| ALSOP, Peter R. | Using aspects of language in computer based composition: three approaches to current Australian texts | MA | LaTrobe University | 1999 | 201 + 3 audio CDs |
| BAJZEK, Dieter | Percussion - an annotated bibliography : with special emphasis on contemporary notation and performance | MA | LaTrobe University | 1986 | 222 |
| BAKER, Amanda | Composing with computers: aesthetics, methods and music | MMus | University of Melbourne | 1988 | 143 |
| BANDT, Rosalie | Models and processes in repetitive music, 1960-1983 | PhD | Monash University | 1983 | 433 |
| BARBELER, Damien | Experiential learning in musical composition. | MMus | Griffith University | 1997 | 109 |
| BARKL, Michael Laurence Gordon | Pure data as a Meta-Compositional Instrument | DCA | University of Wollongong | 2009 | 133 + CD |
| BARNARD, Geoffrey David | Indeterminate composition and ideological determination | MA | University of Technology Sydney | 2003 | 106 |
| BARRETT, Margaret Sylvia | Children's aesthetic decision-making: an analysis of children's musical discourse as composers | PhD | Monash University | 1996 | 2 vol |
| BELLMANN, Hector Guillermo | Toward a scientific taxonomy of musical styles | M.Inf.Tech (Research) | Queensland University of Technology | 2006 | 183 |
| BEN-SALAMON, Nissan | a folio of original music compositions that explores the integration and development of derived materials, including a painting, African rhythms, synesthesia, poetry and pre-recorded audio files | MA | Monash University | 2003 | c.50 + 4 scores + CD |
| BLINKHORN, Daniel | Extra-musical consequence : reconsidering antecedent/consequent motivations | MA | University of Wollongong | 2005 | 68 + 1 CD |
| BLINKHORN, Daniel | New music composition in computer-assisted environments | DCA | University of Wollongong | 2007 | 134 + 14 CDs |
| BOLAND, Marguerite Maree | The all-trichord hexachord : compositional strategies in Elliott Carter's Con leggerezza pensosa and Gra and a folio of original compositions | MA | LaTrobe University | 1999 | 143 |
| BRACANIN, Philip | The function of the thematic process in dodecaphonic music : a study in analytical method | PhD | University of Western Aust. | 1970 | 345 |
| BROWN, Andrew R. | Music composition and the computer : an examination of the work practices of five experienced composers | PhD | University of Queensland | 2001 | 328 |
| BROWNLEE, Philip | PhD in composition [Part 1. Folio of compositions -- Part 2. Structural functions of timbre in selected works of Philip Brownlee] | PhD | Victoria University of Wellington | 2007 | |
| BURRASTON, David M | Generative music and cellular automata | PhD | University of Technology Sydney | 2006 | 211 + CD-Rom |
| BURT, Warren | Algorithms, Microtonality, Performance: Eleven Musical Compositions | PhD | University of Wollongong | 2007 | 301 + 2 CDs + DVD |
| CALLAGHAN, Laurel Jean | A comparative framework for an analysis of the influence of language on national music style | MA | University of Western Aust. | 1979 | 2 vol |
| CAMPBELL, Steven James | The application in original musical compositions of algorithms within four music composition software programs and the development of composition algorithms within Phrase Garden, an original music composition software program | PhD | University of New England | 1997 | 355 |
| CASTEELS, Robert | Berlayar ke mata hari (Set sail to the sun) : a folio of original compositions comprising the use of gamelan instruments with related exegesis | PhD | University of Melbourne | 2003 | 2 vol + 3 CD-Roms |
| CATRICE, Andre | Portfolio of compositions and analysis | MMus | University of Melbourne | 1989 | 8 vol |
| CHAN, Chi Man | Aspects of the impact of postmodernist thought on the analysis of music | MA | University of Sydney | 1996 | 75 |
| CHAPLIN, Peter | Folio of compositions and analyses | MMus | University of Melbourne | 1986 | 7 vol + tape |
| CHAPMAN, Jim (James Norman) | Afro No-Clash: Composing syncretic African/Western music: Eleven Compositions and frameworks for their systematic analysis | PhD | Queensland University of Technology | 2007 | 2v (225 + 237) + 1CD |
| CHIANG, Niann Tsuu | Optical music recognition: processing the sacred harp | MCMSC | University of Waikato | 1998 | 104 |
| CHUA, Bee Yong | Automatic extraction of perceptual features and categorization of music emotional expressions from polyphonic music audio signals | PhD | Monash University | 2007 | 171 |
| CODDINGTON, Anna Pinenga | Singing as we speak? : an exploratory investigation of singing pronunciation in New Zealand popular music | MA | University of Auckland | 2004 | 135 |
| COLE, Fred | Creative practices in Australian techno and other electronica : a folio of original compositions and supporting documentation | PhD | Southern Cross University | 1999 | 221 |
| CONSTANTINO, R. | An approach to the language of music through the relationship of poetic texts to song writing | PhD | University of Sydney | withdrawn 1968 | |
| COOK, Shane Samuel | Minimum message length comparison of musical sequences | MSc | University of Waikato | 1994 | 114 |
| CZAPLOWSKI, Philip | The use of multiple styles as a compositional approach | PhD | Monash University | 2007 | 2 vol + CD |
| DAVIDSON, Robert | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 2 vol |
| DENCH, Chris | Towards an ethics of musical composition | MMus | University of Melbourne | 1998 | 73 |
| DEWSNIP, Michael J | Evaluating melody retrieval algorithms | MCMS | University of Waikato | 2002 | 131 |
| DIXON, John Wayne | Prospect and retrospect: a composer analyses thirteen of his own compositions | MA (Hons) | University of Wollongong | 1987 | 200 + 13 scores + 1 CD |
| DIXON, Michael Hugh | Just intonation: a study through its notation | MMus | Griffith University | 2000 | 111 + 1 audio CD |
| DJORDJEVIC, Sinisa Danila | Study of the effect of mood and emotion of the spectra of sustained sung vowels and consonants | PhD | Monash University | 1995 | 136 |
| DRAPE, Rohan | Rule-following, pre-compositional environments | MA | LaTrobe University | 1999 | 88 + 1 audio CD |
| DRUMMOND, Jon Robert | Integrated development environment for computer music composition | MSc (Hons) | Macquarie University | 1998 | 106 + 1 CD-ROM |
| DUANCE, Karyn | Compositional and performance techniques of women rock musicians | MMus | University of Sydney | 1999 | NiC |
| DUNCAN, Wayne | Portfolio of Original Compositions | PhD | University of Adelaide | 2007 | 322 |
| FANANY, Runa | The Devil's Due: The Musical Depiction of the Devil in Selected Hollywood Film Scores | PhD | Monash University | In progress (2008) | |
| FITZGERALD, Thomas A | New music composition for live performance and interactive multimedia | DCA | University of Wollongong | 2004 | 180 + 6 folios + 4 DVD + 5 CD |
| FONG, Francis Kam-Yuen | A musical analysis of the Cantonese language and some implications in the classroom | MMus Ed. | University of Western Aust. | 1990 | 173 |
| FOX, Robin | Contingency and space as structural concerns in a folio of interactive electroacoustic compositions | PhD | Monash University | 2006 | 93 + DVD + ADAT Tape + Score |
| FRANKLIN, James Ashley | Circles and arrows : an outline of a concept of musical metaanalysis and its implications | MMus | University of Sydney | 1987 | 142 |
| FREDERICKS, Ian Francis | The development and use of computational models of creative musical intelligence in the composition and realization of Death of a dragon, StarMist, Violins in space, and Spirals : 1998-March 2001 | PhD | University of Sydney | 2005 | 204 + 4 CDs |
| FREEMAN, Lliam | Developing an improviser's "tool-kit" : exploring methodologies towards the development of improvisational skill and fluency in the performance of original work in jazz ensemble | MA | Monash University | 2006 | 56 + CD |
| FREEMAN, Peter A. | Neural networks in the analysis of music | MMus | University of Queensland | 1994 | 85 |
| GALEA, Jeff | Ghana: the folk music of Malta influences on my music | MA | University of Wollongong | 2005 | 65 + 1 CD |
| GALLACHER, Lynette | Words under pressure: an investigation of compositional linguistics focussing on recent work by Chris Mann | PhD | LaTrobe University | 1996 | 217 |
| GARD, Stephen | Nasty Noises: 'Error' as a Compositional Element | MMus Comp | University of Sydney | 2004 | 68 + 2 CD |
| GARRETT, Linda | Micro-intonation and the viola : a study of just intonation, the Pythagorean scale and equal temperament in relation to the performance of unaccompanied viola repertoire | MPhil (perf) | University of Queensland | 2006 | 32 |
| GAYLER, Ross Watson | Development of a methodology and theoretical framework for melodic discrimination | PhD | University of Queensland | 1987 | 231 |
| GEAKE, John | An information processing study of individual differences in perception of pitch fluctuations in music. | PhD | University of New England | 1996 | 393 |
| GERRARD, Graeme | COMPOST : a language for computer music composition - sound synthesis from spectral functions | MA | LaTrobe University | 1986 | 2 vol + accompanying sound recording |
| GILL, Brad | Compositional technique and the exploration of spirituality in the music of Brad Gill + Folio of Original Compositions | PhD | University of Sydney | 2005 | 114 + CDs |
| GIOVINAZZO, Joseph | Timbral design of primary melody in the first movement of Bartok's concerto for orchestra and a folio of musical compositions | MA | LaTrobe University | 1992 | 132 |
| GIOVINAZZO, Joseph | Analytical models of timbral architecture in music: an application to the orchestral miniatures of Igor Stravinsky | PhD | LaTrobe University | 2001 | 291 |
| GOODWIN, Russell | Furthering the understanding of indeterminacy in music composition | PhD | Monash University | 2007 | 93 + 5 scores + 2 CDs |
| GRAY, Janette Mary | Composing music for children | MMus | University of Sydney | 1974 | 4 vol |
| GREEN, Thomas | "An integration of score-based and digitally produced composition" - folio of compositions and critical commentary | PhD | University of Queensland | In Progress (2009) | |
| GREIG, Robbie | A consciousness perspective on musical development : towards an integrative developmental theory of music based on the conceptual framework of Ken Wilber | M.Ed | LaTrobe University | 1993 | 108 |
| HAIR, Greta Mary | Troped introits and communions from eleventh century Aquitaine manuscript Paris Bibliotheque Nationale fonds Latin 903: a study in musical reconstruction | PhD | University of Sydney | 1988 | 3 vol |
| HAMMOND, Jane | An exploration of the possibilities of generating music from text | MA | Monash University | 2006 | 71 + 2 CDs + 6 scores |
| HANDEL, Amanda | Music of balance: circles and squares [Portfolio of compositions] | MA (Hons) | University of Western Sydney | 2004 | 110 + CD + DVD |
| HARRIS, Philip Geoffrey. | Cortical activity associated with rhythmic grouping of pitch sequences | PhD | Swinburne University of Technology | 2007 | 312 |
| HARRIS, Wayne John | The automatic analysis of rhythm in keyboard music | MSc | University of Sydney | 1982 | 129 |
| HAYNES, David Matthew | Context and process in arrangement and transcription for solo piano, left-hand alone | PhD | University of NSW | 2005 | 390 |
| HEWITT, Donna | Compositions for voice and technology [+ Dissertation] | PhD | University of Western Sydney | 2006 | 178 |
| HILL, Adam Brantley | The cimmerian and the elysian : how musical and extra-musical models and expressive ethos affect the compositional process | PhD | University of Tasmania | 2004 | 239 + 2 CD |
| HIRST, David | The development of a cognitive framework for the analysis of acousmatic music | PhD | University of Melbourne | 2006 | 235 |
| HIRST, David Godfrey | Digital sound analysis and synthesis using the short-time Fourier transform [sound recording] | MA | LaTrobe University | 1985 | 2 vol +1 tape |
| HODGES, Glen John | "Eyre," a three movement instrumental work for small chamber ensemble. (Original composition); | MM | Overseas | 1991 | 117 |
| HOOPER, David Johannes | Folio of compositions and critical commentary | PhD | University of Queensland | 2001 | 264 |
| HUGHES, Anthony J. | Keith Humble's twelve-tone compositional approach in the Eight Bagatelles for piano solo | MA | LaTrobe University | 2001 | 180 |
| INGS, Welby | Talking Pictures: a creative utilization of structural and aesthetic profiles from narrative music videos and television commercials in a non-spoken film text. | PhD | Auckland University of Technology | 2005 | 423 + DVD |
| IOLINI, Robert John | Simultaneity in music | MA | Macquarie University | 1998 | 228: 2 vols + 2 CDs |
| JACKSON, Leigh | Elements of jazz | MMus | Massey University | 2001 | 144 |
| JORDAN, Claire | Compositions [and analysis] | MMus(Comp) | University of Sydney | 1997 | 8pp + 5 scores + cass + video |
| JOSEPH, Tommy | Elements of orchestration | MCA | University of Wollongong | in progress (NiC08/07) | |
| KAMINSKYJ, Ian | Automatic recognition of musical instruments using isolated monophonic sounds | PhD | Monash University | 2004 | 543 |
| KARDOS, Leah | “21st Century composer as producer: utilising technology as a creative tool in the composition, realisation and performance of new music” | PhD | University of Queensland | In Progress (2009) | |
| KELLER, Peter Erik | Adaptive functions of meter in multipart musical rhythm | PhD | University of NSW | 2000 | 648 |
| KNOPF, Michael | Illustrating the practice of composing with styles and genres; how a composer uses global, cultural & historical style and genre in creating new music + folio of compositions | DMA | Griffith University | In progress (2007) | |
| KUO, Christy | A machine learning approach to music classification | MSc | University of Waikato | 2005 | 124 |
| KYRIAKOU, Mary-Anne | Guitar and light for solo guitar ; Betrayal, a new music-theatre work : exploring representations of self through the portrayal of women protagonists | MMus(Comp) | University of Sydney | 2006 | 41 + 2 scores |
| LANDESMAN, Yossi | Automated genetic evolution of musical structures | MIT | Monash University | 2007 | 65 + CD |
| LESLIE, Wendy | Evolution of a musical composition: a phenomenological study | MA | LaTrobe University | 1993 | 164 |
| LLOYD, John Stanley | An analysis of the artistic creative process : as experienced in the writing of an opera | PhD | University of Technology Sydney | 2006 | 2 vol |
| LYONS, Andrew D. | Time space texture : an approach to audio-visual composition | PhD | University of Sydney | 2003 | 291 + 1 vid disk |
| MacARTHUR, Jirrah Walker | Interval restriction : a composition system and its automation | MMus | University of Tasmania | 1999 | 1 vol + 2 cass |
| MacGREGOR, Robert Colin | The design of computer-based composition software based on the intuitive symbolic representations of music by young children | M.Ed (Hons) | University of Wollongong | 1991 | 130 |
| MacMILLAN, Brendan | MML Analysis of melody | M Comp. Sc. | Monash University | 1997 | 198 |
| MAGILL, Jonathan Matthew | Cognitive models for the production of polyrhythms by a West African master drummer | MA | LaTrobe University | 1995 | 127 |
| MARETT, Allan | 1976 Hakuga’s flute score:an examination of the sources, notation and historical significance of the oldest surviving source in flute notation for the Togaku repertory of Japanese music, the Hakuga no | PhD | Overseas | 1976 | |
| MARETT, Allan | An examination of the Jati melodies and their characteristics as described in the fourteenth century Indian treatise, Samgitaratnakara | MA | Overseas | 1972 | |
| MARRIOTT, Andrew | Computer-musician interface: ME, the music editing system | MSc | University of Western Aust. | 1984 | 3 vol |
| MARSHALL, Matthew | 20th-century guitar techniques: a composer's handbook | MMus | Victoria University of Wellington | in progress (NiC08/07) | |
