Theory/Techs/Tools

Writersort iconThesis TitleDegreeUniversityYear# of Pages
ADENEY, Roland WilliamThe HarmonyGrid : music, space and performance in grid music systemsPhDQueensland University of Technology2011256 + Disc
ALSOP, Peter R.Using aspects of language in computer based composition: three approaches to current Australian textsMALaTrobe University1999201 + 3 audio CDs
ANDERSON, JustineFinding a voice : age, competition and mastery in singing : a discussion of the challenges that a singer faces in endeavouring to master the voice and enter the singing profession M.Mus.University of Melbourne200845
AUÉ, Johannes(E)merging idioms [music] : integrating jazz and classical ensembles : portfilio of compositions and exegesisMMusUniversity of Adelaide2010240 + CD
BAJZEK, DieterPercussion - an annotated bibliography : with special emphasis on contemporary notation and performance MALaTrobe University1986222
BAKER, AmandaComposing with computers: aesthetics, methods and musicMMusUniversity of Melbourne1988143
BANDT, RosalieModels and processes in repetitive music, 1960-1983PhDMonash University1983433
BARBELER, DamienExperiential learning in musical composition.MMusGriffith University1997109
BARKL, Michael Laurence GordonPure data as a Meta-Compositional InstrumentDCAUniversity of Wollongong2009133 + CD
BARNARD, Geoffrey DavidIndeterminate composition and ideological determination MAUniversity of Technology Sydney2003106
BARRETT, Margaret SylviaChildren's aesthetic decision-making: an analysis of children's musical discourse as composers PhDMonash University19962 vol
BELLMANN, Héctor G.Categorization of tonal music style: a quantitative investigationPhDGriffith University2012282
BELLMANN, Hector GuillermoToward a scientific taxonomy of musical stylesM.Inf.Tech (Research)Queensland University of Technology2006183
BEN-SALAMON, Nissana folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio filesMAMonash University2003c.50 + 4 scores + CD
BETTS, CatherineReading the signs : assessing the salience of percussion symbols for use in percussion notationMMusUniversity of Western Aust.201073
BLINKHORN, DanielExtra-musical consequence : reconsidering antecedent/consequent motivations MAUniversity of Wollongong200568 + 1 CD
BLINKHORN, DanielNew music composition in computer-assisted environmentsDCAUniversity of Wollongong2007134 + 14 CDs
BOLAND, Marguerite MareeThe all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositionsMALaTrobe University1999143
BOUNDS, Carolyn ZPerforming flute music of the French Baroque : an approach for modern flautists [manuscript]MAUniversity of Newcastle2010126
BRACANIN, PhilipThe function of the thematic process in dodecaphonic music : a study in analytical method PhDUniversity of Western Aust.1970345
BROWN, Andrew R.Music composition and the computer : an examination of the work practices of five experienced composers PhDUniversity of Queensland2001328
BROWNLEE, PhilipPhD in composition [Part 1. Folio of compositions -- Part 2. Structural functions of timbre in selected works of Philip Brownlee]PhDVictoria University of Wellington2007
BURRASTON, David MGenerative music and cellular automataPhDUniversity of Technology Sydney2006211 + CD-Rom
BURT, WarrenAlgorithms, Microtonality, Performance: Eleven Musical CompositionsPhDUniversity of Wollongong2007301 + 2 CDs + DVD
BYRNE, Timothy FrancisAspects of technique in Dvořák’s cello concerto [electronic resource] : an approach based on a comparative study of relevant treatisesMPhilUniversity of Queensland201057
CALLAGHAN, Laurel JeanA comparative framework for an analysis of the influence of language on national music style MAUniversity of Western Aust.19792 vol
CAMPBELL, Steven JamesThe application in original musical compositions of algorithms within four music composition software programs and the development of composition algorithms within Phrase Garden, an original music composition software programPhDUniversity of New England1997355
CAREY, Benedict ErisNotation sequence generation and sound synthesis in interactive spectral musicMMus(Comp)University of Sydney201364
CASTEELS, RobertBerlayar ke mata hari (Set sail to the sun) : a folio of original compositions comprising the use of gamelan instruments with related exegesisPhDUniversity of Melbourne20032 vol + 3 CD-Roms
CATRICE, AndrePortfolio of compositions and analysisMMusUniversity of Melbourne19898 vol
CHAN, Chi ManAspects of the impact of postmodernist thought on the analysis of musicMAUniversity of Sydney199675
CHAPLIN, PeterFolio of compositions and analysesMMusUniversity of Melbourne19867 vol + tape
CHAPMAN, Jim (James Norman)Afro No-Clash: Composing syncretic African/Western music: Eleven Compositions and frameworks for their systematic analysisPhDQueensland University of Technology20072v (225 + 237) + 1CD
CHI, Jasmine Yi-TzuCreative process in electroacoustic music with live acoustic performance composition : an observation on sound and the performer's gestureMMus(Composition)University of Auckland200930 + DVD
CHIANG, Niann TsuuOptical music recognition: processing the sacred harpMCMSCUniversity of Waikato1998104
CHUA, Bee YongAutomatic extraction of perceptual features and categorization of music emotional expressions from polyphonic music audio signals PhDMonash University2007171
CODDINGTON, Anna PinengaSinging as we speak? : an exploratory investigation of singing pronunciation in New Zealand popular music MAUniversity of Auckland2004135
COLE, FredCreative practices in Australian techno and other electronica : a folio of original compositions and supporting documentation PhDSouthern Cross University1999221
CONSTANTINO, R.An approach to the language of music through the relationship of poetic texts to song writingPhDUniversity of Sydneywithdrawn 1968
COOK, Shane SamuelMinimum message length comparison of musical sequencesMScUniversity of Waikato1994114
CZAPLOWSKI, PhilipThe use of multiple styles as a compositional approach PhDMonash University20072 vol + CD
DAVIDSON, RobertFolio of compositions and critical commentaryPhDUniversity of Queensland20012 vol
DENCH, ChrisTowards an ethics of musical compositionMMusUniversity of Melbourne199873
DEWSNIP, Michael JEvaluating melody retrieval algorithmsMCMSUniversity of Waikato2002131
DIXON, John WayneProspect and retrospect: a composer analyses thirteen of his own compositionsMA (Hons)University of Wollongong1987200 + 13 scores + 1
DIXON, Michael HughJust intonation: a study through its notationMMusGriffith University2000111 + 1 audio CD
DJORDJEVIC, Sinisa DanilaStudy of the effect of mood and emotion of the spectra of sustained sung vowels and consonants PhDMonash University1995136
DRAPE, RohanRule-following, pre-compositional environmentsMALaTrobe University199988 + 1 audio CD
DRUMMOND, Jon RobertIntegrated development environment for computer music composition MSc (Hons)Macquarie University1998106 + 1 CD-ROM
DUANCE, KarynCompositional and performance techniques of women rock musiciansMMusUniversity of Sydney1999NiC
DUNCAN, WaynePortfolio of Original Compositions PhDUniversity of Adelaide2007322
EVANS, SamuelRepresenting tabla music : defining an effective notation system for Indian tabla repertoire MAMonash University2010105 + DVD
FANANY, RunaThe Devil’s Due: the musical representation of the Devil in selected Hollywood film scoresPhDMonash University2011320
FITZGERALD, Thomas ANew music composition for live performance and interactive multimediaDCAUniversity of Wollongong2004180 + 6 folios + 4 D
FONG, Francis Kam-YuenA musical analysis of the Cantonese language and some implications in the classroom MMus Ed.University of Western Aust.1990173
FORSTER, RaymondAn investigation into a cohesive method of teaching jazz harmony and improvisation to elective music students in secondary schools using the basic principals of chord-scale theoryMMusUniversity of Sydney201091
FOX, RobinContingency and space as structural concerns in a folio of interactive electroacoustic compositions PhDMonash University200693 + DVD + ADAT Tape
FRANKLIN, James AshleyCircles and arrows : an outline of a concept of musical metaanalysis and its implications MMusUniversity of Sydney1987142
FREDERICKS, Ian FrancisThe development and use of computational models of creative musical intelligence in the composition and realization of Death of a dragon, StarMist, Violins in space, and Spirals : 1998-March 2001 PhDUniversity of Sydney2005204 + 4 CDs
FREEMAN, LliamDeveloping an improviser's "tool-kit" : exploring methodologies towards the development of improvisational skill and fluency in the performance of original work in jazz ensemble MAMonash University200656 + CD
FREEMAN, Peter A.Neural networks in the analysis of music MMusUniversity of Queensland199485
FREER, NicholasEvening the odds : an analysis of methodologies used to generate harmonic rhythm in asymmetrical meters since the 1950s and their subsequent implications for contemporary improvisationMAMonash University201076 + CD
GALEA, JeffGhana: the folk music of Malta influences on my musicMAUniversity of Wollongong200565 + 1 CD
GALLACHER, LynetteWords under pressure: an investigation of compositional linguistics focussing on recent work by Chris MannPhDLaTrobe University1996217
GARD, StephenNasty Noises: 'Error' as a Compositional ElementMMus CompUniversity of Sydney200468 + 2 CD
GARRETT, LindaMicro-intonation and the viola : a study of just intonation, the Pythagorean scale and equal temperament in relation to the performance of unaccompanied viola repertoireMPhil (perf)University of Queensland200632
GAYLER, Ross WatsonDevelopment of a methodology and theoretical framework for melodic discriminationPhDUniversity of Queensland1987231
GEAKE, JohnAn information processing study of individual differences in perception of pitch fluctuations in music.PhDUniversity of New England1996393
GERRARD, GraemeCOMPOST : a language for computer music composition - sound synthesis from spectral functions MALaTrobe University19862 vol + accompanying
GIFFORD, TobyImprovisation in interactive music systemsPhDQueensland University of Technology2011205 + Disc
GILL, Brad Compositional technique and the exploration of spirituality in the music of Brad Gill + Folio of Original CompositionsPhDUniversity of Sydney2005114 + CDs
GIOVINAZZO, JosephTimbral design of primary melody in the first movement of Bartok's concerto for orchestra and a folio of musical compositionsMALaTrobe University1992132
GIOVINAZZO, JosephAnalytical models of timbral architecture in music: an application to the orchestral miniatures of Igor StravinskyPhDLaTrobe University2001291
GOODWIN, RussellFurthering the understanding of indeterminacy in music compositionPhDMonash University200793 + 5 scores + 2 CD
GRAY, Janette MaryComposing music for childrenMMusUniversity of Sydney19744 vol
GREEN, Thomas"An integration of score-based and digitally produced composition" - folio of compositions and critical commentaryPhDUniversity of QueenslandIn Progress (2009)
GREIG, RobbieA consciousness perspective on musical development : towards an integrative developmental theory of music based on the conceptual framework of Ken Wilber M.EdLaTrobe University1993108
HAIR, Greta MaryTroped introits and communions from eleventh century Aquitaine manuscript Paris Bibliotheque Nationale fonds Latin 903: a study in musical reconstructionPhDUniversity of Sydney19883 vol
HALL, Phillip JeremyPortfolio of compositions and exegesis [music] : Leitmotifs and their developmentMMusUniversity of Adelaide200941 + CD
HAMMOND, JaneAn exploration of the possibilities of generating music from text MAMonash University200671 + 2 CDs + 6 score
HANDEL, AmandaMusic of balance: circles and squares [Portfolio of compositions]MA (Hons)University of Western Sydney2004110 + CD + DVD
HARRIS, Philip Geoffrey.Cortical activity associated with rhythmic grouping of pitch sequencesPhDSwinburne University of Technology2007312
HARRIS, Wayne JohnThe automatic analysis of rhythm in keyboard music MScUniversity of Sydney1982129
HAYNES, David MatthewContext and process in arrangement and transcription for solo piano, left-hand alonePhDUniversity of NSW2005390
HEWITT, DonnaCompositions for voice and technology [+ Dissertation]PhDUniversity of Western Sydney2006178
HILL, Adam BrantleyThe cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process PhDUniversity of Tasmania2004239 + 2 CD
HILL, MatthewHit scrape click drag : analysis and application of compositional methodologies at the intersection of conserved and emergent technologiesPhDJames Cook University2007301 + CD Rom + DVD
HIRCHE, Kathryn LisaMeaningful musical engagement : the potential impact of generative music systems on learning experiencesMAQueensland University of Technology2011158
HIRST, DavidThe development of a cognitive framework for the analysis of acousmatic musicPhDUniversity of Melbourne2006235
HIRST, David GodfreyDigital sound analysis and synthesis using the short-time Fourier transform [sound recording]MALaTrobe University19852 vol +1 tape
HODGES, Glen John"Eyre," a three movement instrumental work for small chamber ensemble. (Original composition);MMOverseas1991117
HOOPER, David JohannesFolio of compositions and critical commentaryPhDUniversity of Queensland2001264
HUGHES, Anthony J.Keith Humble's twelve-tone compositional approach in the Eight Bagatelles for piano soloMALaTrobe University2001180
INGS, WelbyTalking Pictures: a creative utilization of structural and aesthetic profiles from narrative music videos and television commercials in a non-spoken film text.PhDAuckland University of Technology2005423 + DVD
IOLINI, Robert JohnSimultaneity in musicMAMacquarie University1998228: 2 vols + 2 CDs
JACKSON, LeighElements of jazzMMusMassey University2001144
JORDAN, ClaireCompositions [and analysis]MMus(Comp)University of Sydney19978pp + 5 scores + cas
JOSEPH, TommyElements of orchestrationMCAUniversity of Wollongongin progress (NiC08/07)
KAMINSKYJ, IanAutomatic recognition of musical instruments using isolated monophonic sounds PhDMonash University2004543
KARDOS, Leah“21st Century composer as producer: utilising technology as a creative tool in the composition, realisation and performance of new music”PhDUniversity of QueenslandIn Progress (2009)
Syndicate content