| HALL, Phillip Jeremy | Portfolio of compositions and exegesis [music] : Leitmotifs and their development | MMus | University of Adelaide | 2009 | 41 + CD |
| HAMMOND, Jane | An exploration of the possibilities of generating music from text | MA | Monash University | 2006 | 71 + 2 CDs + 6 score |
| HANDEL, Amanda | Music of balance: circles and squares [Portfolio of compositions] | MA (Hons) | University of Western Sydney | 2004 | 110 + CD + DVD |
| HARRIS, Philip Geoffrey. | Cortical activity associated with rhythmic grouping of pitch sequences | PhD | Swinburne University of Technology | 2007 | 312 |
| HARRIS, Wayne John | The automatic analysis of rhythm in keyboard music | MSc | University of Sydney | 1982 | 129 |
| Harrison, Clive Maxwell | A songwriter’s journey from little-c to pro-c creativity: an applied analytical autoethnography | PhD | University of Newcastle | 2016 | 445 |
| HAYNES, David Matthew | Context and process in arrangement and transcription for solo piano, left-hand alone | PhD | University of NSW | 2005 | 390 |
| HEWITT, Donna | Compositions for voice and technology [+ Dissertation] | PhD | University of Western Sydney | 2006 | 178 |
| HILL, Adam Brantley | The cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process | PhD | University of Tasmania | 2004 | 239 + 2 CD |
| HILL, Matthew | Hit scrape click drag : analysis and application of compositional methodologies at the intersection of conserved and emergent technologies | PhD | James Cook University | 2007 | 301 + CD Rom + DVD |
| HIRCHE, Kathryn Lisa | Meaningful musical engagement : the potential impact of generative music systems on learning experiences | MA | Queensland University of Technology | 2011 | 158 |
| HIRST, David | The development of a cognitive framework for the analysis of acousmatic music | PhD | University of Melbourne | 2006 | 235 |
| HIRST, David Godfrey | Digital sound analysis and synthesis using the short-time Fourier transform [sound recording] | MA | LaTrobe University | 1985 | 2 vol +1 tape |
| HOCHENBAUM, Jordan. | L'arte di interazione musicale : new musical possibilities through multimodal techniques | PhD | NZ School of Music (Victoria + Massey) | 2013 | 228 |
| HODGES, Glen John | "Eyre," a three movement instrumental work for small chamber ensemble. (Original composition); | MM | Overseas | 1991 | 117 |
| HOOPER, David Johannes | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 264 |
| HUGHES, Anthony J. | Keith Humble's twelve-tone compositional approach in the Eight Bagatelles for piano solo | MA | LaTrobe University | 2001 | 180 |
| INGS, Welby | Talking Pictures: a creative utilization of structural and aesthetic profiles from narrative music videos and television commercials in a non-spoken film text. | PhD | Auckland University of Technology | 2005 | 423 + DVD |
| IOLINI, Robert John | Simultaneity in music | MA | Macquarie University | 1998 | 228: 2 vols + 2 CDs |
| ISTVANDITY, Lauren | Musically Motivated Autobiographical Memories and the Lifetime Soundtrack | PhD | Griffith University | 2014 | 280 |
| JACKSON, Leigh | Elements of jazz | MMus | Massey University | 2001 | 144 |
| JAMES, Stuart George | Spectromorphology and spatiomorphology : wave terrain synthesis as a framework for controlling timbre spatialisation in the frequency domain | PhD | Edith Cowan University | 2015 | |
| JAYASINGHE, Rohan | The application of serial technique to tonal music: the emancipation of consonance | PhD | University of Queensland | 2011 | |
| JENKINS, Brad | Tensional processes and perception of form in three selected compositions by Kaija Saariaho | MMA | Victoria University of Wellington | 2014 | |
| JORDAN, Claire | Compositions [and analysis] | MMus(Comp) | University of Sydney | 1997 | 8pp + 5 scores + cas |
| KAMINSKYJ, Ian | Automatic recognition of musical instruments using isolated monophonic sounds | PhD | Monash University | 2004 | 543 |
| KAUR, Amrita | Rāgamālā : a garland of architecture and music | MArch | University of Auckland | 2015 | 181 + soundfile |
| KAWAMOTO, Tsubasa | Masters portfolio | MMus | University of Auckland | 2012 | 1 v. + DVD |
| KELLER, Peter Erik | Adaptive functions of meter in multipart musical rhythm | PhD | University of NSW | 2000 | 648 |
| KHOO, Sui Sin | The single hidden layer neural network based classifiers for Han Chinese folk songs | PhD | Swinburne University of Technology | 2013 | 213 |
| KILLIN, Anton | Projects in cross-cultural music composition | MMus | NZ School of Music (Victoria + Massey) | 2012 | 1 v. + 2 Discs |
| KLEIN, Eve Elizabeth | The pomegranate cycle : reconfiguring opera through performance, technology & composition | PhD | Queensland University of Technology | 2011 | 276 + 2 Discs |
| KNOPF, Michael | Illustrating the practice of composing with styles and genres; how a composer uses global, cultural & historical style and genre in creating new music + folio of compositions | DMA | Griffith University | 2011 | 136 |
| KNOPF, Michael David | Style and genre synthesis in music composition revealing and examining the craft and creative processes in composing poly-genre music | DMA | Griffith University | 2011 | 136 |
| KUO, Christy | A machine learning approach to music classification | MSc | University of Waikato | 2005 | 124 |
| KYRIAKOU, Mary-Anne | Guitar and light for solo guitar ; Betrayal, a new music-theatre work : exploring representations of self through the portrayal of women protagonists | MMus(Comp) | University of Sydney | 2006 | 41 + 2 scores |
| LAKEMANN, Virginia Kaye | Portfolio of original compositions and exegesis : an investigation of metrical contradiction, irregularity and ambiguity in music for senior secondary students and community purposes | MMUS | University of Adelaide | 2012 | 294 |
| LANDESMAN, Yossi | Automated genetic evolution of musical structures | MIT | Monash University | 2007 | 65 + CD |
| LANDRY, Shane | Beyond Ideas: The Melodic Shapes in Selected Improvisations of Saxophonist David Binney | MMus | University of Sydney | 2014 | 198 |
| LAZAR, Eric | A stylistic and historical analysis of left foot high hat techniques in Swing, Bebop, and Latin jazz drumming | MMus | University of Sydney | 2010 | 47 |
| LEE, Chyi-Huey | The role of piano pedalling in the context of piano trios | DMA | University of Auckland | 2008 | 138 |
| LEE, Seung-Yoon | Perceptual and neural processing of consonance and dissonance in musicians and non-musicians : an ERP study | MSc | University of Otago | 2011 | 65 |
| LESLIE, Wendy | Evolution of a musical composition: a phenomenological study | MA | LaTrobe University | 1993 | 164 |
| LI, Eva | How does semantic language enhance the communicability of electroacoustic music? | MMus | University of Auckland | 2013 | 45 |
| LILE, Trudy | Creating new standards : jazz arrangements of pop songs | MMus Perf | NZ School of Music (Victoria + Massey) | 2009 | 328 |
| LINTON, Sean | The Music of 'Are'are: Acoustemology, Environmental Influences and Sustainability | PhD | University of Otago | 2013 | 325 |
| LIVINGSTONE, Steven R | Changing musical emotion through score and performance with a computational rule system [electronic resource] | PhD | University of Queensland | 2008 | |
| LLOYD, John Stanley | An analysis of the artistic creative process : as experienced in the writing of an opera | PhD | University of Technology Sydney | 2006 | 2 vol |
| LOVE, Martyn | Collective conceptualization: a methodology for contemporary film score composers: a portfolio of compositions (disposed as a film score) and exegesis. | PhD | University of Adelaide | 2013 | 245 |
| LYONS, Andrew D. | Time space texture : an approach to audio-visual composition | PhD | University of Sydney | 2003 | 291 + 1 vid disk |
| MacARTHUR, Jirrah Walker | Interval restriction : a composition system and its automation | MMus | University of Tasmania | 1999 | 1 vol + 2 cass |
| MacGREGOR, Robert Colin | The design of computer-based composition software based on the intuitive symbolic representations of music by young children | M.Ed (Hons) | University of Wollongong | 1991 | 130 |
| MACLEOD, Andrew Lachlan | De la sonorité [electronic resource] : the Bel canto flute method of Marcel Moyse | MPhil | University of Queensland | 2009 | 49 |
| MacMILLAN, Brendan | MML Analysis of melody | M Comp. Sc. | Monash University | 1997 | 198 |
| MAGILL, Jonathan Matthew | Cognitive models for the production of polyrhythms by a West African master drummer | MA | LaTrobe University | 1995 | 127 |
| MARCO, David John-Tom | Familiarity and the perception of dissonance in musical intervals and chords | PhD | University of Melbourne | 2014 | |
| MARETT, Allan | 1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga no | PhD | Overseas | 1976 | |
| MARETT, Allan | An examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, Samgitaratnakara | MA | Overseas | 1972 | |
| MARRIOTT, Andrew | Computer-musician interface: ME, the music editing system | MSc | University of Western Aust. | 1984 | 3 vol |
| MARTIN, Peter | Writing for guitar groups with and without orchestra | PhD | Southern Cross University | 2007 | 136 |
| MAYALL, Jeremy Mark | Portfolio of Compositions: Systematic composition of cross-genre hybrid music | PhD | University of Waikato | 2015 | |
| McDONALD, Grantley | "Orpheus Germanicus:" Metrical Music and the Reception of Marsilio Ficino's Poetics and Music Theory in Renaissance Germany | PhD | University of Melbourne | 2002 | 902 |
| MCEVOY, David | Aspects of Herbie Hancock’s pre-electric improvisational language and their application in contemporary jazz performance: a portfolio of recorded performances and exegesis. | MPhil | University of Adelaide | 2014 | |
| McEWAN, Neil | Interpretive signs and letters in Gregorian chant: the rhythmic and expressive differences between the episema and tenete in the manuscript of the Cantatorium, Codex 359, St. Gall | PhD | University of Sydney | 2002 | 248 + CD-rom |
| McFADDEN, Allan | Kiss kiss, China doll [Creation of an opera: Kiss kiss, China doll] | MCA | University of Newcastle | 2000 | 5 voll + 3 CDs |
| McGARITY, Gregory Melville | "Musical semiology reconstructed" : an inquiry into the social, philosophical and theoretical context of the science of semiology ; the development of musical semiology and its relationship to musical analysis ; leading to analysis of selected Mozart compositions (K.550, K.515 & K.379). | MMus(hons) | University of New England | 2000 | 181 |
| MCINTYRE, Scott Ean | The simplification of complex notation presented in aleatoric forms | PhD | University of Tasmania | 2013 | 351 |
| McKERN, Brett M | The compositions of Brett M. McKern: to the greater glory of God | DCA | University of Wollongong | 2005 | 1 vid + CD |
| McLENNAN-KISSEL, Paul | Onsombil | MMus | University of Otago | 2012 | 61 + CD |
| McLEOD, Philip | Fast, accurate pitch detection tools for music analysis | PhD | University of Otago | 2008 | 181 |
| McNAB, Rodger J | Interactive applications of music transcription | MSc | University of Waikato | 1996 | 120 |
| McNAMARA, Peter | Portfolio of Compositions + Stretching the boundaries of listening : changing microtonal aesthetics in the late twentieth century | MMus(Comp) | University of Sydney | 2006 | 4 vol + 86 + CD |
| McPHERSON, John | Co-ordinating knowledge to improve optical music recognition | PhD | University of Waikato | 2006 | 172 |
| MELVILLE-CLARK, Paula | Eurhythmics and piano performance : a study to determine the benefits of applying eurhythmic techniques to the preparation of piano works by undergraduate musicians. | MMus | University of South Queensland | 2000 | 117 |
| MILLHOUSE, Thomas J | Auditory-acoustic characterisation of variability in the operatic vowel | PhD | University of Sydney | 2009 | 138 |
| MILLS, Bryce Andrew | The perception of melodic closure : a study of the factors influencing final note choice to achieve melodic closure | MA | Massey University | 1979 | 69 |
| MILLS, Jennifer | Orchestral cello auditions in Australia: an assessment of commonly set excerpts | MMus | Monash University | 2016 | |
| MILLS, Jonathan | Sound design: essays with micro-tonal tunings, musical instruments & sound spaces | MA | RMIT University | 1997 | 46 |
| MITCHELL, Anne Kathryn | Crossing the great divide : the composition of jazz concerti using historical sources . [Thesis + compositions] | PhD | Southern Cross University | 2003 | 2 vol + 2 CDs |
| Monro, Gordon P | Portfolio of Audio-visual Compositions: Accompanying Notes + The Concept of Emergence in Generative Art | MMus (Comp) | University of Sydney | 2008 (nyiC) | 20 + DVD-audio + 2 D |
| MORPHETT, Jason | Freedom through discipline : the use of rhythmic devices in the music of Mark Simmonds / Jason Morphett | MMus. | University of Sydney | 2010 | 73 |
| MULDER, Johannes | Making Things Louder: Amplified Music and Multimodality | PhD | University of Technology Sydney | 2012 | 395 |
| MUNRO, Ian | Musical conversations | MCA | University of Newcastle | 2003 | 74 |
| MURPHY, Jim | Expressive Musical Robots : Building, Evaluating, and Interfacing with an Ensemble of Mechatronic Instruments | PhD | Victoria University of Wellington | 2014 | |
| MYERS, Peter | Directed harmonic and melodic motion, pitch structures and compositional determinants : a folio of original compositions and a critical commentary | PhD | Monash University | 2006 | 189 + 5 scores + CD |
| NARUSHIMA, Terumi | Music in the work of Compagnie Maguy Marin: choreo-musical collaborative processes + Portfolio of original compositions | MMus (Comp) | Australian Catholic University | 2003 | 176 |
| NG, Kwok Wai | The modes of tōgaku from Tang-period China to modern Japan : focusing on the ōshikichō, banshikichō and hyōjō modal categories | PhD | University of Sydney | 2007 | 2 v |
| NICHOLLS, Mike | Submission for Master of Arts (Electronic Arts) [Electronic and Computer Music compositions] | MA | Australian National University | 1996 | 54 + video |
| NISBET, Robert Stevenson | Children's matching of melodies and their visual representations | PhD | Griffith University | 1998 | 1 vol |
| NOACK, Phillip J. | Folio of compositions | MMus | University of Melbourne | 2012 | |
| O'NEILL, Luke Jerome | Creating new music compositions based on the number systems of composer Greg Sheehan | MCA | University of Wollongong | 2013 | 98 |
| PAGE, Rosalind | Poetics of allegory and number in the compositions of Rosalind Page | PhD | University of Sydney | 2006 | 148 + 2 CDs - DVD = |
| PARISH, Brian Maxwell | A graphics based scoring system for computer music synthesis | MA | LaTrobe University | 1984 | 3 vol |
| PARKER, Tracey | Discovering a personal compositional process | MCA | University of Newcastle | 2003 | 89 |
| PATERAS, Anthony | A folio of original compositions exploring contemporary practices in notation, improvisation, live electronic performance and music for film | MA | Monash University | 2003 | 50 + 2 scores + vide |
| PERISSINOTTO, Dominic | A Survey of intabulation techniques in keyboard music of sixteenth-century Spain | MMus | University of Melbourne | 2002 | 105 |
| PERKINS, Andrew Michael Ellis | From Pentecost to Dodecaphony | PhD | University of Melbourne | 2013 | 239 |
| PERTOUT, Andrián | Three microtonal compositions : the utilization of tuning systems in modern composition | PhD | University of Melbourne | 2007 | 3 vol + 4 CD-Rom |
| PETHERICK, Bruce | Orchestration treatises of the 19th and early 20th centuries | MMus | University of Melbourne | withdrawn c.2006 | |
| POTTER, Warwick | A case study of the life and work of an Australian Orchestral Portfolio Conductor | PhD | University of Queensland | 2015 | 151 |
