Theory/Techs/Tools

Writersort iconThesis TitleDegreeUniversityYear# of Pages
HALL, Phillip JeremyPortfolio of compositions and exegesis [music] : Leitmotifs and their developmentMMusUniversity of Adelaide200941 + CD
HAMMOND, JaneAn exploration of the possibilities of generating music from text MAMonash University200671 + 2 CDs + 6 score
HANDEL, AmandaMusic of balance: circles and squares [Portfolio of compositions]MA (Hons)University of Western Sydney2004110 + CD + DVD
HARRIS, Philip Geoffrey.Cortical activity associated with rhythmic grouping of pitch sequencesPhDSwinburne University of Technology2007312
HARRIS, Wayne JohnThe automatic analysis of rhythm in keyboard music MScUniversity of Sydney1982129
Harrison, Clive MaxwellA songwriter’s journey from little-c to pro-c creativity: an applied analytical autoethnographyPhDUniversity of Newcastle2016445
HAYNES, David MatthewContext and process in arrangement and transcription for solo piano, left-hand alonePhDUniversity of NSW2005390
HEWITT, DonnaCompositions for voice and technology [+ Dissertation]PhDUniversity of Western Sydney2006178
HILL, Adam BrantleyThe cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process PhDUniversity of Tasmania2004239 + 2 CD
HILL, MatthewHit scrape click drag : analysis and application of compositional methodologies at the intersection of conserved and emergent technologiesPhDJames Cook University2007301 + CD Rom + DVD
HIRCHE, Kathryn LisaMeaningful musical engagement : the potential impact of generative music systems on learning experiencesMAQueensland University of Technology2011158
HIRST, DavidThe development of a cognitive framework for the analysis of acousmatic musicPhDUniversity of Melbourne2006235
HIRST, David GodfreyDigital sound analysis and synthesis using the short-time Fourier transform [sound recording]MALaTrobe University19852 vol +1 tape
HOCHENBAUM, Jordan. L'arte di interazione musicale : new musical possibilities through multimodal techniquesPhDNZ School of Music (Victoria + Massey)2013228
HODGES, Glen John"Eyre," a three movement instrumental work for small chamber ensemble. (Original composition);MMOverseas1991117
HOOPER, David JohannesFolio of compositions and critical commentaryPhDUniversity of Queensland2001264
HUGHES, Anthony J.Keith Humble's twelve-tone compositional approach in the Eight Bagatelles for piano soloMALaTrobe University2001180
INGS, WelbyTalking Pictures: a creative utilization of structural and aesthetic profiles from narrative music videos and television commercials in a non-spoken film text.PhDAuckland University of Technology2005423 + DVD
IOLINI, Robert JohnSimultaneity in musicMAMacquarie University1998228: 2 vols + 2 CDs
ISTVANDITY, LaurenMusically Motivated Autobiographical Memories and the Lifetime SoundtrackPhDGriffith University2014280
JACKSON, LeighElements of jazzMMusMassey University2001144
JAMES, Stuart GeorgeSpectromorphology and spatiomorphology : wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domainPhDEdith Cowan University2015
JAYASINGHE, RohanThe application of serial technique to tonal music: the emancipation of consonancePhDUniversity of Queensland2011
JENKINS, BradTensional processes and perception of form in three selected compositions by Kaija SaariahoMMAVictoria University of Wellington2014
JORDAN, ClaireCompositions [and analysis]MMus(Comp)University of Sydney19978pp + 5 scores + cas
KAMINSKYJ, IanAutomatic recognition of musical instruments using isolated monophonic sounds PhDMonash University2004543
KAUR, AmritaRāgamālā : a garland of architecture and musicMArch University of Auckland2015181 + soundfile
KAWAMOTO, TsubasaMasters portfolioMMusUniversity of Auckland20121 v. + DVD
KELLER, Peter ErikAdaptive functions of meter in multipart musical rhythmPhDUniversity of NSW2000648
KHOO, Sui SinThe single hidden layer neural network based classifiers for Han Chinese folk songsPhDSwinburne University of Technology2013213
KILLIN, AntonProjects in cross-cultural music compositionMMusNZ School of Music (Victoria + Massey)20121 v. + 2 Discs
KLEIN, Eve ElizabethThe pomegranate cycle : reconfiguring opera through performance, technology & compositionPhDQueensland University of Technology2011276 + 2 Discs
KNOPF, MichaelIllustrating the practice of composing with styles and genres; how a composer uses global, cultural & historical style and genre in creating new music + folio of compositionsDMAGriffith University2011136
KNOPF, Michael DavidStyle and genre synthesis in music composition revealing and examining the craft and creative processes in composing poly-genre musicDMAGriffith University2011136
KUO, ChristyA machine learning approach to music classificationMScUniversity of Waikato2005124
KYRIAKOU, Mary-AnneGuitar and light for solo guitar ; Betrayal, a new music-theatre work : exploring representations of self through the portrayal of women protagonistsMMus(Comp)University of Sydney200641 + 2 scores
LAKEMANN, Virginia KayePortfolio of original compositions and exegesis : an investigation of metrical contradiction, irregularity and ambiguity in music for senior secondary students and community purposesMMUSUniversity of Adelaide2012294
LANDESMAN, YossiAutomated genetic evolution of musical structures MITMonash University200765 + CD
LANDRY, ShaneBeyond Ideas: The Melodic Shapes in Selected Improvisations of Saxophonist David BinneyMMusUniversity of Sydney2014198
LAZAR, EricA stylistic and historical analysis of left foot high hat techniques in Swing, Bebop, and Latin jazz drummingMMusUniversity of Sydney201047
LEE, Chyi-HueyThe role of piano pedalling in the context of piano triosDMAUniversity of Auckland2008138
LEE, Seung-YoonPerceptual and neural processing of consonance and dissonance in musicians and non-musicians : an ERP studyMScUniversity of Otago201165
LESLIE, WendyEvolution of a musical composition: a phenomenological studyMALaTrobe University1993164
LI, EvaHow does semantic language enhance the communicability of electroacoustic music?MMusUniversity of Auckland201345
LILE, TrudyCreating new standards : jazz arrangements of pop songs MMus PerfNZ School of Music (Victoria + Massey)2009328
LINTON, SeanThe Music of 'Are'are: Acoustemology, Environmental Influences and SustainabilityPhDUniversity of Otago2013325
LIVINGSTONE, Steven RChanging musical emotion through score and performance with a computational rule system [electronic resource]PhDUniversity of Queensland2008
LLOYD, John StanleyAn analysis of the artistic creative process : as experienced in the writing of an opera PhDUniversity of Technology Sydney20062 vol
LOVE, MartynCollective conceptualization: a methodology for contemporary film score composers: a portfolio of compositions (disposed as a film score) and exegesis.PhDUniversity of Adelaide2013245
LYONS, Andrew D.Time space texture : an approach to audio-visual composition PhDUniversity of Sydney2003291 + 1 vid disk
MacARTHUR, Jirrah WalkerInterval restriction : a composition system and its automation MMusUniversity of Tasmania19991 vol + 2 cass
MacGREGOR, Robert ColinThe design of computer-based composition software based on the intuitive symbolic representations of music by young children M.Ed (Hons)University of Wollongong1991130
MACLEOD, Andrew LachlanDe la sonorité [electronic resource] : the Bel canto flute method of Marcel MoyseMPhilUniversity of Queensland200949
MacMILLAN, BrendanMML Analysis of melodyM Comp. Sc.Monash University1997198
MAGILL, Jonathan MatthewCognitive models for the production of polyrhythms by a West African master drummerMALaTrobe University1995127
MARCO, David John-TomFamiliarity and the perception of dissonance in musical intervals and chordsPhDUniversity of Melbourne2014
MARETT, Allan1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga noPhDOverseas1976
MARETT, AllanAn examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, SamgitaratnakaraMAOverseas1972
MARRIOTT, AndrewComputer-musician interface: ME, the music editing systemMScUniversity of Western Aust.19843 vol
MARTIN, PeterWriting for guitar groups with and without orchestraPhDSouthern Cross University2007136
MAYALL, Jeremy MarkPortfolio of Compositions: Systematic composition of cross-genre hybrid musicPhDUniversity of Waikato2015
McDONALD, Grantley"Orpheus Germanicus:" Metrical Music and the Reception of Marsilio Ficino's Poetics and Music Theory in Renaissance GermanyPhDUniversity of Melbourne2002902
MCEVOY, DavidAspects of Herbie Hancock’s pre-electric improvisational language and their application in contemporary jazz performance: a portfolio of recorded performances and exegesis.MPhilUniversity of Adelaide2014
McEWAN, NeilInterpretive signs and letters in Gregorian chant: the rhythmic and expressive differences between the episema and tenete in the manuscript of the Cantatorium, Codex 359, St. GallPhDUniversity of Sydney2002248 + CD-rom
McFADDEN, AllanKiss kiss, China doll [Creation of an opera: Kiss kiss, China doll]MCAUniversity of Newcastle20005 voll + 3 CDs
McGARITY, Gregory Melville"Musical semiology reconstructed" : an inquiry into the social, philosophical and theoretical context of the science of semiology ; the development of musical semiology and its relationship to musical analysis ; leading to analysis of selected Mozart compositions (K.550, K.515 & K.379).MMus(hons)University of New England2000181
MCINTYRE, Scott EanThe simplification of complex notation presented in aleatoric formsPhDUniversity of Tasmania2013351
McKERN, Brett MThe compositions of Brett M. McKern: to the greater glory of God DCAUniversity of Wollongong20051 vid + CD
McLENNAN-KISSEL, PaulOnsombilMMusUniversity of Otago201261 + CD
McLEOD, PhilipFast, accurate pitch detection tools for music analysisPhDUniversity of Otago2008181
McNAB, Rodger JInteractive applications of music transcriptionMScUniversity of Waikato1996120
McNAMARA, PeterPortfolio of Compositions + Stretching the boundaries of listening : changing microtonal aesthetics in the late twentieth century MMus(Comp)University of Sydney20064 vol + 86 + CD
McPHERSON, JohnCo-ordinating knowledge to improve optical music recognitionPhDUniversity of Waikato2006172
MELVILLE-CLARK, PaulaEurhythmics and piano performance : a study to determine the benefits of applying eurhythmic techniques to the preparation of piano works by undergraduate musicians.MMusUniversity of South Queensland2000117
MILLHOUSE, Thomas JAuditory-acoustic characterisation of variability in the operatic vowelPhDUniversity of Sydney2009138
MILLS, Bryce AndrewThe perception of melodic closure : a study of the factors influencing final note choice to achieve melodic closure MAMassey University197969
MILLS, JenniferOrchestral cello auditions in Australia: an assessment of commonly set excerptsMMusMonash University2016
MILLS, JonathanSound design: essays with micro-tonal tunings, musical instruments & sound spacesMARMIT University199746
MITCHELL, Anne KathrynCrossing the great divide : the composition of jazz concerti using historical sources . [Thesis + compositions]PhDSouthern Cross University20032 vol + 2 CDs
Monro, Gordon PPortfolio of Audio-visual Compositions: Accompanying Notes + The Concept of Emergence in Generative ArtMMus (Comp)University of Sydney2008 (nyiC)20 + DVD-audio + 2 D
MORPHETT, JasonFreedom through discipline : the use of rhythmic devices in the music of Mark Simmonds /​ Jason MorphettMMus.University of Sydney201073
MULDER, JohannesMaking Things Louder: Amplified Music and MultimodalityPhDUniversity of Technology Sydney2012395
MUNRO, IanMusical conversationsMCAUniversity of Newcastle200374
MURPHY, JimExpressive Musical Robots : Building, Evaluating, and Interfacing with an Ensemble of Mechatronic Instruments PhDVictoria University of Wellington2014
MYERS, PeterDirected harmonic and melodic motion, pitch structures and compositional determinants : a folio of original compositions and a critical commentary PhDMonash University2006189 + 5 scores + CD
NARUSHIMA, TerumiMusic in the work of Compagnie Maguy Marin: choreo-musical collaborative processes + Portfolio of original compositionsMMus (Comp)Australian Catholic University2003176
NG, Kwok WaiThe modes of tōgaku from Tang-period China to modern Japan : focusing on the ōshikichō, banshikichō and hyōjō modal categories PhDUniversity of Sydney20072 v
NICHOLLS, MikeSubmission for Master of Arts (Electronic Arts) [Electronic and Computer Music compositions]MAAustralian National University199654 + video
NISBET, Robert StevensonChildren's matching of melodies and their visual representationsPhDGriffith University19981 vol
NOACK, Phillip J.Folio of compositionsMMusUniversity of Melbourne2012
O'NEILL, Luke JeromeCreating new music compositions based on the number systems of composer Greg SheehanMCAUniversity of Wollongong201398
PAGE, RosalindPoetics of allegory and number in the compositions of Rosalind Page PhDUniversity of Sydney2006148 + 2 CDs - DVD =
PARISH, Brian MaxwellA graphics based scoring system for computer music synthesisMALaTrobe University19843 vol
PARKER, TraceyDiscovering a personal compositional processMCAUniversity of Newcastle200389
PATERAS, AnthonyA folio of original compositions exploring contemporary practices in notation, improvisation, live electronic performance and music for film MAMonash University200350 + 2 scores + vide
PERISSINOTTO, DominicA Survey of intabulation techniques in keyboard music of sixteenth-century SpainMMusUniversity of Melbourne2002105
PERKINS, Andrew Michael EllisFrom Pentecost to DodecaphonyPhDUniversity of Melbourne2013239
PERTOUT, AndriánThree microtonal compositions : the utilization of tuning systems in modern composition PhDUniversity of Melbourne20073 vol + 4 CD-Rom
PETHERICK, BruceOrchestration treatises of the 19th and early 20th centuriesMMusUniversity of Melbournewithdrawn c.2006
POTTER, WarwickA case study of the life and work of an Australian Orchestral Portfolio ConductorPhDUniversity of Queensland2015151
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