University2011136
JAYASINGHE, RohanThe application of serial technique to tonal music: the emancipation of consonancePhDUniversity of Queensland2011
RUSHFORD, James PatrickGrounding sound, distilling time: models of stasis in recent compositional frameworksMMusUniversity of Melbourne201137
VIGGERS, ElisabethConnections: nothing exists in isolationMSD (Sound Design)University of Melbourne2011
BELLMANN, Héctor G.Categorization of tonal music style: a quantitative investigationPhDGriffith University2012282
KILLIN, AntonProjects in cross-cultural music compositionMMusNZ School of Music (Victoria + Massey)20121 v. + 2 Discs
LAKEMANN, Virginia KayePortfolio of original compositions and exegesis : an investigation of metrical contradiction, irregularity and ambiguity in music for senior secondary students and community purposesMMUSUniversity of Adelaide2012294
KAWAMOTO, TsubasaMasters portfolioMMusUniversity of Auckland20121 v. + DVD
McLENNAN-KISSEL, PaulOnsombilMMusUniversity of Otago201261 + CD
QUINTO, Lena RachelThe communication of emotion in music : understanding the contributions of composition and performancePhDMacquarie University20121 vol
MULDER, JohannesMaking Things Louder: Amplified Music and MultimodalityPhDUniversity of Technology Sydney2012395
SMITH, Peter AnthonyComputer Aided Statistical Analysis of Motive Use and Compositional IdiomMMusUniversity of Sydney201283
CARROLL, Adrian D.Beat-mixing Rock music : Rock and electronic dance music merge to create the ManaraysM.AQueensland University of Technology2012118
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