Author Contactable via this Register? No

Link to Thesis:

Other Links: Abstract | |

Abstract/Summary/Outline:

This dissertation makes a case for the application of Michael Chekhov’s Psychological Gesture as a method by which classical singers can integrate the components of voice training and role characterisation to make a successful transition from studio preparation to operatic work. It aims to awaken the singer’s imagination in performance to counter-balance the technical emphasis of the conservatorium singing studio...

Notes/Other Information: