Theory/Techs/Tools

WriterThesis TitleDegreeUniversityYear# of Pagessort icon
SOH, Chew MayClassifying music performance using k-nearest neighbor classification MITMonash University2006157
HIRCHE, Kathryn LisaMeaningful musical engagement : the potential impact of generative music systems on learning experiencesMAQueensland University of Technology2011158
WARD, JamesThe composer's assistantMScUniversity of Technology Sydney1995159 + 1 video casset
WARD, Anthony McKennaA miniature orchestra: a study in the aesthetics of guitar transcriptionMMus(hons)University of New England1999161
LESLIE, WendyEvolution of a musical composition: a phenomenological studyMALaTrobe University1993164
CHUA, Bee YongAutomatic extraction of perceptual features and categorization of music emotional expressions from polyphonic music audio signals PhDMonash University2007171
McPHERSON, JohnCo-ordinating knowledge to improve optical music recognitionPhDUniversity of Waikato2006172
FONG, Francis Kam-YuenA musical analysis of the Cantonese language and some implications in the classroom MMus Ed.University of Western Aust.1990173
NARUSHIMA, TerumiMusic in the work of Compagnie Maguy Marin: choreo-musical collaborative processes + Portfolio of original compositionsMMus (Comp)Australian Catholic University2003176
HEWITT, DonnaCompositions for voice and technology [+ Dissertation]PhDUniversity of Western Sydney2006178
HUGHES, Anthony J.Keith Humble's twelve-tone compositional approach in the Eight Bagatelles for piano soloMALaTrobe University2001180
FITZGERALD, Thomas ANew music composition for live performance and interactive multimediaDCAUniversity of Wollongong2004180 + 6 folios + 4 D
McGARITY, Gregory Melville"Musical semiology reconstructed" : an inquiry into the social, philosophical and theoretical context of the science of semiology ; the development of musical semiology and its relationship to musical analysis ; leading to analysis of selected Mozart compositions (K.550, K.515 & K.379).MMus(hons)University of New England2000181
McLEOD, PhilipFast, accurate pitch detection tools for music analysisPhDUniversity of Otago2008181
KAUR, AmritaRāgamālā : a garland of architecture and musicMArch University of Auckland2015181 + soundfile
WOODCOCK, Timothy PThe compositional application of musical acoustics GDip MusGriffith University1992182
BELLMANN, Hector GuillermoToward a scientific taxonomy of musical stylesM.Inf.Tech (Research)Queensland University of Technology2006183
MYERS, PeterDirected harmonic and melodic motion, pitch structures and compositional determinants : a folio of original compositions and a critical commentary PhDMonash University2006189 + 5 scores + CD
ROBINSON, CamilleListening art: making sonic artworks that critique listeningPhDUniversity of Melbourne2016195
MacMILLAN, BrendanMML Analysis of melodyM Comp. Sc.Monash University1997198
LANDRY, ShaneBeyond Ideas: The Melodic Shapes in Selected Improvisations of Saxophonist David BinneyMMusUniversity of Sydney2014198
ZIPMAN, EllinaThe musical portrait in Western music: a survey of theory and practiceMAMonash University1995199
NG, Kwok WaiThe modes of tōgaku from Tang-period China to modern Japan : focusing on the ōshikichō, banshikichō and hyōjō modal categories PhDUniversity of Sydney20072 v
SONG, Sun-JuMusic analysis and the avant-garde compositions of post-world war II: four case studiesPhDGriffith University20112 v.
BARRETT, Margaret SylviaChildren's aesthetic decision-making: an analysis of children's musical discourse as composers PhDMonash University19962 vol
CALLAGHAN, Laurel JeanA comparative framework for an analysis of the influence of language on national music style MAUniversity of Western Aust.19792 vol
DAVIDSON, RobertFolio of compositions and critical commentaryPhDUniversity of Queensland20012 vol
LLOYD, John StanleyAn analysis of the artistic creative process : as experienced in the writing of an opera PhDUniversity of Technology Sydney20062 vol
WATSON, ChristopherThe effects of music notation software on compositional practices and outcomes [+ Composition Folio]PhDVictoria University of Wellington20072 vol
MITCHELL, Anne KathrynCrossing the great divide : the composition of jazz concerti using historical sources . [Thesis + compositions]PhDSouthern Cross University20032 vol + 2 CDs
CASTEELS, RobertBerlayar ke mata hari (Set sail to the sun) : a folio of original compositions comprising the use of gamelan instruments with related exegesisPhDUniversity of Melbourne20032 vol + 3 CD-Roms
GERRARD, GraemeCOMPOST : a language for computer music composition - sound synthesis from spectral functions MALaTrobe University19862 vol + accompanying
SUDMALIS, D.R.Gesture in composition : a model of composition involving gesture, gestural and parametric development, and hybridisation as examined in six original compositions PhDUniversity of Sydney20012 vol + CD
WHITE, MelitaMusic composition as an expression of research in feminist theoryMAMonash University20062 vol + CD
CZAPLOWSKI, PhilipThe use of multiple styles as a compositional approach PhDMonash University20072 vol + CD
HIRST, David GodfreyDigital sound analysis and synthesis using the short-time Fourier transform [sound recording]MALaTrobe University19852 vol +1 tape
Monro, Gordon PPortfolio of Audio-visual Compositions: Accompanying Notes + The Concept of Emergence in Generative ArtMMus (Comp)University of Sydney2008 (nyiC)20 + DVD-audio + 2 D
DIXON, John WayneProspect and retrospect: a composer analyses thirteen of his own compositionsMA (Hons)University of Wollongong1987200 + 13 scores + 1
ALSOP, Peter R.Using aspects of language in computer based composition: three approaches to current Australian textsMALaTrobe University1999201 + 3 audio CDs
FREDERICKS, Ian FrancisThe development and use of computational models of creative musical intelligence in the composition and realization of Death of a dragon, StarMist, Violins in space, and Spirals : 1998-March 2001 PhDUniversity of Sydney2005204 + 4 CDs
REINER, ThomasSemiotic model of musical timePhDUniversity of Melbourne1995205
GIFFORD, TobyImprovisation in interactive music systemsPhDQueensland University of Technology2011205 + Disc
DELEFLIE, EtienneMusic and Spatial VerisimilitudePhDUniversity of Wollongong2013210
BURRASTON, David MGenerative music and cellular automataPhDUniversity of Technology Sydney2006211 + CD-Rom
SHAPLEY, Gregory JamesSound of failure : experimental electronic music in our post-digital eraPhDUniversity of Technology Sydney2012212
KHOO, Sui SinThe single hidden layer neural network based classifiers for Han Chinese folk songsPhDSwinburne University of Technology2013213
WATSON, Charles RichardThe computer analysis of polyphonic music PhDUniversity of Sydney1985214
GALLACHER, LynetteWords under pressure: an investigation of compositional linguistics focussing on recent work by Chris MannPhDLaTrobe University1996217
UNKOVICH, YuriTracing the synthetic voice : contrapuntal textures of five or more parts in the works of J.S. BachPhDUniversity of Auckland2008219
COLE, FredCreative practices in Australian techno and other electronica : a folio of original compositions and supporting documentation PhDSouthern Cross University1999221
BAJZEK, DieterPercussion - an annotated bibliography : with special emphasis on contemporary notation and performance MALaTrobe University1986222
WILLGOSS, Richard AdrianCreativity in Art Music CompositionPhDUniversity of Sydney2018225
HOCHENBAUM, Jordan. L'arte di interazione musicale : new musical possibilities through multimodal techniquesPhDNZ School of Music (Victoria + Massey)2013228
IOLINI, Robert JohnSimultaneity in musicMAMacquarie University1998228: 2 vols + 2 CDs
BAYNES, Mark EdwardAnalytic, descriptive, and prescriptive components of evolving jazz : a new model based on the works of Brad MehldauDMAUniversity of Auckland2015229
GAYLER, Ross WatsonDevelopment of a methodology and theoretical framework for melodic discriminationPhDUniversity of Queensland1987231
HIRST, DavidThe development of a cognitive framework for the analysis of acousmatic musicPhDUniversity of Melbourne2006235
THORPE, Patricia G.The relevance of twentieth-century analytical theories to the performer of keyboard music of the eighteenth and nineteenth centuriesMAUniversity of Western Aust.1994239
PRAKHOFF, Belinda MarieMusic from the inside: emotional expression and the understanding listenerPhDUniversity of Melbourne2013239
PERKINS, Andrew Michael EllisFrom Pentecost to DodecaphonyPhDUniversity of Melbourne2013239
HILL, Adam BrantleyThe cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process PhDUniversity of Tasmania2004239 + 2 CD
AUÉ, Johannes(E)merging idioms [music] : integrating jazz and classical ensembles : portfilio of compositions and exegesisMMusUniversity of Adelaide2010240 + CD
LOVE, MartynCollective conceptualization: a methodology for contemporary film score composers: a portfolio of compositions (disposed as a film score) and exegesis.PhDUniversity of Adelaide2013245
BASSETT, JohnAssessing the Spatial Diffusivity of Sound Fields in Rooms using Ambisonic TechniquesPhDUniversity of Sydney2012247
McEWAN, NeilInterpretive signs and letters in Gregorian chant: the rhythmic and expressive differences between the episema and tenete in the manuscript of the Cantatorium, Codex 359, St. GallPhDUniversity of Sydney2002248 + CD-rom
ADENEY, Roland WilliamThe HarmonyGrid : music, space and performance in grid music systemsPhDQueensland University of Technology2011256 + Disc
TURNER, Gemma BernadetteBody movement and sound intensity in Western contemporary popular singingPhDUniversity of Sydney2010261 + 1 CD + 1 DVD
HOOPER, David JohannesFolio of compositions and critical commentaryPhDUniversity of Queensland2001264
WILLIAMS, Ross AdrianOn Open SkyDMAOverseas200227
CHALABI, Karen LouiseThe architecture of spirit : a phenomenological study of archetypal forces in Eastern European flute repertoire.PhDUniversity of Melbourne2014271
KLEIN, Eve ElizabethThe pomegranate cycle : reconfiguring opera through performance, technology & compositionPhDQueensland University of Technology2011276 + 2 Discs
WOODLEY, Kathleen FrancesVoice science and vocal pedagogy : joining the dotsMMusUniversity of Auckland2014277
ISTVANDITY, LaurenMusically Motivated Autobiographical Memories and the Lifetime SoundtrackPhDGriffith University2014280
BELLMANN, Héctor G.Categorization of tonal music style: a quantitative investigationPhDGriffith University2012282
WOOD, CalliePortfolio of compositions and exegesis: composing for a choral spectrum MMusUniversity of Adelaide2008285 2 vol
GIOVINAZZO, JosephAnalytical models of timbral architecture in music: an application to the orchestral miniatures of Igor StravinskyPhDLaTrobe University2001291
LYONS, Andrew D.Time space texture : an approach to audio-visual composition PhDUniversity of Sydney2003291 + 1 vid disk
LAKEMANN, Virginia KayePortfolio of original compositions and exegesis : an investigation of metrical contradiction, irregularity and ambiguity in music for senior secondary students and community purposesMMUSUniversity of Adelaide2012294
CHAPMAN, Jim (James Norman)Afro No-Clash: Composing syncretic African/Western music: Eleven Compositions and frameworks for their systematic analysisPhDQueensland University of Technology20072v (225 + 237) + 1CD
HAIR, Greta MaryTroped introits and communions from eleventh century Aquitaine manuscript Paris Bibliotheque Nationale fonds Latin 903: a study in musical reconstructionPhDUniversity of Sydney19883 vol
MARRIOTT, AndrewComputer-musician interface: ME, the music editing systemMScUniversity of Western Aust.19843 vol
PARISH, Brian MaxwellA graphics based scoring system for computer music synthesisMALaTrobe University19843 vol
WEEKES, Diana K.Twistonality: A Personal Exploration: portfolio of original compositions and exegesisPhD (Comp)University of Adelaide20073 vol
PERTOUT, AndriánThree microtonal compositions : the utilization of tuning systems in modern composition PhDUniversity of Melbourne20073 vol + 4 CD-Rom
CHI, Jasmine Yi-TzuCreative process in electroacoustic music with live acoustic performance composition : an observation on sound and the performer's gestureMMus(Composition)University of Auckland200930 + DVD
BURT, WarrenAlgorithms, Microtonality, Performance: Eleven Musical CompositionsPhDUniversity of Wollongong2007301 + 2 CDs + DVD
HILL, MatthewHit scrape click drag : analysis and application of compositional methodologies at the intersection of conserved and emergent technologiesPhDJames Cook University2007301 + CD Rom + DVD
SCHIEMER, GregoryMIDI Tool Box: an interactive system for music compositionPhDMacquarie University1998304 + 2 CD-ROMs
ZAREEI, Mo.H.Channelisation of Noise through a Rhythmic Gird : Brutalist Mechatronic Sound-sculpturePhDVictoria University of Wellington2016307
HARRIS, Philip Geoffrey.Cortical activity associated with rhythmic grouping of pitch sequencesPhDSwinburne University of Technology2007312
SHELTON, Robert JamesA lock-free environment for computer music : concurrent components for computer supported cooperative workPhDUniversity of Melbourne2011315
GARRETT, LindaMicro-intonation and the viola : a study of just intonation, the Pythagorean scale and equal temperament in relation to the performance of unaccompanied viola repertoireMPhil (perf)University of Queensland200632
FANANY, RunaThe Devil’s Due: the musical representation of the Devil in selected Hollywood film scoresPhDMonash University2011320
DUNCAN, WaynePortfolio of Original Compositions PhDUniversity of Adelaide2007322
LINTON, SeanThe Music of 'Are'are: Acoustemology, Environmental Influences and SustainabilityPhDUniversity of Otago2013325
WILLIAMS, Barbara ClaireBraille: New codes for early music notations, long cells, and exploratory coding analysisPhDMonash University1995326
BROWN, Andrew R.Music composition and the computer : an examination of the work practices of five experienced composers PhDUniversity of Queensland2001328
LILE, TrudyCreating new standards : jazz arrangements of pop songs MMus PerfNZ School of Music (Victoria + Massey)2009328
BRACANIN, PhilipThe function of the thematic process in dodecaphonic music : a study in analytical method PhDUniversity of Western Aust.1970345
SHEN, NalinThe integration of Chinese opera traditions into new musical compositionsPhDVictoria University of Wellington2010349 + 3 Discs
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