Anon

PhD University of Queensland In Progress (2009) Pages:

“21st Century composer as producer: utilising technology as a creative tool in the composition, realisation and performance of new music”

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Abstract/Summary/Outline:

“Composers working as freelancers in the world today are increasingly being called upon to understand current technology, to then realise, record and produce their own works in a studio environment. This extra work could be viewed as a chore or ‘necessary evil’, but I prefer to think of it as a wonderful creative opportunity to explore.

New distribution methods continue to proliferate and it is through recordings, rather than concert performances, that composers have a Presence in these channels.

The rise and evolution of music technology over the last 50 years has dramatically changed the way music sounds and is experienced by its audience. Recording techniques and the synthesized, sampled, affected, manipulated sounds made possible by new and diverse means have altered the sonic palette - radio, film/TV, music download sites and interactive games have created new contexts for music to be experienced and consumed.

The vast arsenal of music technology tools available today allows experimentation and the exploitation of new sounds, textures and colours. These advancements facilitate the realisation and recording of original music with more ease and less expense, allowing the composer to manipulate recorded performances further by means of digital effects, spatial mixing, looping and sampling”

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