| CODDINGTON, Anna Pinenga | Singing as we speak? : an exploratory investigation of singing pronunciation in New Zealand popular music | MA | University of Auckland | 2004 | 135 |
| LEE, Chyi-Huey | The role of piano pedalling in the context of piano trios | DMA | University of Auckland | 2008 | 138 |
| UNKOVICH, Yuri | Tracing the synthetic voice : contrapuntal textures of five or more parts in the works of J.S. Bach | PhD | University of Auckland | 2008 | 219 |
| KAWAMOTO, Tsubasa | Masters portfolio | MMus | University of Auckland | 2012 | 1 v. + DVD |
| CHI, Jasmine Yi-Tzu | Creative process in electroacoustic music with live acoustic performance composition : an observation on sound and the performer's gesture | MMus(Composition) | University of Auckland | 2009 | 30 + DVD |
| FALEATUA, Andrew Keleva | Constructing compositional concepts to exploit contemporary compositions | MMus | University of Auckland | 2013 | 76 |
| LI, Eva | How does semantic language enhance the communicability of electroacoustic music? | MMus | University of Auckland | 2013 | 45 |
| WOODLEY, Kathleen Frances | Voice science and vocal pedagogy : joining the dots | MMus | University of Auckland | 2014 | 277 |
| BAYNES, Mark Edward | Analytic, descriptive, and prescriptive components of evolving jazz : a new model based on the works of Brad Mehldau | DMA | University of Auckland | 2015 | 229 |
| KAUR, Amrita | Rāgamālā : a garland of architecture and music | MArch | University of Auckland | 2015 | 181 + soundfile |
| RICHARDS, Wendy | Music literacy, music braille, and audiation : towards a new pedagogy | MMus | University of Auckland | 2016 | 135 |
| DERRICK, Reuben George | Acoustic illuminations: recorded space as soundscape composition | PhD | University of Canterbury | 2014 | |
| CHAPLIN, Peter | Folio of compositions and analyses | MMus | University of Melbourne | 1986 | 7 vol + tape |
| BAKER, Amanda | Composing with computers: aesthetics, methods and music | MMus | University of Melbourne | 1988 | 143 |
| CASTEELS, Robert | Berlayar ke mata hari (Set sail to the sun) : a folio of original compositions comprising the use of gamelan instruments with related exegesis | PhD | University of Melbourne | 2003 | 2 vol + 3 CD-Roms |
| CATRICE, Andre | Portfolio of compositions and analysis | MMus | University of Melbourne | 1989 | 8 vol |
| DENCH, Chris | Towards an ethics of musical composition | MMus | University of Melbourne | 1998 | 73 |
| HIRST, David | The development of a cognitive framework for the analysis of acousmatic music | PhD | University of Melbourne | 2006 | 235 |
| McDONALD, Grantley | "Orpheus Germanicus:" Metrical Music and the Reception of Marsilio Ficino's Poetics and Music Theory in Renaissance Germany | PhD | University of Melbourne | 2002 | 902 |
| PERISSINOTTO, Dominic | A Survey of intabulation techniques in keyboard music of sixteenth-century Spain | MMus | University of Melbourne | 2002 | 105 |
| PERTOUT, Andrián | Three microtonal compositions : the utilization of tuning systems in modern composition | PhD | University of Melbourne | 2007 | 3 vol + 4 CD-Rom |
| PETHERICK, Bruce | Orchestration treatises of the 19th and early 20th centuries | MMus | University of Melbourne | withdrawn c.2006 | |
| Anon | MelodicMatch - Music Analysis Software for the 21st Century | PhD | University of Melbourne | in progress (2006) | |
| REINER, Thomas | Semiotic model of musical time | PhD | University of Melbourne | 1995 | 205 |
| ANDERSON, Justine | Finding a voice : age, competition and mastery in singing : a discussion of the challenges that a singer faces in endeavouring to master the voice and enter the singing profession | M.Mus. | University of Melbourne | 2008 | 45 |
| SHELTON, Robert James | A lock-free environment for computer music : concurrent components for computer supported cooperative work | PhD | University of Melbourne | 2011 | 315 |
| PRAKHOFF, Belinda Marie | Music from the inside: emotional expression and the understanding listener | PhD | University of Melbourne | 2013 | 239 |
| NOACK, Phillip J. | Folio of compositions | MMus | University of Melbourne | 2012 | |
| RUSHFORD, James Patrick | Grounding sound, distilling time: models of stasis in recent compositional frameworks | MMus | University of Melbourne | 2011 | 37 |
| STEFFEN, Darren William | Simple subtle sustained waveforms and the notion of comfort in a new approach to creating an immersive, interactive sound installation | MA(Sound Design) | University of Melbourne | 2012 | 59p + 1CD |
| MARCO, David John-Tom | Familiarity and the perception of dissonance in musical intervals and chords | PhD | University of Melbourne | 2014 | |
| VIGGERS, Elisabeth | Connections: nothing exists in isolation | MSD (Sound Design) | University of Melbourne | 2011 | |
| PERKINS, Andrew Michael Ellis | From Pentecost to Dodecaphony | PhD | University of Melbourne | 2013 | 239 |
| VIGGIANI, Mark | Folio of original compositions 2009 - 2012 | PhD | University of Melbourne | 2013 | |
| CHALABI, Karen Louise | The architecture of spirit : a phenomenological study of archetypal forces in Eastern European flute repertoire. | PhD | University of Melbourne | 2014 | 271 |
| ROBINSON, Camille | Listening art: making sonic artworks that critique listening | PhD | University of Melbourne | 2016 | 195 |
| WILLIAMS, Michael Francis | Composition Portfolio | PhD | University of Melbourne | 2014 | |
| CAMPBELL, Steven James | The application in original musical compositions of algorithms within four music composition software programs and the development of composition algorithms within Phrase Garden, an original music composition software program | PhD | University of New England | 1997 | 355 |
| GEAKE, John | An information processing study of individual differences in perception of pitch fluctuations in music. | PhD | University of New England | 1996 | 393 |
| McGARITY, Gregory Melville | "Musical semiology reconstructed" : an inquiry into the social, philosophical and theoretical context of the science of semiology ; the development of musical semiology and its relationship to musical analysis ; leading to analysis of selected Mozart compositions (K.550, K.515 & K.379). | MMus(hons) | University of New England | 2000 | 181 |
| WARD, Anthony McKenna | A miniature orchestra: a study in the aesthetics of guitar transcription | MMus(hons) | University of New England | 1999 | 161 |
| ROBERTS, CJ | How the pianist's touch affects tone quality: A review of performance-based and scientific literature with applications to piano practice and performance | PhD | University of New England | 2015 | |
| McFADDEN, Allan | Kiss kiss, China doll [Creation of an opera: Kiss kiss, China doll] | MCA | University of Newcastle | 2000 | 5 voll + 3 CDs |
| MUNRO, Ian | Musical conversations | MCA | University of Newcastle | 2003 | 74 |
| PARKER, Tracey | Discovering a personal compositional process | MCA | University of Newcastle | 2003 | 89 |
| SULLIVAN, Yvette | The influence of individual differences on the planning processes of musicians learning traditionally and non-traditionally notated scores | M.Ed | University of Newcastle | 1997 | 133 |
| BOUNDS, Carolyn Z | Performing flute music of the French Baroque : an approach for modern flautists [manuscript] | MA | University of Newcastle | 2010 | 126 |
| SCULLY, Lesa Jane | The maturing trumpeter [manuscript] : an insight to the physicality, mentality and practicality of the twenty first century performing trumpeter | MCA | University of Newcastle | 2008 | 82 + 2 CDs |
| SAUNDERS, Scott | "Towards an aesthetic of groove" | MPhil | University of Newcastle | 2015 | 116 |
| Harrison, Clive Maxwell | A songwriter’s journey from little-c to pro-c creativity: an applied analytical autoethnography | PhD | University of Newcastle | 2016 | 445 |
| HAYNES, David Matthew | Context and process in arrangement and transcription for solo piano, left-hand alone | PhD | University of NSW | 2005 | 390 |
| KELLER, Peter Erik | Adaptive functions of meter in multipart musical rhythm | PhD | University of NSW | 2000 | 648 |
| SCHUBERT, Emery | Measurement and time series analysis of emotion in music | PhD | University of NSW | 1999 | 696 |
| SIMMERMACHER, Christian | Detecting instruments in classical music : a view on timbre, musical features, and classification | MSc | University of Otago | 2005 | 85 |
| McLENNAN-KISSEL, Paul | Onsombil | MMus | University of Otago | 2012 | 61 + CD |
| LEE, Seung-Yoon | Perceptual and neural processing of consonance and dissonance in musicians and non-musicians : an ERP study | MSc | University of Otago | 2011 | 65 |
| McLEOD, Philip | Fast, accurate pitch detection tools for music analysis | PhD | University of Otago | 2008 | 181 |
| LINTON, Sean | The Music of 'Are'are: Acoustemology, Environmental Influences and Sustainability | PhD | University of Otago | 2013 | 325 |
| BROWN, Andrew R. | Music composition and the computer : an examination of the work practices of five experienced composers | PhD | University of Queensland | 2001 | 328 |
| DAVIDSON, Robert | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 2 vol |
| FREEMAN, Peter A. | Neural networks in the analysis of music | MMus | University of Queensland | 1994 | 85 |
| GARRETT, Linda | Micro-intonation and the viola : a study of just intonation, the Pythagorean scale and equal temperament in relation to the performance of unaccompanied viola repertoire | MPhil (perf) | University of Queensland | 2006 | 32 |
| GAYLER, Ross Watson | Development of a methodology and theoretical framework for melodic discrimination | PhD | University of Queensland | 1987 | 231 |
| HOOPER, David Johannes | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 264 |
| YOUNG, David | Folio & Commentary: Thousands of Bundled Straw, Skin Quartet & the Val Camonica Pieces | PhD | University of Queensland | 2007 (NyiC) | 93 + Folio 380pp + D |
| Anon | "An integration of score-based and digitally produced composition" - folio of compositions and critical commentary | PhD | University of Queensland | In Progress (2009) | |
| Anon | “21st Century composer as producer: utilising technology as a creative tool in the composition, realisation and performance of new music” | PhD | University of Queensland | In Progress (2009) | |
| BYRNE, Timothy Francis | Aspects of technique in Dvořák’s cello concerto [electronic resource] : an approach based on a comparative study of relevant treatises | MPhil | University of Queensland | 2010 | 57 |
| MACLEOD, Andrew Lachlan | De la sonorité [electronic resource] : the Bel canto flute method of Marcel Moyse | MPhil | University of Queensland | 2009 | 49 |
| LIVINGSTONE, Steven R | Changing musical emotion through score and performance with a computational rule system [electronic resource] | PhD | University of Queensland | 2008 | |
| JAYASINGHE, Rohan | The application of serial technique to tonal music: the emancipation of consonance | PhD | University of Queensland | 2011 | |
| POTTER, Warwick | A case study of the life and work of an Australian Orchestral Portfolio Conductor | PhD | University of Queensland | 2015 | 151 |
| ASKILL, Michael | Reflections on Composition and Consciousness | PhD | University of Queensland | 2015 | 145 |
| MELVILLE-CLARK, Paula | Eurhythmics and piano performance : a study to determine the benefits of applying eurhythmic techniques to the preparation of piano works by undergraduate musicians. | MMus | University of South Queensland | 2000 | 117 |
| CHAN, Chi Man | Aspects of the impact of postmodernist thought on the analysis of music | MA | University of Sydney | 1996 | 75 |
| DUANCE, Karyn | Compositional and performance techniques of women rock musicians | MMus | University of Sydney | 1999 | NiC |
| FRANKLIN, James Ashley | Circles and arrows : an outline of a concept of musical metaanalysis and its implications | MMus | University of Sydney | 1987 | 142 |
| GARD, Stephen | Nasty Noises: 'Error' as a Compositional Element | MMus Comp | University of Sydney | 2004 | 68 + 2 CD |
| GRAY, Janette Mary | Composing music for children | MMus | University of Sydney | 1974 | 4 vol |
| HAIR, Greta Mary | Troped introits and communions from eleventh century Aquitaine manuscript Paris Bibliotheque Nationale fonds Latin 903: a study in musical reconstruction | PhD | University of Sydney | 1988 | 3 vol |
| HARRIS, Wayne John | The automatic analysis of rhythm in keyboard music | MSc | University of Sydney | 1982 | 129 |
| JORDAN, Claire | Compositions [and analysis] | MMus(Comp) | University of Sydney | 1997 | 8pp + 5 scores + cas |
| KYRIAKOU, Mary-Anne | Guitar and light for solo guitar ; Betrayal, a new music-theatre work : exploring representations of self through the portrayal of women protagonists | MMus(Comp) | University of Sydney | 2006 | 41 + 2 scores |
| LYONS, Andrew D. | Time space texture : an approach to audio-visual composition | PhD | University of Sydney | 2003 | 291 + 1 vid disk |
| McEWAN, Neil | Interpretive signs and letters in Gregorian chant: the rhythmic and expressive differences between the episema and tenete in the manuscript of the Cantatorium, Codex 359, St. Gall | PhD | University of Sydney | 2002 | 248 + CD-rom |
| McNAMARA, Peter | Portfolio of Compositions + Stretching the boundaries of listening : changing microtonal aesthetics in the late twentieth century | MMus(Comp) | University of Sydney | 2006 | 4 vol + 86 + CD |
| NG, Kwok Wai | The modes of tōgaku from Tang-period China to modern Japan : focusing on the ōshikichō, banshikichō and hyōjō modal categories | PhD | University of Sydney | 2007 | 2 v |
| PAGE, Rosalind | Poetics of allegory and number in the compositions of Rosalind Page | PhD | University of Sydney | 2006 | 148 + 2 CDs - DVD = |
| RICKETSON, Damien | Curious noise: analytical notes | PhD | University of Sydney | 2005 | 119 + 5 scores + 2 C |
| STEVENS, Catherine | Derivation and investigation of features mediating musical pattern recognition | PhD | University of Sydney | 1992 | 441+disk |
| SUDMALIS, D.R. | Gesture in composition : a model of composition involving gesture, gestural and parametric development, and hybridisation as examined in six original compositions | PhD | University of Sydney | 2001 | 2 vol + CD |
| WATSON, Charles Richard | The computer analysis of polyphonic music | PhD | University of Sydney | 1985 | 214 |
| GILL, Brad | Compositional technique and the exploration of spirituality in the music of Brad Gill + Folio of Original Compositions | PhD | University of Sydney | 2005 | 114 + CDs |
| FREDERICKS, Ian Francis | The development and use of computational models of creative musical intelligence in the composition and realization of Death of a dragon, StarMist, Violins in space, and Spirals : 1998-March 2001 | PhD | University of Sydney | 2005 | 204 + 4 CDs |
| Monro, Gordon P | Portfolio of Audio-visual Compositions: Accompanying Notes + The Concept of Emergence in Generative Art | MMus (Comp) | University of Sydney | 2008 (nyiC) | 20 + DVD-audio + 2 D |
| RAE, S. | A study of some modern techniques in choral composition | MMus | University of Sydney | withdrawn 1968 | |
| CONSTANTINO, R. | An approach to the language of music through the relationship of poetic texts to song writing | PhD | University of Sydney | withdrawn 1968 | |
| FORSTER, Raymond | An investigation into a cohesive method of teaching jazz harmony and improvisation to elective music students in secondary schools using the basic principals of chord-scale theory | MMus | University of Sydney | 2010 | 91 |
| ROPA, Vanessa Jane | The importance of understanding the mechanisms underlying breathing, posture and embouchure for tertiary flute and wind music students | MMus | University of Sydney | 2010 | 66 |
| LAZAR, Eric | A stylistic and historical analysis of left foot high hat techniques in Swing, Bebop, and Latin jazz drumming | MMus | University of Sydney | 2010 | 47 |
