| SOH, Chew May | Classifying music performance using k-nearest neighbor classification | MIT | Monash University | 2006 | 157 |
| HIRCHE, Kathryn Lisa | Meaningful musical engagement : the potential impact of generative music systems on learning experiences | MA | Queensland University of Technology | 2011 | 158 |
| WARD, James | The composer's assistant | MSc | University of Technology Sydney | 1995 | 159 + 1 video casset |
| WARD, Anthony McKenna | A miniature orchestra: a study in the aesthetics of guitar transcription | MMus(hons) | University of New England | 1999 | 161 |
| LESLIE, Wendy | Evolution of a musical composition: a phenomenological study | MA | LaTrobe University | 1993 | 164 |
| CHUA, Bee Yong | Automatic extraction of perceptual features and categorization of music emotional expressions from polyphonic music audio signals | PhD | Monash University | 2007 | 171 |
| McPHERSON, John | Co-ordinating knowledge to improve optical music recognition | PhD | University of Waikato | 2006 | 172 |
| FONG, Francis Kam-Yuen | A musical analysis of the Cantonese language and some implications in the classroom | MMus Ed. | University of Western Aust. | 1990 | 173 |
| NARUSHIMA, Terumi | Music in the work of Compagnie Maguy Marin: choreo-musical collaborative processes + Portfolio of original compositions | MMus (Comp) | Australian Catholic University | 2003 | 176 |
| HEWITT, Donna | Compositions for voice and technology [+ Dissertation] | PhD | University of Western Sydney | 2006 | 178 |
| HUGHES, Anthony J. | Keith Humble's twelve-tone compositional approach in the Eight Bagatelles for piano solo | MA | LaTrobe University | 2001 | 180 |
| FITZGERALD, Thomas A | New music composition for live performance and interactive multimedia | DCA | University of Wollongong | 2004 | 180 + 6 folios + 4 D |
| McGARITY, Gregory Melville | "Musical semiology reconstructed" : an inquiry into the social, philosophical and theoretical context of the science of semiology ; the development of musical semiology and its relationship to musical analysis ; leading to analysis of selected Mozart compositions (K.550, K.515 & K.379). | MMus(hons) | University of New England | 2000 | 181 |
| McLEOD, Philip | Fast, accurate pitch detection tools for music analysis | PhD | University of Otago | 2008 | 181 |
| KAUR, Amrita | Rāgamālā : a garland of architecture and music | MArch | University of Auckland | 2015 | 181 + soundfile |
| WOODCOCK, Timothy P | The compositional application of musical acoustics | GDip Mus | Griffith University | 1992 | 182 |
| BELLMANN, Hector Guillermo | Toward a scientific taxonomy of musical styles | M.Inf.Tech (Research) | Queensland University of Technology | 2006 | 183 |
| MYERS, Peter | Directed harmonic and melodic motion, pitch structures and compositional determinants : a folio of original compositions and a critical commentary | PhD | Monash University | 2006 | 189 + 5 scores + CD |
| ROBINSON, Camille | Listening art: making sonic artworks that critique listening | PhD | University of Melbourne | 2016 | 195 |
| MacMILLAN, Brendan | MML Analysis of melody | M Comp. Sc. | Monash University | 1997 | 198 |
| LANDRY, Shane | Beyond Ideas: The Melodic Shapes in Selected Improvisations of Saxophonist David Binney | MMus | University of Sydney | 2014 | 198 |
| ZIPMAN, Ellina | The musical portrait in Western music: a survey of theory and practice | MA | Monash University | 1995 | 199 |
| NG, Kwok Wai | The modes of tōgaku from Tang-period China to modern Japan : focusing on the ōshikichō, banshikichō and hyōjō modal categories | PhD | University of Sydney | 2007 | 2 v |
| SONG, Sun-Ju | Music analysis and the avant-garde compositions of post-world war II: four case studies | PhD | Griffith University | 2011 | 2 v. |
| BARRETT, Margaret Sylvia | Children's aesthetic decision-making: an analysis of children's musical discourse as composers | PhD | Monash University | 1996 | 2 vol |
| CALLAGHAN, Laurel Jean | A comparative framework for an analysis of the influence of language on national music style | MA | University of Western Aust. | 1979 | 2 vol |
| DAVIDSON, Robert | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 2 vol |
| LLOYD, John Stanley | An analysis of the artistic creative process : as experienced in the writing of an opera | PhD | University of Technology Sydney | 2006 | 2 vol |
| WATSON, Christopher | The effects of music notation software on compositional practices and outcomes [+ Composition Folio] | PhD | Victoria University of Wellington | 2007 | 2 vol |
| MITCHELL, Anne Kathryn | Crossing the great divide : the composition of jazz concerti using historical sources . [Thesis + compositions] | PhD | Southern Cross University | 2003 | 2 vol + 2 CDs |
| CASTEELS, Robert | Berlayar ke mata hari (Set sail to the sun) : a folio of original compositions comprising the use of gamelan instruments with related exegesis | PhD | University of Melbourne | 2003 | 2 vol + 3 CD-Roms |
| GERRARD, Graeme | COMPOST : a language for computer music composition - sound synthesis from spectral functions | MA | LaTrobe University | 1986 | 2 vol + accompanying |
| SUDMALIS, D.R. | Gesture in composition : a model of composition involving gesture, gestural and parametric development, and hybridisation as examined in six original compositions | PhD | University of Sydney | 2001 | 2 vol + CD |
| WHITE, Melita | Music composition as an expression of research in feminist theory | MA | Monash University | 2006 | 2 vol + CD |
| CZAPLOWSKI, Philip | The use of multiple styles as a compositional approach | PhD | Monash University | 2007 | 2 vol + CD |
| HIRST, David Godfrey | Digital sound analysis and synthesis using the short-time Fourier transform [sound recording] | MA | LaTrobe University | 1985 | 2 vol +1 tape |
| Monro, Gordon P | Portfolio of Audio-visual Compositions: Accompanying Notes + The Concept of Emergence in Generative Art | MMus (Comp) | University of Sydney | 2008 (nyiC) | 20 + DVD-audio + 2 D |
| DIXON, John Wayne | Prospect and retrospect: a composer analyses thirteen of his own compositions | MA (Hons) | University of Wollongong | 1987 | 200 + 13 scores + 1 |
| ALSOP, Peter R. | Using aspects of language in computer based composition: three approaches to current Australian texts | MA | LaTrobe University | 1999 | 201 + 3 audio CDs |
| FREDERICKS, Ian Francis | The development and use of computational models of creative musical intelligence in the composition and realization of Death of a dragon, StarMist, Violins in space, and Spirals : 1998-March 2001 | PhD | University of Sydney | 2005 | 204 + 4 CDs |
| REINER, Thomas | Semiotic model of musical time | PhD | University of Melbourne | 1995 | 205 |
| GIFFORD, Toby | Improvisation in interactive music systems | PhD | Queensland University of Technology | 2011 | 205 + Disc |
| DELEFLIE, Etienne | Music and Spatial Verisimilitude | PhD | University of Wollongong | 2013 | 210 |
| BURRASTON, David M | Generative music and cellular automata | PhD | University of Technology Sydney | 2006 | 211 + CD-Rom |
| SHAPLEY, Gregory James | Sound of failure : experimental electronic music in our post-digital era | PhD | University of Technology Sydney | 2012 | 212 |
| KHOO, Sui Sin | The single hidden layer neural network based classifiers for Han Chinese folk songs | PhD | Swinburne University of Technology | 2013 | 213 |
| WATSON, Charles Richard | The computer analysis of polyphonic music | PhD | University of Sydney | 1985 | 214 |
| GALLACHER, Lynette | Words under pressure: an investigation of compositional linguistics focussing on recent work by Chris Mann | PhD | LaTrobe University | 1996 | 217 |
| UNKOVICH, Yuri | Tracing the synthetic voice : contrapuntal textures of five or more parts in the works of J.S. Bach | PhD | University of Auckland | 2008 | 219 |
| COLE, Fred | Creative practices in Australian techno and other electronica : a folio of original compositions and supporting documentation | PhD | Southern Cross University | 1999 | 221 |
| BAJZEK, Dieter | Percussion - an annotated bibliography : with special emphasis on contemporary notation and performance | MA | LaTrobe University | 1986 | 222 |
| WILLGOSS, Richard Adrian | Creativity in Art Music Composition | PhD | University of Sydney | 2018 | 225 |
| HOCHENBAUM, Jordan. | L'arte di interazione musicale : new musical possibilities through multimodal techniques | PhD | NZ School of Music (Victoria + Massey) | 2013 | 228 |
| IOLINI, Robert John | Simultaneity in music | MA | Macquarie University | 1998 | 228: 2 vols + 2 CDs |
| BAYNES, Mark Edward | Analytic, descriptive, and prescriptive components of evolving jazz : a new model based on the works of Brad Mehldau | DMA | University of Auckland | 2015 | 229 |
| GAYLER, Ross Watson | Development of a methodology and theoretical framework for melodic discrimination | PhD | University of Queensland | 1987 | 231 |
| HIRST, David | The development of a cognitive framework for the analysis of acousmatic music | PhD | University of Melbourne | 2006 | 235 |
| THORPE, Patricia G. | The relevance of twentieth-century analytical theories to the performer of keyboard music of the eighteenth and nineteenth centuries | MA | University of Western Aust. | 1994 | 239 |
| PRAKHOFF, Belinda Marie | Music from the inside: emotional expression and the understanding listener | PhD | University of Melbourne | 2013 | 239 |
| PERKINS, Andrew Michael Ellis | From Pentecost to Dodecaphony | PhD | University of Melbourne | 2013 | 239 |
| HILL, Adam Brantley | The cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process | PhD | University of Tasmania | 2004 | 239 + 2 CD |
| AUÉ, Johannes | (E)merging idioms [music] : integrating jazz and classical ensembles : portfilio of compositions and exegesis | MMus | University of Adelaide | 2010 | 240 + CD |
| LOVE, Martyn | Collective conceptualization: a methodology for contemporary film score composers: a portfolio of compositions (disposed as a film score) and exegesis. | PhD | University of Adelaide | 2013 | 245 |
| BASSETT, John | Assessing the Spatial Diffusivity of Sound Fields in Rooms using Ambisonic Techniques | PhD | University of Sydney | 2012 | 247 |
| McEWAN, Neil | Interpretive signs and letters in Gregorian chant: the rhythmic and expressive differences between the episema and tenete in the manuscript of the Cantatorium, Codex 359, St. Gall | PhD | University of Sydney | 2002 | 248 + CD-rom |
| ADENEY, Roland William | The HarmonyGrid : music, space and performance in grid music systems | PhD | Queensland University of Technology | 2011 | 256 + Disc |
| TURNER, Gemma Bernadette | Body movement and sound intensity in Western contemporary popular singing | PhD | University of Sydney | 2010 | 261 + 1 CD + 1 DVD |
| HOOPER, David Johannes | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 264 |
| WILLIAMS, Ross Adrian | On Open Sky | DMA | Overseas | 2002 | 27 |
| CHALABI, Karen Louise | The architecture of spirit : a phenomenological study of archetypal forces in Eastern European flute repertoire. | PhD | University of Melbourne | 2014 | 271 |
| KLEIN, Eve Elizabeth | The pomegranate cycle : reconfiguring opera through performance, technology & composition | PhD | Queensland University of Technology | 2011 | 276 + 2 Discs |
| WOODLEY, Kathleen Frances | Voice science and vocal pedagogy : joining the dots | MMus | University of Auckland | 2014 | 277 |
| ISTVANDITY, Lauren | Musically Motivated Autobiographical Memories and the Lifetime Soundtrack | PhD | Griffith University | 2014 | 280 |
| BELLMANN, Héctor G. | Categorization of tonal music style: a quantitative investigation | PhD | Griffith University | 2012 | 282 |
| WOOD, Callie | Portfolio of compositions and exegesis: composing for a choral spectrum | MMus | University of Adelaide | 2008 | 285 2 vol |
| GIOVINAZZO, Joseph | Analytical models of timbral architecture in music: an application to the orchestral miniatures of Igor Stravinsky | PhD | LaTrobe University | 2001 | 291 |
| LYONS, Andrew D. | Time space texture : an approach to audio-visual composition | PhD | University of Sydney | 2003 | 291 + 1 vid disk |
| LAKEMANN, Virginia Kaye | Portfolio of original compositions and exegesis : an investigation of metrical contradiction, irregularity and ambiguity in music for senior secondary students and community purposes | MMUS | University of Adelaide | 2012 | 294 |
| CHAPMAN, Jim (James Norman) | Afro No-Clash: Composing syncretic African/Western music: Eleven Compositions and frameworks for their systematic analysis | PhD | Queensland University of Technology | 2007 | 2v (225 + 237) + 1CD |
| HAIR, Greta Mary | Troped introits and communions from eleventh century Aquitaine manuscript Paris Bibliotheque Nationale fonds Latin 903: a study in musical reconstruction | PhD | University of Sydney | 1988 | 3 vol |
| MARRIOTT, Andrew | Computer-musician interface: ME, the music editing system | MSc | University of Western Aust. | 1984 | 3 vol |
| PARISH, Brian Maxwell | A graphics based scoring system for computer music synthesis | MA | LaTrobe University | 1984 | 3 vol |
| WEEKES, Diana K. | Twistonality: A Personal Exploration: portfolio of original compositions and exegesis | PhD (Comp) | University of Adelaide | 2007 | 3 vol |
| PERTOUT, Andrián | Three microtonal compositions : the utilization of tuning systems in modern composition | PhD | University of Melbourne | 2007 | 3 vol + 4 CD-Rom |
| CHI, Jasmine Yi-Tzu | Creative process in electroacoustic music with live acoustic performance composition : an observation on sound and the performer's gesture | MMus(Composition) | University of Auckland | 2009 | 30 + DVD |
| BURT, Warren | Algorithms, Microtonality, Performance: Eleven Musical Compositions | PhD | University of Wollongong | 2007 | 301 + 2 CDs + DVD |
| HILL, Matthew | Hit scrape click drag : analysis and application of compositional methodologies at the intersection of conserved and emergent technologies | PhD | James Cook University | 2007 | 301 + CD Rom + DVD |
| SCHIEMER, Gregory | MIDI Tool Box: an interactive system for music composition | PhD | Macquarie University | 1998 | 304 + 2 CD-ROMs |
| ZAREEI, Mo.H. | Channelisation of Noise through a Rhythmic Gird : Brutalist Mechatronic Sound-sculpture | PhD | Victoria University of Wellington | 2016 | 307 |
| HARRIS, Philip Geoffrey. | Cortical activity associated with rhythmic grouping of pitch sequences | PhD | Swinburne University of Technology | 2007 | 312 |
| SHELTON, Robert James | A lock-free environment for computer music : concurrent components for computer supported cooperative work | PhD | University of Melbourne | 2011 | 315 |
| GARRETT, Linda | Micro-intonation and the viola : a study of just intonation, the Pythagorean scale and equal temperament in relation to the performance of unaccompanied viola repertoire | MPhil (perf) | University of Queensland | 2006 | 32 |
| FANANY, Runa | The Devil’s Due: the musical representation of the Devil in selected Hollywood film scores | PhD | Monash University | 2011 | 320 |
| DUNCAN, Wayne | Portfolio of Original Compositions | PhD | University of Adelaide | 2007 | 322 |
| LINTON, Sean | The Music of 'Are'are: Acoustemology, Environmental Influences and Sustainability | PhD | University of Otago | 2013 | 325 |
| WILLIAMS, Barbara Claire | Braille: New codes for early music notations, long cells, and exploratory coding analysis | PhD | Monash University | 1995 | 326 |
| BROWN, Andrew R. | Music composition and the computer : an examination of the work practices of five experienced composers | PhD | University of Queensland | 2001 | 328 |
| LILE, Trudy | Creating new standards : jazz arrangements of pop songs | MMus Perf | NZ School of Music (Victoria + Massey) | 2009 | 328 |
| BRACANIN, Philip | The function of the thematic process in dodecaphonic music : a study in analytical method | PhD | University of Western Aust. | 1970 | 345 |
| SHEN, Nalin | The integration of Chinese opera traditions into new musical compositions | PhD | Victoria University of Wellington | 2010 | 349 + 3 Discs |
